David Tudor
David Tudor (1926 to 1996) was a legend of American experimental music. For years after the Second World War he was the only pianist to devote himself systematically to the most radical new music, giving the first performances of John Cage's works, including 4'33", and of Boulez, Stockhausen and Feldman, and becoming a touchstone for the whole avant-garde with a technique and a fearlessness no one could match. From the 1960s he set the piano aside and turned to live electronics, building his own circuits and treating them as unpredictable instruments to be played.
Break glass in case of fire (book)
Very rare and almost impossible to find amazing collection of (mainly graphic) scores/ideas/projects edited in 1978 by Bob Davis and Rich Gold for the Center For Contemporary Music with contributions by almost 100 artists including Robert Ashley, Don Buchla, Joel Chadabe, Rhys Chatham, Jon Gibson, Jacqueline Humbert, Tom Johnson, Ron Kuivila, Joan La Barbara, Alvin Lucier, Gordon Mumma, Pauline Oliveros, Maggi Payne, Steve Reich, Frederick Rzewski, Larry Austin, Charles Amirkhanian, Jacques Beka…
Musicworks 69 (CD+magazine)
One of the best magazines of experimental music / sound art, founded by John Oswald and published since 1978. Includes feaurures, essays, interviews, reviews, etc., and comes with a CD with (often exclusive) music/sound in relation to the contents of the magazine. In this issue: David Tudor, Martin Bartlett, Antartic soundscapes, Het Apollohuis, Stan Brakhage, etc.
Anima Pepsi + The Days Pass Quickly (2LP Bundle)
The two new Blume LPs together: David Tudor's Anima Pepsi, composed for the Pepsi Pavilion at Expo '70, and Lea Bertucci's The Days Pass Quickly Immersed in the Shadow of Eternity, written for Norbert Rodenkirchen's flutes.
Sold Out
Anima Pepsi
Two pieces David Tudor composed in 1970 for the Pepsi-Cola Pavilion at Expo '70 in Osaka, built by E.A.T.: Pepsibird, from tapes of human and animal brain waves, and Anima Pepsi, from insect and animal field recordings.
New Directions In Music 2
Morton Feldman’s New Directions in Music 2 is one of the true cornerstones of modern classical music. Originally released in 1959, the album captures Feldman at the very beginning of his radical journey into sound, space and silence, developing the sparse, floating language that would go on to influence generations of experimental composers and ambient musicians alike. With cover artwork by abstract painter Philip Guston and clear parallels to the chance-based ideas of John Cage, the record perf…
For Piano I / For Pianist / Burdocks (LP)
1972 album on Wergo's great "Studio Reihe Neuer Musik" experimental music series with two avant-garde solo piano pieces from the 1950's plus the classic partly indeterminated instrumental composition from 1971 performed by an all-star group including David Tudor, Gordon Mumma, Frederic Rzewski, David Behrman and the composer himself. With insert.
Variations IV (LP)
First volume of excerpts from the ground-breaking and mind-blowing August 1965 sound collage performance (predating Nurse With Wound and Bladder Flask for about 15 years), released by Everest in 1966 (this is a 1970 re-press with different labels). Essential.
Variations IV Volume II (LP)
Second volume of excerpts from the ground-breaking and mind-blowing August 1965 sound collage performance (predating Nurse With Wound and Bladder Flask for about 15 years), released by Everest in 1969 (this is a 1970 re-press with different labels). Essential.
Microphone (LP)
The astonishing and influential first solo electronic album by the pianist/composer and one of the rarest on Cramps' superlative "Nova musicha" experimental music series, released in 1978. Some of the best and most extreme electronic music ever.
Music For Merce Cunningham / Dialects / Untitled (LP)
Rare 1998 red vinyl LP on Rotating Arts Press in a limited edition of 200 numbered copies with an undated recording of a satellite broadcast of the electronic environment for a live event by Merce Cunningham, plus two 1988 live radio recording.
Sounday 15-6-78 (book)
Rare fully illustrated hommage to the composer published as the program for the 1978 première and recording of Sounday by KRO Radio in Holland, with texts by Pierre Boulez, Merce Cunningham, David Tudor, Christian Wolff, etc..
The Early Years (LP)
1968 re-issue on Odyssey's "Music Of Our Time" avant-garde music series produced by David Behrman of the 1959 LP New Directions In Music 2 with historical recordings of the composers' early pieces from the 1950's performed by David Tudor and the composer himseld among others.
Times Five / Octet I / December 1952 / Novara (LP)
Great collection of experimental works spannong from 1952 to 1963, including an electronic piece, two open form compositions for ensemble (one with tape) conducted by the composer himself and one for piano performed by Davis Tudor, released on CRI's "Contemporary Music" series in 1974.
A Second Wind For Organ (LP)
Great 1967 album on Odyssey's "Music Of Our Time" avant-garde music series produced by David Behrman with three experimental works for organ performed by David Tudor, including Mumma's amazing ear-splitting Mesa.
Anagram For Strings / Geography & Music (LP)
Rare 2005 release on Slowscan in an edition of 150 numbered copies (with three cover variations of 50 each) on clear vinyl. It couples a 1961 piece with a 1979 piece by the Japanese Fluxus composer, with an all-star performing group including Takehisa Kosugi, David Tudor, John Cage and Malcom Goldstein!
Anagram For Strings / Geography & Music (LP)
Rare 2005 release on Slowscan in an edition of 150 numbered copies (with three cover variations of 50 each) on clear vinyl. It couples a 1961 piece with a 1979 piece by the Japanese Fluxus composer, with an all-star performing group including Takehisa Kosugi, David Tudor, John Cage and Malcom Goldstein!
Appearance/Music for Solo Performer
A 1967 concert at Hope College, Michigan, found in a Japanese archive: Cage, Tudor and Ichiyanagi play Ichiyanagi's "Appearance" and an early realization of Alvin Lucier's "Music for Solo Performer", the first piece made with brainwaves.
Sold Out
Mesa / Pontpoint / Fwyyn
Original 1986 edition on Lovely of music for bandoneaon and cybersonic console by Mumma featuring David Tudor and Pauline Oliveros. Only the best of the best!
Rainforest IV (LP)
Original 1981 mint copies of the first edition of Tudor's electronic environment masterpiece from 1973 published by the legendary Edition Block.
Indeterminacy: New Aspect Of Form In Instrumental And Electronic
Perfect copy of Cage & Tudor's landmark album for Folkways from 1959 released as 2xLP box set with booklet.
Microphone
At long last, after decades out of print, the Milan based imprint, Dialogo, dives into the legendary catalog of Cramps, bringing forth the first ever vinyl reissue of David Tudor’s legendary LP, "Microphone", part of an ongoing initiative dedicated to bring the imprint’s seminal output back into the light. Still mind-blowing nearly half a century after it was first released, now complete with a new English translation of the album’s original liner notes, this is just about as exciting as reissue…
Reminded by the Instruments. David Tudor's Music (Book)
** 768 Pages | Over 300 illustrations ** David Tudor is remembered today in two guises: as an extraordinary pianist of post-war avant-garde music who worked closely with composers like John Cage and Karlheinz Stockhausen and as a founding figure of live-electronic music. His early realization of indeterminate graphic scores and his later performances using homemade modular instruments both inspired a whole generation of musicians. But his reticence, his unorthodox approaches, and the diversity …
Fluxus Anthology 60 Years Anniversary, 1962-2022
** Last copies ** In (heavy and over-sized) wooden box of 80 copies, hand numbered. Ten audiotapes with interviews/statements, tape collages, electronic music, interview, live events with new and some old material. By Charlotte Moorman, David Tudor, Fernad Kriwet, Joe Jones, Robert Filliou, Carolee Schneemann, Allan Kaprow, Richard Maxfield, Emmett Williams, and many more.
What is Fluxus? Fluxus was launched in 1962 as an interdisciplinary, neo-avant-garde artist collective, whose organized act…
Variations VII - 9 Evenings: Theatre & Engineering
Lucky restock, last copies In late 1965, Billy Klüver, a research engineer at Bell Telephone Laboratories, arranged for ten New York artists -- John Cage, Lucinda Childs, Öyvind Fahlström, Alex Hay, Deborah Hay, Steve Paxton, Yvonne Rainer, Robert Rauschenberg, David Tudor and Robert Whitman -- to meet with a group of his fellow engineers and scientists from Bell Laboratories to work together to develop technical equipment to be used as an integral part of the artists’ performances. 9 Evenings: …
Sold Out
Monobirds
From the Danish imprint Topos, comes one of the most historically important archival releases of the year, a never before issued work - "Monobirds (From Ahmedabad to Xenon)" created by David Tudor between 1969 and 1979. A truly visionary expanse of pure electronic abstraction, stretching across a beautiful double LP accompanied by a 24-page large booklet, its thrilling sounds encounter one of the 20th Century's most important musical minds at the height of his powers, and radically expands our a…
Rainforest IV
** Six panel wallet with one CD. Binaural audio best heard with headphones ** Few artists within the canons of 20th Century avant-garde and experimental music can be regarded as important or influential as the pianist and composer David Tudor. His name rings out across the years. Yet, despite Tudor’s place in history, his legacy largely remains under the shadow of the artists that he worked with, most notably John Cage, while the majority of his own output as a composer - a handful of releases p…
Teasing Chaos (Book)
Restock due soon * 224 pages 110 color and b/w illustrations * David Tudor (1926–1996) was one of the leading pianists and interpreters of contemporary music in Europe and the USA in the 1950s. His ability to respond to the indeterminate character of demanding scores by composers such as John Cage, Karlheinz Stockhausen, and Christian Wolff and to execute their at times ambiguous instructions was unique and fascinated his contemporaries. In the early 1960s, he made the transition from interprete…
Music of David Tudor and Gordon Mumma
This historic recording features the first-ever release of the two earliest surviving recordings of David Tudor's seminal work, Rainforest. Sandwiched in between are six keyboard works by Gordon Mumma in recordings featuring the composer and his close collaborator, Tudor. Together, these works constitute a fascinating and historically important document of the 1960s avant-garde in America.
In early 1968, Merce Cunningham created a new dance whose apparent impetus was Colin Turnbull's The Forest …
Variations IV, Vol. II
A 1965 journey into found sound; this is John Cage. Another seminal volume of indeterminate music, from an icon of experimental sounds. Reissued for the first time and thematically on gorgeous clear vinyl! It could be argued that there is no more controversial figure in music history as avant-garde electronic composer John Cage. Perhaps best known for his composition “4'33"" which consisted of Cage sitting at a piano for four-plus minutes of total silence, Cage was both loved and loathed …
Sold Out
Variations IV, Vol. I
"Due to unprecedented demand" for the first volume of Everest's 1965 release of John Cage's Variations IV (perhaps unique at the time given the experimental nature of the material), a second selection of music culled from Cage and associate David Tudor's marathon six-hour concert at the Feigen-Palmer Gallery in Los Angeles was released. Whereas the first volume indicated roughly at what moment of the performance the recordings were sourced from (its four extracts document events taking place in …
Sold Out
San Francisco Museum Of Art, January 16th, 1965
Recorded live by KPFA Radio in the halls of the sculpture court of the San Francisco Museum of Art on January 16, 1965, the day of 39th birthday of fellow pianist and longtime associate David Tudor, this historic concert with John Cage opens with a duet for Cymbal with contact microphones agitated by a wide gamut of objects and concludes with Variations IV in which loudspeakers outside the performance space interacted with speakers next to the audience. First release on vinyl for a very importan…
Variations IV
Anything can happen and often does. This is John Cage. A seminal example of indeterminate music from an icon on experimental sounds. This work was originally used as music for the choreographed piece by Merce Cunningham, "Field Dances," with stage and costume design in the original version by Robert Rauschenberg (from 1967 the designer was Remy Charlip). Variations IV is the second work in a group of three of which Atlas Eclipticalis is the first (representing 'nirvana', according to Hidekaz…
Music from the Tudorfest: San Francisco Tape Music Center, 1964
In the spring of 1964 Pauline Oliveros organized a festival celebrating the work of pianist David Tudor, which featured compositions by Oliveros, George Brecht, Toshi Ichiyanagi, Alvin Lucier, and John Cage. The Tudorfest was a watershed event in the brief history of the San Francisco Tape Music Center, which not only provided its members with an opportunity to collaborate with Tudor, but also to promote their own work. Co-sponsored by KPFA, the Tudorfest demonstrated the artistic diversi…
Music Of Changes
The title is a double pun. The score is the first that John Cage devised allowing the hexagrams of the I Ching to fully determin e how the music would procee d, event by event, gesture by gesture—the musical details (pitch, duration, dynamic s, density, tempi) being painstakingly, albeit fortuitously, derived through point-by-point con sultation from charts of possi bilities designed by the composer. (Christian Wolff, Cage’s young friend and musical associate, had presented Cage with a co…
The Art Of David Tudor 1963-1992
Milestone release! David Tudor's (1926-1996) identity morphed seamlessly from interpreter of mainly acoustic music to composer-performer of predominately electronic music over a period of about ten years, from the mid-1950s to the mid-1960s. This set of seven CDs, the first truly comprehensive survey of Tudor's work as a composer, goes beyond any previous attempt to document that process of transformation. It captures his touch and sensitivity and offers an expansive, previously unavailable view…
John Cage Shock Vol. 2
Volume 2 in EM Records' John Cage Shock series lifts off with a fiery example of David Tudor's piano virtuosity, his mastery of dynamics well-evident in a performance of Klavierstücke X (1961) by Karlheinz Stockhausen. The titular shock of this series is delivered even more forcefully with the next piece, John Cage's 26'55.988" for 2 Pianists and a String Player (1961), which was first performed the year before in Darmstadt by Tudor and Kenji Kobayashi, a combination of two of Cage's solo piece…
John Cage Shock Vol. 3
The final CD of the John Cage Shock series features John Cage's 0'00" (1962), also referred to as 4'33" No. 2, performed by the composer, with daily activities such as writing and drinking coffee amplified by contact microphones into sonic abstraction, following the score's directions: "with maximum amplification (no feedback), perform a disciplined action." Next is Composition II for 2 Pianos (1960/1961) by Michael von Biel, lovely and sparse, performed by David Tudor and Toshi Ichiyanagi. …
John Cage Shock Vol. 1
In October 1962, John Cage and his great interpreter/co-visionary David Tudor visited Japan, performing seven concerts and exposing listeners to new musical worlds. This legendary "John Cage Shock," as it was dubbed by the critic Hidekazu Yoshida, is the source of this series of releases -- three CDs and a "best hits" double LP compilation. Recorded primarily at the Sogetsu Art Center in Tokyo on October 24, 1962 (with two performances from October 17 at Mido-Kaikan in Osaka), all recordin…
Bandoneon! (A Combine)
In 1966 ten New York artists and thirty engineers and scientists from Bell Telephone Laboratories collaborated on a series of innovative dance, music and theater performances, 9 Evenings: Theatre & Engineering, held in October at the 69th Regiment Armory, New York City. The artists included were John Cage, Lucinda Childs, Öyvind Fahlström, Alex Hay, Deborah Hay, Steve Paxton, Yvonne Rainer, Robert Rauschenberg, David Tudor and Robert Whitman. Archival material has been assembled into ten films, …
Music For Merce Cunningham
Rare artist's record, with an amazing versions of Tudors electronic environment masterpiece, performed by David Tudor and Takehisa Kosugi for the Merce Cunningham Dance Company. Numbered edition of 200 copies. Packaged in plain black jacket with insert and obi, and pressed on red vinyl. New and unplayed, one copy available