Bertrand Gauguet
Miroir
*In process of stocking. 300 copies limited edition* Akousis Records is proud to announce the new release by Cyprien Busolini - viola and Bertrand Gauguet - alto saxophone. Recorded by Christophe Hauser at La Muse en circuit, Alfortville (FR) 2021 September 3
Spectre
Improvisers Xavier Charles and Bertrand Gauguet have been playing duets since 2013. They produce frequency landscapes that change slowly and thus move the listener towards a contemplative listening. With the multiple sounds of the clarinet and the saxophone, other inflated spaces based on breaths arise... Spectre, which was released on CD in early May 2020 at Akousis Records, contains six pieces exploring multi-phonic spaces on the clarinet and alto saxophone (Phonomnèse 1, Phonomnèse 2 and Pho…
Contre-Courbes
John Tilbury's latest duo piano and saxophone improvisations
Chantier 1
An extraordinary document of an experiment in which three improvisers - Pascal Battus (rotating surfaces and found objects), Bertrand Gauguet (saxophones) and Eric La Casa (microphones) - played at a working building site in Paris, adapting their playing to integrate the sounds and gestures of the workers at the site.
Vers l'île paresseuse
Martine Altenburger - cello. Frédéric Blondy - piano. Bertrand Gauguet - alto & soprano saxophones. Recorded in Paris, France, 2009.
Close Up
With the saxophonist player Bertrand Gauguet, the trumpet player Franz Hautzinger and the analogue synthesizer player Thomas Lehn, this is a trio with three european musicians who are invested in the improv and new music. Gauguet-Hautzinger-Lehn works to surimpose different sonic spaces : acoustic, amplified, natural or electronic, works to build temporal structures or architectures and works to generate the modulations of an open and combinatory 'chamber music'.
Etwa
Early alto & soprano saxophone solo Recorded in 2004 inside two french chapels. "There are no tricks here, first and foremost ; Bertrand Gauguet has simply developed a weird array of techniques for his alto and soprano, which he exploits via close-miking. There are seven untitled tracks in 42-minutes, each one relentlessly exploring a different technical area : the restrained breath noises of the opening track, the superb low-end growl of the fourth, the chasm-like whooshing of the third, or the…