Anna Högberg Attack
Anna Högberg Attack is a Swedish free jazz group led by the alto saxophonist and composer Anna Högberg. Anna Högberg Attack premiered at the Stockholm Jazz Festival in 2013 and became known for a dense, collective sound built around a horn front line, piano, double bass and drums. Anna Högberg also played in Mats Gustafsson's Fire! Orchestra and in the trio Dog Life, and guested on The Thing's Shake!. The first Attack album (Omlott, 2016) featured Malin Wättring and Elin Larsson on saxophones, Lisa Ullén on piano, Elsa Bergman on double bass and Anna Lund on drums.
Ensamseglaren
Huge Tip! Small repress. "I stood on top of the mountain and looked out over the landscape. It was so beautiful that my chest hurt. The light vibrated, time stood still, and the contours dissolved for a moment. Everything had changed; I felt it then. I took their little hands so as not to lose contact with the ground. Then we ran down the mountain, scraping our knees. Still, we didn't make it. You had already put away all the nautical charts, loosened the moorings and steered out among the skerr…
Anna Högberg Attack
**CD version** Swedish sax player Anna Högberg's all-female sextet Attack's debut album is one of the most expected releases this year. Attack premiered in the 2013 edition of the Stockholm Jazz Festival and since then its performances gained praises all over, including a heartfelt endorsement from Högberg role-model, sax-titan Mats Gustafsson, who promises that Högberg’s Attack will “melt your brain as we know it”.Attack features Högberg (who plays also on Gustafsson’s Fire! Orchestra, guested …
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Lena
**CD version** "A primal force of something... real. I have listened back and forth to the new album of Anna Högberg's “Attack” numerous times now and it hit me like a split axe in a split second: this music is for real! Wham Bam! This is liberating music. Allowing music. It hits me just as the split axe hits the wood. Without hesitation, but still very sensitive. Pure power does not cut the wood automatically. No fancy flirts with post-this and post-that. Just the force. Of itself. This music i…
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