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Alfred Harth

Good example of an uncompromised improviser, freebop, free music, avant rock and electroacoustics are the main musical languages used by German, now relocated to Seoul, South Korea, Alfred Harth in his saxophone (soprano, alto, tenor and baritone) and clarinet (soprano and bass) playing (not only: he also uses trumpet and trombone). Member of the now extinct art rock band Cassiber, formed by composer and keyboard player Heiner Goebbels, the soloist of the Trio Viriditas has a long career as an explorer of ever new situations, even when revising what was done before – for instance, the remake of Hanns Eisler’s and Bertold Brecht’s compositions and songs he and Goebbels, now very well known in the theatre music field, realised together. The only non-Japanese element of Otomo Yoshihide’s New Jazz Quintet and Ensemble, he was involved in other previous projects of the experimental turntablist and guitarrist.

www.alfredharth.de 

Good example of an uncompromised improviser, freebop, free music, avant rock and electroacoustics are the main musical languages used by German, now relocated to Seoul, South Korea, Alfred Harth in his saxophone (soprano, alto, tenor and baritone) and clarinet (soprano and bass) playing (not only: he also uses trumpet and trombone). Member of the now extinct art rock band Cassiber, formed by composer and keyboard player Heiner Goebbels, the soloist of the Trio Viriditas has a long career as an explorer of ever new situations, even when revising what was done before – for instance, the remake of Hanns Eisler’s and Bertold Brecht’s compositions and songs he and Goebbels, now very well known in the theatre music field, realised together. The only non-Japanese element of Otomo Yoshihide’s New Jazz Quintet and Ensemble, he was involved in other previous projects of the experimental turntablist and guitarrist.

www.alfredharth.de 

In Der Fabrik Hamburg
2012 release (RARE - light storage wear)  ** "E.M.T. started focusing on ecstatically free improvisation in an explosive and expressive manner. Over the years E.M.T. gradually extended their musical language by incorporating dada like spoken words and improvised recitations inspired by Schönberg (Pierrot Lunaire), noise, improvised structures and composition fragments from European composers like Grieg, Schumann (the song Ich grolle nicht) a.o. Alfred Harth extended his instruments to electric z…
POPendingEYE
1993 release  ** ""I want more POPEYE", writes Alfred Harth. "Possessing uncompromising moral standards and resorting to force when threatened". He also refers to "my artist's way through postmodernism", which at the beginning of the 90s brought him to grow tired of "all those mixes, remixes, postmodernisms and pop" that he had gone through during the previous decade: he was ready to return to a "pure" approach, essentially based on real players and real instruments. Enter Russian drummer Vladim…
Hommage/Vier Fauste fur Hanns Eisler + Vom Sprengen des Gartens
This long and extraordinarily fruitful partnership started here - continuing though the Sogennantes Linksradikales Blasorchester - where they picked up Christoph Anders with whom they went on to co-found Cassiber with your humble reviewer. These are jazz inflected, punk inflected but mainly spirited and imaginative renderings of Eisler material, with more pieces by the duo who, between them, cover a lot of instruments and combinations of instruments and - ah youth - are never less than hu…
Gestalt & Death
2012 release ** Limited hand-numbered edition of 500 copies in cardboard sleeve. "Dead Country (Sevket Akinci, electric guitar. Umut Çaglar, electric guitar, monophonic synth, tape delay. Murat Çopur, electric bass. Kerem Öktem, drums, percussion) + Alfred 23 Harth, alto sax, clarinet, vocal, electronics. Recorded at Deneyevi, Maslak by Ergin Ozler on the 21st of november 2011, artwork and design by Mazen Kerbaj.
Taste Tribes
2025 stock ** "Alfred 23 Harth, reeds, kaosspad. Hans Joachim Irmler, organ. Günter Müller, iPods, electronics. The last time Harth and Müller met was in 1987 as part of a quintet at the Festival Willisau, including Andres Bosshard, Phil Minton and Sonny Sharrock. Exactly 20 years later, Alfred Harth, now based in Seoul, South Korea, asked Günter Müller to do some recordings on a visit to Switzerland while traveling in Germany and Italy. Several days before, Harth recorded with Hans Joachim Irml…
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