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Three fixed-media works by eRikm from 2013 to 2016: an Icelandic crossing built around a folk tale, New Year’s Eve fireworks on a Berlin street, and a fire-retardant scar on the hills above Marseille, with a text by psychiatrist Georges Yoram Federmann.
In the field of biology Heterozygous (Hétérozygote) means: a plant whose heredity is mixed. It implies that Hétérozygote, composed between December 1963 and March 1964, is an attempt to engineer a language located both on the musical and on the dramatic plane. You could call this music "Anecdotal Music" for if the organization of events is purely musical, their choice suggests situations justified at two levels: the music and the anecdote. Luc Ferrari explains the piece Petite Symphonie Int…
Six works from 1986 to 1994 in which Yves Daoust turns everyday sounds and borrowed classics into music: Chopin recorded note by note, Schubert under Radio-Canada archives, Montréal church bells and dripping icicles.
Book of 26 black-and-white landscape photographs by Werner Hannappel, taken in the Netherlands, Iceland, Scotland, France, Denmark, Ireland, Hungary and Norway, with a text by Tim Robinson in English and French. 64 pages.
Robert Normandeau's early acousmatic works from 1984 to 1989, his “cinema for the ear”: the many meanings of the word jeu, a requiem made only of requiem fragments, and music first written for Georges Dyens' holosculptures.
Six works by the Toronto composer Randall Smith from 1995 to 1999, three for tape alone and three mixed pieces for cello, accordion, double bass and alto flute, remastered by Ernest Cholakis.
The first album by the Toronto composer Randall Smith: five tape works from 1988 to 1994, from water music made without any water to The Black Museum, his tribute to the GRM, first prize at the Luigi Russolo competition in 1993.
Duo album by Manfred Schoof (trumpet, flugelhorn) and Rainer Brüninghaus (piano, keyboards), six original pieces recorded in October 1987 and May 1988 at Tonstudio Cornet, Cologne.
Natasha Barrett’s first years in Norway, 1998 to 2001: Arctic weather, red snow, a 24-hour rain forest recording and a valley of machines, with three extracts from Displaced:Replaced, an installation driven by live meteorological sensors.
The tape works of Québec composer Micheline Coulombe Saint-Marcoux, made between 1970 and 1981 at the GRM in Paris, in Bourges and at Simon Fraser University, from the vocal vertigo of Arksalalartôq to the eighteen-minute Constellation I.
Spring in the wetlands of Lake Constance, the Vorarlberg Rhine Delta and the Bodanrück: birds, frogs and toads recorded by Walter Tilgner between 1984 and 2003, assembled as a "Wetland Wildlife Chorus".
Winter visitors and migrant birds at Lake Constance (Untersee, Gnadensee and the Rhine Delta of Vorarlberg), recorded by Walter Tilgner between 1987 and 2003 and assembled into one winter soundscape.
Skylark, nightingale, thrush nightingale, song thrush, blackbird and golden oriole, recorded by Walter Tilgner between 1984 and 1999 in Austria and Germany with Neumann dummy-head microphones.
The red deer rut on the Darss peninsula on the Baltic coast of Germany, recorded by Walter Tilgner in September 1994 with a Neumann KU 100 dummy head, from midday to dawn; booklet with sonograms. Bonus: a 1934 shellac by Ludwig Koch.
The four seasons in a mixed beech wood and the red deer rut in a mountain forest, recorded digitally by Walter Tilgner, mostly with a Neumann binaural dummy head, and assembled without further sound processing.
Eight works by Monty Adkins from 1994 to 2005, 93 minutes at 96 kHz, from a train journey after Turner and a Hubble-inspired piece made of rocks and gas cylinders to drum 'n' bass, William Gibson and a flute piece for Alejandro Escuer. DVD-Audio.
The French duo Kristoff K.Roll’s 78-minute musical diary of a trip through Mexico, Belize and Guatemala, composed from 1990 to 1993 in Paris from sounds gathered on the road: marimba players in Mérida, Belizean rappers, taco sellers on buses.
Two versions of John Oswald's one-note composition from 2000-03, built entirely on the pitch A in its ten audible octaves, with a tuned prairie thunderstorm, tuned birds, a Disklavier piano and the cello of Joan Jeanrenaud. CD-R.
Heiner Goebbels' Walden (1998) for expanded orchestra and speaker, after Thoreau. Ensemble Modern Orchestra conducted by Peter Eötvös, with Bob Rutman as speaker, singer and on steel cello and bow chimes. Recorded live in November 1998 in Cologne and Frankfurt.
Choral and orchestral works by Veljo Tormis, including the four Reminiscentiae seasonal cycles for strings and The Tower Bell in My Village, by the Estonian Philharmonic Chamber Choir and Tallinn Chamber Orchestra under Tõnu Kaljuste. Recorded autumn 2020, Methodist Church, Tallinn.