condition (record/cover): NM / EX

On the evening of July 12, 1965, John Cage and David Tudor descended upon the Feigen/Palmer Gallery in Los Angeles for a six-hour marathon performance. What emerged was a dense, kaleidoscopic collision - radio broadcasts, pre-recorded tapes drawing on classical, popular and folk music, ambient sound captured by microphones scattered throughout the space: conversations, telephones, the city bleeding through the walls. All of it simultaneous, ungoverned, alive.

Variations IV belongs to the series of indeterminate works Cage developed across the early 1960s, each governed by a score that defines conditions rather than content - what sounds occupy a space, how they relate to bodies moving through it. That the Everest LP was issued at all - on a label better known for classical repertoire - remains one of the stranger minor miracles of the era. A document of a moment in which the boundaries between music, environment, and event were being dissolved in real time.