Eric Dolphy
Out To Lunch! (LP)
1973 German re-issue on Blue Note of the 1964 album featuring Freddie Hubbard. With original innersleeve.
Out To Lunch! (LP)
1985 US DMM re-issue on Blue Note of the 1964 album featuring Freddie Hubbard. With original innersleeve.
In Europe Vol. 1 (LP)
1978 Japanese re-issue on Prestige's "Jazz Masterpiece Series" of the 1964 album featuring Jaki Byard, Mal Waldron, Booker Little and Freddie Hubbard. With insert and obi.
Copenhagen Concert (2LP)
Original US edition of the 1973 2LP set on Prestige re-issuing In Europe Vol. 1 and In Europe Vol. 3 as a double album with recordings from 1961.
Last Date (LP)
1974 Japanese re-issue on Fontana/Limelight's "'75 Attention! Completely Limited ¥1,300" series of the 1965 album featuring Misha Mengelberg, Jacques Schols and Han Bennink. With insert and obi.
Last Date (LP)
1974 Japanese re-issue on Mercury of the 1965 album featuring Misha Mengelberg, Jacques Schols and Han Bennink. With insert and obi.
Last Date (LP)
1984 Japanese re-issue with different cover on Fontana's "New Jazz Series" of the 1965 album featuring Misha Mengelberg, Jacques Schols and Han Bennink. With insert and obi.
Last Date (LP)
1993 Japanese re-issue on Limelight's "The Final Press" series of the 1965 album featuring Misha Mengelberg, Jacques Schols and Han Bennink.
Stockholm Sessions (LP)
Original Japanese edition on Enja Records of the 1981 album with recordings from 1961. With insert and obi.
Stockholm Sessions (LP)
1985 Japanese re-issue on Enja Records' "Enja Special 1500" series of the 1981 album with recordings from 1961. With insert.
Dash One (LP)
Original Japanese edition on Prestige's "Collection of Unreleased Music by Jazz Giants" series of the 1983 album with previously unreleased recordings from 1960/61 featuring Jaki Byard, Mal Waldron, Ron Carter, Booker Little and Freddie Hubbard. With insert and obi.
Dash One (LP)
Original Japanese edition on Prestige's "Collection of Unreleased Music by Jazz Giants" series of the 1983 album with previously unreleased recordings from 1960/61 featuring Jaki Byard, Mal Waldron, Ron Carter, Booker Little and Freddie Hubbard. With insert and obi.
Live On Mount Meru Volume Two (LP)
Rare grey area first edition on Historic Performances Records in 1971 of live recordings from 1961 featuring Elvin Jones and McCoy Tyner, later officially re-issued as Coltranology Volume One.
Epistrophy (LP)
1974 Dutch split-LP released by the Instant Composers Pool with a 1964 live recording by the quartet backed with a Mishs Melgelberg solo recording from 1972.
Far Cry (CD)
1990 release (light wear) ** December 1960: Eric Dolphy and Booker Little's first recorded meeting, with Jaki Byard, Ron Carter and Roy Haynes completing a frighteningly good band - the Five Spot partnership taking its first documented steps, seven months before the club residency made it legend. The Charlie Parker tribute sequence - "Mrs. Parker of K.C.", "Ode to Charlie Parker" - shows exactly where Dolphy came from and how much love he carried forward; "Tenderly", solo alto saxophone, shows w…
Live At The Village Vanguard (LP)
First mono pressing in stereo sleeve of the 1962 album featuring Eric Dolphy, Elvin Jones and McCoy Tyner. With original innersleeve.
Live At The Village Vanguard (LP)
1976 Japanese re-issue on ABC Impulse!'s "Impulse Best Collection" of the 1962 album featuring Eric Dolphy, Elvin Jones and McCoy Tyner. With insert.
Impressions (LP)
1980 Japanese edition on MCA of the 1963 live album featuring Eric Dolphy, Reggie Workman, Jimmy Garrison, Elvin Jones and McCoy Tyner. With insert and obi.
Coltranology Volume One (LP)
1980 original Japanese edition on Affinity of the 1973 album with recordings from 1963 featuring Eric Dolphy, Reggie Workman, Elvin Jones and McCoy Tyner. With insert and obi.
Out To Lunch!
Out to Lunch! remains one of the most strikingly original statements on Blue Note. Eric Dolphy marshals Freddie Hubbard on trumpet, Bobby Hutcherson on vibraphone, Richard Davis on bass, and Tony Williams on drums into a unit that treats his knotty compositions as springboards rather than straitjackets. Themes like “Hat and Beard” arrive full of angular intervals and odd accents, while the rhythm team tilts and lurches under them, propelled by Williams’ restless cymbal work and Davis’ flexible g…