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In 20th Century Ambient, writer Dusty Henry blends prose and comics to trace how ambient music quietly became one of the century’s most pervasive forms, from Satie and dub to Eno, Alice Coltrane and streaming‑era wellness soundscapes.
In Minimalist Music, critic George Jr. Grella treats minimalism less as a style than as a set of techniques, tracing how process, repetition and reduction have migrated across genres to become one of contemporary music’s most adaptable practices.
In The Sound of the Machine, former Kraftwerk member Karl Bartos offers a wry, detailed memoir of life inside and beyond Kling Klang, tracing how post‑war childhood, pop dreams and classroom work converged in some of electronic music’s most enduring songs.
In Futuromania, critic Simon Reynolds assembles essays and interviews into a time‑spanning narrative of machine music, tracing how electronic pop, from Moroder to Burial, has channelled science‑fiction fantasies and anxieties into new futures for sound.
In Ukrainian Field Notes, Gianmarco Del Re uses more than 300 interviews to trace how war reshapes listening, following Ukrainian musicians as they compose amid sirens, shelters and displacement while forging new local and diasporic sonic communities.
In Volcanic Tongue, David Keenan gathers decades of visionary criticism, charting late‑20th‑century underground sound through ecstatic essays, interviews and close‑listening dispatches that treat marginal scenes as the true engines of musical modernity.
Black Ark is a 600‑page visual and textual immersion into Lee “Scratch” Perry’s legendary Kingston studio, assembled by Ishion Hutchinson, Kodwo Eshun, Lee Scratch Perry and Veerle Poupeye: a dense, collaged “house‑book” where dub’s sonic revolution is mirrored in murals, talismanic objects and layered histories.
In Spacemen 3 Vinyl – Extended Edition, Danny Passarella assembles the definitive visual chronicle of Sonic Boom and J Spaceman’s recorded universe: a lavish, full‑colour archive of global pressings, ephemera and new interviews that turns their vinyl trail into a tactile, time‑spanning narrative.
In Hypnotised: A Journey Through Trance Music (1990–2005), Arjan Rietveld traces trance from smoky backrooms to global main stages, charting how a marginal, emotional strain of dance music became a worldwide language of euphoria, melancholy and collective release.
Svartmálmur, Ditto’s latest publication, is a portrait of the Icelandic Black Metal scene by photographer Verði ljós, the alter-ego of Wormlust musician Hafsteinn Viðar Ársælsson.
French Language Edition This volume examines the protean and intermedial work of Pierre Alferi (1963-2023), in order to account for its singularity, and to situate it within contemporary poetic and artistic practices.
Italian Language Edition Una monografia esauriente e completa di uno dei maggiori artisti e poeti visivi del secondo novecento italiano, Arrigo Lora Totino. Un catalogo ragionato di poesie, performances, libri d’artista, video.
* Deluxe 88 pages offset printed CMYK, sewn-glued binding, and folded flaps cover * Building upon and furthering his efforts in attending to the contemporary landscape of music via insightful texts, from the ashes of his longstanding zine, Personal Best, Lasse Marhaug delivers his brand new outing in periodical publishing with the first installment of 8090 VÅG, Nothing Personal. Comprising interviews with Ronny Wærnes, Stina Stjern; Mental Overdrive, Government Alpha, Fredrik Nilsen, Jérôme Noe…
The Pink Violin by Jon Rose and Rainer Linz is a gloriously over‑the‑top fake biography of non‑existent violinist–composer Dr. Johannes Rosenberg, a “reformist parody” that lampoons art‑school scholarship, new‑music mythologies and violin culture with such detail and deadpan rigor it almost passes for the real thing.
The first monograph on John Giorno (1936-2019), poet, performer and activist who brought the written word off the page and into life. Accompanying the MAMbo Bologna retrospective, it maps six decades of radical practice at the crossroads of poetry, art and political action.
Drawings, Collages, Paintings reveals Adam Bohman as a visual artist every bit as singular as his music, collecting five decades of creatures, cowboys, food‑packet detritus and biro‑scrawled ephemera into a thick, disarming portrait of an English visionary working at the kitchen‑table edge of art history.
Hardcover, 468 pages, 21×27 cm! In the wake of his Cause And Effect cassette label and distribution service, Hal McGee launched Electronic Cottage International Magazine. From 1989 to 1991, its six issues focused on the independent home recording community – artists who had developed their craft in the post-punk DIY era. The contributors were nearly all members of the hometaper community. The magazine featured articles providing helpful tips and highlighted the challenges hometapers faced. It in…
Published on the occasion of the 2025 exhibition Corps à cordes: Vibrations and Resonances at the Musée d’Art et de Culture Soufis MTO in Chatou, curated by Elena Sorokina and Simona Dvorák, this book explores the resonances between Sufism and contemporary artistic practice. Taking the setâr - a key Sufi instrument - as a central metaphor, it reflects on the vibratory nature of emotion, healing, and transmission across human, ecological, and spiritual realms. Conceived as both an extension of th…
The collection of previously unpublished interviews and extended versions of Alan Licht's famous conversations with figures in the American art and music scene.
The life and work of Maryanne Amacher are as vast as they are as yet unknown. A heterodox and idiosyncratic selection of largely unpublished documents spanning the bandwidth of the still unprocessed contents of the Amacher archive.