David Tudor (1926 to 1996) was a legend of American experimental music. For years after the Second World War he was the only pianist to devote himself systematically to the most radical new music, giving the first performances of John Cage's works, including 4'33", and of Boulez, Stockhausen and Feldman, and becoming a touchstone for the whole avant-garde with a technique and a fearlessness no one could match. From the 1960s he set the piano aside and turned to live electronics, building his own circuits and treating them as unpredictable instruments to be played.
Very rare and almost impossible to find amazing collection of (mainly graphic) scores/ideas/projects edited in 1978 by Bob Davis and Rich Gold for the Center For Contemporary Music with contributions by almost 100 artists including Robert Ashley, Don…
One of the best magazines of experimental music / sound art, founded by John Oswald and published since 1978. Includes feaurures, essays, interviews, reviews, etc., and comes with a CD with (often exclusive) music/sound in relation to the contents of…
The two new Blume LPs together: David Tudor's Anima Pepsi, composed for the Pepsi Pavilion at Expo '70, and Lea Bertucci's The Days Pass Quickly Immersed in the Shadow of Eternity, written for Norbert Rodenkirchen's flutes.
Two pieces David Tudor composed in 1970 for the Pepsi-Cola Pavilion at Expo '70 in Osaka, built by E.A.T.: Pepsibird, from tapes of human and animal brain waves, and Anima Pepsi, from insect and animal field recordings.
Morton Feldman’s New Directions in Music 2 is one of the true cornerstones of modern classical music. Originally released in 1959, the album captures Feldman at the very beginning of his radical journey into sound, space and silence, developing the s…
1972 album on Wergo's great "Studio Reihe Neuer Musik" experimental music series with two avant-garde solo piano pieces from the 1950's plus the classic partly indeterminated instrumental composition from 1971 performed by an all-star group including…
First volume of excerpts from the ground-breaking and mind-blowing August 1965 sound collage performance (predating Nurse With Wound and Bladder Flask for about 15 years), released by Everest in 1966 (this is a 1970 re-press with different labels). E…
Second volume of excerpts from the ground-breaking and mind-blowing August 1965 sound collage performance (predating Nurse With Wound and Bladder Flask for about 15 years), released by Everest in 1969 (this is a 1970 re-press with different labels). …
The astonishing and influential first solo electronic album by the pianist/composer and one of the rarest on Cramps' superlative "Nova musicha" experimental music series, released in 1978. Some of the best and most extreme electronic music ever.
Rare 1998 red vinyl LP on Rotating Arts Press in a limited edition of 200 numbered copies with an undated recording of a satellite broadcast of the electronic environment for a live event by Merce Cunningham, plus two 1988 live radio recording.
Rare fully illustrated hommage to the composer published as the program for the 1978 première and recording of Sounday by KRO Radio in Holland, with texts by Pierre Boulez, Merce Cunningham, David Tudor, Christian Wolff, etc..
1968 re-issue on Odyssey's "Music Of Our Time" avant-garde music series produced by David Behrman of the 1959 LP New Directions In Music 2 with historical recordings of the composers' early pieces from the 1950's performed by David Tudor and the comp…
Great collection of experimental works spannong from 1952 to 1963, including an electronic piece, two open form compositions for ensemble (one with tape) conducted by the composer himself and one for piano performed by Davis Tudor, released on CRI's …
Great 1967 album on Odyssey's "Music Of Our Time" avant-garde music series produced by David Behrman with three experimental works for organ performed by David Tudor, including Mumma's amazing ear-splitting Mesa.
Rare 2005 release on Slowscan in an edition of 150 numbered copies (with three cover variations of 50 each) on clear vinyl. It couples a 1961 piece with a 1979 piece by the Japanese Fluxus composer, with an all-star performing group including Takehis…
Rare 2005 release on Slowscan in an edition of 150 numbered copies (with three cover variations of 50 each) on clear vinyl. It couples a 1961 piece with a 1979 piece by the Japanese Fluxus composer, with an all-star performing group including Takehis…
A 1967 concert at Hope College, Michigan, found in a Japanese archive: Cage, Tudor and Ichiyanagi play Ichiyanagi's "Appearance" and an early realization of Alvin Lucier's "Music for Solo Performer", the first piece made with brainwaves.
Original 1986 edition on Lovely of music for bandoneaon and cybersonic console by Mumma featuring David Tudor and Pauline Oliveros. Only the best of the best!
At long last, after decades out of print, the Milan based imprint, Dialogo, dives into the legendary catalog of Cramps, bringing forth the first ever vinyl reissue of David Tudor’s legendary LP, "Microphone", part of an ongoing initiative dedicated t…
** 768 Pages | Over 300 illustrations ** David Tudor is remembered today in two guises: as an extraordinary pianist of post-war avant-garde music who worked closely with composers like John Cage and Karlheinz Stockhausen and as a founding figure of …
** Last copies ** In (heavy and over-sized) wooden box of 80 copies, hand numbered. Ten audiotapes with interviews/statements, tape collages, electronic music, interview, live events with new and some old material. By Charlotte Moorman, David Tudor,…
Lucky restock, last copies In late 1965, Billy Klüver, a research engineer at Bell Telephone Laboratories, arranged for ten New York artists -- John Cage, Lucinda Childs, Öyvind Fahlström, Alex Hay, Deborah Hay, Steve Paxton, Yvonne Rainer, Robert Ra…
From the Danish imprint Topos, comes one of the most historically important archival releases of the year, a never before issued work - "Monobirds (From Ahmedabad to Xenon)" created by David Tudor between 1969 and 1979. A truly visionary expanse of p…
** Six panel wallet with one CD. Binaural audio best heard with headphones ** Few artists within the canons of 20th Century avant-garde and experimental music can be regarded as important or influential as the pianist and composer David Tudor. His na…
Restock due soon * 224 pages 110 color and b/w illustrations * David Tudor (1926–1996) was one of the leading pianists and interpreters of contemporary music in Europe and the USA in the 1950s. His ability to respond to the indeterminate character of…
This historic recording features the first-ever release of the two earliest surviving recordings of David Tudor's seminal work, Rainforest. Sandwiched in between are six keyboard works by Gordon Mumma in recordings featuring the composer and his clos…
A 1965 journey into found sound; this is John Cage. Another seminal volume of indeterminate music, from an icon of experimental sounds. Reissued for the first time and thematically on gorgeous clear vinyl! It could be argued that there is no more …
"Due to unprecedented demand" for the first volume of Everest's 1965 release of John Cage's Variations IV (perhaps unique at the time given the experimental nature of the material), a second selection of music culled from Cage and associate David Tud…
Recorded live by KPFA Radio in the halls of the sculpture court of the San Francisco Museum of Art on January 16, 1965, the day of 39th birthday of fellow pianist and longtime associate David Tudor, this historic concert with John Cage opens with a d…
Anything can happen and often does. This is John Cage. A seminal example of indeterminate music from an icon on experimental sounds. This work was originally used as music for the choreographed piece by Merce Cunningham, "Field Dances," with stage an…
In the spring of 1964 Pauline Oliveros organized a festival celebrating the work of pianist David Tudor, which featured compositions by Oliveros, George Brecht, Toshi Ichiyanagi, Alvin Lucier, and John Cage. The Tudorfest was a watershed event in …
The title is a double pun. The score is the first that John Cage devised allowing the hexagrams of the I Ching to fully determin e how the music would procee d, event by event, gesture by gesture—the musical details (pitch, duration, dynamic s, d…
Milestone release! David Tudor's (1926-1996) identity morphed seamlessly from interpreter of mainly acoustic music to composer-performer of predominately electronic music over a period of about ten years, from the mid-1950s to the mid-1960s. This set…
Volume 2 in EM Records' John Cage Shock series lifts off with a fiery example of David Tudor's piano virtuosity, his mastery of dynamics well-evident in a performance of Klavierstücke X (1961) by Karlheinz Stockhausen. The titular shock of this serie…
The final CD of the John Cage Shock series features John Cage's 0'00" (1962), also referred to as 4'33" No. 2, performed by the composer, with daily activities such as writing and drinking coffee amplified by contact microphones into sonic abstract…
In October 1962, John Cage and his great interpreter/co-visionary David Tudor visited Japan, performing seven concerts and exposing listeners to new musical worlds. This legendary "John Cage Shock," as it was dubbed by the critic Hidekazu Yoshida, …
In 1966 ten New York artists and thirty engineers and scientists from Bell Telephone Laboratories collaborated on a series of innovative dance, music and theater performances, 9 Evenings: Theatre & Engineering, held in October at the 69th Regiment Ar…
Rare artist's record, with an amazing versions of Tudors electronic environment masterpiece, performed by David Tudor and Takehisa Kosugi for the Merce Cunningham Dance Company. Numbered edition of 200 copies. Packaged in plain black jacket with inse…