Catherine Lamb
Catherine Lamb is an active composer exploring the interaction of tone, summations of shapes and shadows, phenomenological expansions, the architecture of the liminal (states in between outside/inside), and the long introduction form
Catherine Lamb is an active composer exploring the interaction of tone, summations of shapes and shadows, phenomenological expansions, the architecture of the liminal (states in between outside/inside), and the long introduction form
Fonstret N.6 - In Tune (Magazine)
Fonstret is a project of Stockholm’s Edition Festival for Other Music focused on publishing new works and surfacing material from the festival’s archives.
Printed volume of conversations and essays published on the occasion of the Sixth Edition Festival for Other Music.
parallaxis forma
"There are many things that for me make Catherine Lamb's music special. I guess first of all, it's music I turn to if I want a certain feeling/mood or experience, of time, and of sound. I've been lucky to hear a few of her recent pieces live, like the Jack Quartet playing her 'divisio spiralis' at Wigmore Hall, and of course the concerts of Explore Ensemble where we've played 'parallaxis forma' with vocalist Lotte Betts-Dean, when I also played electric guitar. For me it's this balance between a…
Translucent Harmonies
An album from andPlay - Maya Bennardo on violin, and Hannah Levinson on viola. Brilliant performances of two pieces: Catherine Lamb's 'Prisma Interius VIII' (Melodic Duo) and Kristofer Svensson's 'Vid stenmuren blir tanken blomma'.
“Translucent Harmonies” allows listeners to deeply immerse themselves in sound, silence, and resonance. This hour-long program includes Prisma Interius VIII by Catherine Lamb (USA) and Vid stenmuren blir tanken blomma by Kristofer Svensson (Sweden), both composed in j…
Aggregate Forms
"The radically mind-expanding challenges of Catherine Lamb’s string quartets have given me great joy and satisfaction. Imagining and creating the sonic relations yields an integration of number and sound, offering a pathway toward ultimate oneness. Opening ears and mind to infinitely rich patterns, these resonances penetrate deeply to the core. The recording is not an endpoint, but part of a broadening process, a continuous evolution of abstract relationships becoming concrete, erasing artificia…
The Harmonic Series Volume 2
A collection of long-form works in just intonation by Kali Malone, Duane Pitre, Catherine Lamb, Tashi Wada, Byron Westbrook, and Caterina Barbieri. Mastered by Stephan Mathieu
Sound American no. 26 - The Occam Ocean Issue
Tip! The OCCAM Ocean Issue, focuses on the radical musical eco-system of French composer Éliane Radigue’s OCCAM Ocean project. In a first for the publication, this issue is built solely around interviews with the performers that have collaborated with Radigue to produce this body of work over the last decade. Contributors include Charles Curtis, Carol Robinson, Rhodri Davies, Catherine Lamb, Julia Eckhardt, Silvia Tarozzi, Dafne Vicente-Sandoval, Laetitia Sonami, and Frédéric Blondy. All intervi…
Muto Infinitas
An extended duo for double bass and quartertone bass flute by Catherine Lamb, another US-born composer now resident in Berlin, whose previous discs include ‘Point-Wave’ and the Viola Torros double CD with Johnny Chang.Exquisitely played by Rebecca Lane and Jon Heilbron.
Prisma Interius VII & VIII
* Edition of 500 * In Catherine Lamb's Prisma Interius series the unpredictability of the outside articulates the field of perception through precise bandpass filters, while acoustic instruments and musicians guide the unfolding of its harmonic space. A series of nine pieces exploring the potential of the Secondary Rainbow synthesizer, an instrument developed in 2016-2017 with Bryan Eubanks, that uses the live environment outside the performance space as a noise generator for basic subtractive s…
Point/Wave
The first piece composer Catherine Lamb has written specifically for acoustic guitar was commissioned by Chilean guitarist Christián Alvear. Extending concepts from an installation piece titled Secondary Rainbow with Bryan Eubanks, Lamb employs electronics over an infinite cycle of four "environmental chords" which overlap and resonate with one another.
Shade / Gradient
**425 copies, 3-color letterpressed jacket with large 20-page booklet containing the full score and a lengthy interview with the composer** Catherine Lamb’s work is characterized by an insistence on what she calls the “interaction of tone”. Precisely tuned intervals, played slowly at subtle volumes, blend and generate a host of difference and combination tones, phasing, beating and aural illusions. Her ensemble and orchestral compositions have been performed in grand halls and d.i.y. spaces alik…
Atmospheres Transparent / Opaque
This recording is an excellent introduction to the distinctive sound world of Catherine Lamb (b. 1982), who studied with James Tenney and Michael Pisaro, in that it documents a recent large-scale piece that epitomizes her compositional aesthetic, Prisma Interius IX (2018), and was recorded under the composer's supervision."I have been attempting to describe, in more elemental terms, the perceptual roles between musicians who are activating interactions in harmonic space. Overlays Transparent/Opa…
Viola Torros
4 compositions from violist/composers Catherine Lamb & Johnny Chang, the 1st focusing on the mysterious compositions of Vedic-era composer Viola Torros, exploring monady, melody and harmony; the second, one composition each from Chang performed with the Suidobashi Chamber Ensemble, and from Lamb using the secondary rainbow synthesizer she developed with Bryan Eubanks..The summer I arrived in Berlin, I began meeting with Johnny around music-related things and he started mentioning a composer he w…
Untitled #12 (After Agnes)
Untitled 12 (after agnes) takes it's title from a painting the American artist Agnes Martin made during her "gray" period in the 1980's. The work was completed in 1984. In this painting nothing in particular stands out, nothing garners any particular attention until one pauses and enters the painting. Even then, it takes some time, but a strong structure emerges once this time is taken. After that, it's hard to see the hazy grey painting, unusually loose grey washes overlaid with a thin horizont…
Three Bodies (Moving)
Three bodies (moving)' by Catherine Lamb. A beautiful, hypnotic and flowing composition for violin, cello and bass clarinet by the young American composer, who was a pupil of both Michael Pisaro and James Tenney, but has already developed her own unique compositional voice. Erika Duke-Kirkpatrick, cello, Eric km Clark, violin, Phil O'Connor, bass clarinet.