Vogel Musik
Since performing in the late 1960s and through the early '80s as half of the German duo Anima (with Paul Fuchs), Limpe Fuchs continues to explore music-making as a part of everyday life. Her vibrant live performances are numerous and consist of solo as well as ongoing collaborative works. On Vogel Musik (or "Bird-music"), Fuchs is heard performing a series of duos with multi-instrumentalist Christoph Reiserer (saxes/clarinet) (recorded in 2002). The duo then extends to a trio with Julia Schoelze…
Nur Mar Mus
It is no exaggeration to say that Limpe Fuchs' musical creations really have a life of their own, whether the sounds are produced by conventional instruments, vocal chords, or even from objects she found or constructed specifically for that purpose. Her music is characterized, especially when she is playing the ballastring instruments, by the reverberating humming of the strings, rich in overtones, and by the mysterious echoes emanating from stones. For Limpe Fuchs, music means setting out on a …
Palette Sonore
1996 release (RARE) ** Bernard and François Baschet are the creators of the sound structures and the Cristal. This album features 14 compositions using instruments designed by the Baschet brothers. Music by: Cathy Tardieu, Marianne Joliet, Sophie Chenet, Jean-Luc Zuntini, Michel Deneuve, Marc-Antoine Millon, Fernand Vandenbogaerde, Alain Labarsouque, Marin Favre.
Twelve signals
New CD from German sound artist Christina Kubisch on Semishigure, a similar exploration of sound & silence as the first one, Diapason (SEMI 002). On Twelve Signals Kubisch used original miner bells from a German mine to produce an hour long piece of bell tones. Several electrical bells were hit with small hammers each giving forth a sequence of clear bell tones that hover in the air. This live recording was made in the St. Matthaeus-Kirche in Berlin: halfway through the recording the original ri…
Gong +
2002 release. Gong + presents three previously-unpublished compositions by Philip Corner recorded in New York City, 1974. "Metal Meditations with Listening Center," a 29-minute long piece, is a collaboration between Philip Corner and Bill Fontana. At that time Bill Fontana was very interested in the resonance properties of every object, putting his ear to everything, and sometimes recording what he called "Listening Centers," a microphone placed in a resonating space (for example a jar, or a pip…