Fred Frith
Guitar Solos / Fifty
Big tip! Lunching into 2024 after after a stellar 2023, Week-End Records delivers one of their most important offerings to date, the first vinyl reissue of Fred Frith’s seminal 1974 solo debut, “Guitar Solos”, in more than 40 years, marking the album’s 50th anniversary. A groundbreaking work in the field of avant-garde recordings that changed everything in its wake, incorporating a startling range of sonorities and approaches within constrained means, to celebrate its half-century mark, Frith ha…
Live At Loft Shinjuku Tokyo Japan 23 July '81
Live At Loft Shinjuku Tokyo Japan 23 July '81 (with Totsuzen Danball) is a jazz related improv/composition music live album recording by Fred Frith released in 1982.
Dancing Like Dust
Núria Andorrà is a percussionist, improviser and composer from a classical and contemporary music background but always drawing from other sources of inspiration. Núria proposes a universe where images, sound and the body come together to create and transmit from an interdisciplinary perspective. She has performed with Agustín Fernández, Fred Frith, Lê Quan Nihn, Joëlle Léandre, Mats Gustafsson, Nate Wooley, and Joe Morris, as well as collaborating with Carles Santos, Hector Parra, Matmos and ot…
To Sail, To Sail
One of the most profound solo statements to date from a musical master who has been crossing musical borders for over three decades! Concentrating exclusively on the acoustic guitar, Fred Frith stretches himself and the instrument like never before, performing with the eloquence and grace of a master in peak form. With a prodigious technique and elegant sense of maturity he draws upon a lifetime of study and experience to bring together influences as diverse as classical, blues, folk, gypsy and …
Back To Life
*In process of stocking. 2022 stock.* Anyone who thinks of multifaceted composer/performer Fred Frith primarily as a guitar player with Henry Cow and for his 1974 album Guitar Solos is way out of touch with what he's been up to in, say, more than 30 years. The 2008 release of Back to Life on Tzadik represents a good opportunity to reconnect with Frith and summarize what he has been doing since the heady days of his scrambling, intense electric guitar improvisations like "Alienated Industrial Sea…
The Sugar Factory
*In process of stocking. 2022 stock.* Dynamic and astonishing music from two of the world’s greatest musical pioneers, this is another special project from multi-instrumentalist/composer/improviser Fred Frith who has been bravely crossing musical borders since the early 1970’s. These remarkable duo sessions were recorded during the filming of Thomas Riedelsheimer’s exquisite documentary Touch the Sound about Scottish virtuoso percussionist Evelyn Glennie. Combining the unpredictability of an imp…
The Fred Records Story Vol. 1-2-3 Bundle
Complete Bundle of the three box collection of The Fred Records Story by Fred Frith, one of the most innovative guitarists and composers of his generation, containing 27 ReR CDs, 3 bonus Fred title and 3 fat historic booklet with artwork, photographs, extensive notes and other comments by Fred, all packed into in sturdy boxes.Vol. 1 Rocking The Boat (9CD Box)
Box one contains: The legendary Guitar Solos, Gravity (with Etron Fou Leloublan and Samla Mammas Manna), Cheap at Half the Price, Killing …
Stone, Brick, Glass, Wood, Wire - Photo-Graphic Scores 1992-95
**2 x CD box** Fred Frith's large, flexible ensemble project using marked photographs and rules as scores and featuring as permanent members Ikue Mori and Zeena Parkins. Recordings are taken from five concerts, including the first in 1992 at AngelicA festival, and features 44 musicians, including: Jean Derome, Lesli Dalaba, Paulo Angelli, Co Streif, Rene Lussier, Jean Marc Montera, Guy Klucsevek, Myra Melford, Han Bennink, Chris Cutler, Daan Vandewelle, Massimo Simonini, and Hans Koch. Includes …
Woodwork / Live at Ateliers Claus
Fred Frith is one of the most important musicians of our time. He was born in Sussex, UK and now lives in California, USA. He first came to attention as one of the founding members of the English avant-rock group Henry Cow. He was and is also a member of groups like Massacre, Art Bears, Skeleton Crew and Cosa Brava. Over the past 40 years Frith has collaborated with outstanding musicians like John Zorn, Tom Cora, Bill Laswell, Carla Kihlstedt, Henry Kaiser, Phil Minton, Brian Eno, The Residents,…
Live in Moscow, Prague & Washington
72 minutes consisting of the whole of a 1978 Prague concert, a cause celebre at the time, (audibly) dividing the 3500 public and provoking controversy for some years after; a snippet from Washington, and the whole of a Moscow concert 10 years later (May '89).This is improvised music that refuses to fit into the usual categories of improvisation, as well as being technically and formally provocative.
The Art of Memory II
Fred Frith summarizes the release on his website as "early 80s weirdness with John Zorn." To expand a bit, perhaps "idiosyncratic improvisation with a strange set of tools from two master musicians" would help place the form and ability of the music of Frith and Zorn, who have travelled and performed sporadically as a duo over several decades. These are five fascinating recordings from the blossoming downtown NY scene, originally from two NYC performances recorded on cassette in 1983 a…
Field Days (The Amanda Loops)
14 pieces originally written for dance and other practical situations, here reassigned and reconstructed for choreographer Amanda Miller and the Nederland Dans Theater. These are loop-based, textural, mood pieces, and invocations of spaces and landscapes, with some fine steel guitar playing. Mostly this is Fred multi-instrumenting, with pianist Daan Vanderwalle, percussionist Willie Wynant, the Arte Sax quartet and Lotte Anker, the Arditti Quartet, Kiku Day, occasional shakuhachi, and vio…
Propaganda
Written for theatre in 1987 using a host of avian and mammalian voices, snippets of unidentified musical material and electroacoustic noise- sculpting, as well as invented and real instruments played by Fred Frith. This was a hard time and the mood is intense, lean and not cheerful, though there are some gruesomely cheery inserts. There's no fat but a lot of meat here.
The Happy End Problem (Music for Dance Volume 5)
Frith's Music for Dance Volume 5 - two works for small ensembles, which were performed for each of Amanda Miller's dances created for The Pretty Ugly Dance Company. The first is based on Stravinsky's Firebird Suite, and the other a deliberately Western look at Japanes culture.
According to Chris Cutler:
'Happy End' presents two, related, small-ensemble works for 6 and 7 musicians respectively - mostly strings of one sort or another, with percussion, flute, clarinet and electronics. Fred, v…
Impur
"In 1996, at the end of a two year residency, Fred organised an event at L'Ecole Nationale de Musique de Villeurbanne in France. He roped in as many of the students as he could, grouped according to their departments (early music, rock, African drumming, classical &c), and set them up in all the rooms in the building. The public wandered around creating their own mix, or sat in the courtyard listening to the sound drifting out through the open windows.
For their part, each group of musici…
Impur II
Essentially a pretty great concert by a large 19 strong ensemble with Fred conducting as well as playing. Lots of rhythm, harmony, rock noise, exotic instrumentation, power, complexity and melodic writing, with stretches of chaos, eccentricity and theatre. Totally different, then, from Impur Part I which was a deconstructed, spatialised simultaneity of musical events heard through open windows or by wandering through rooms; Impur Part II was an unannounced performance upon which audience …
Nowhere Sideshow Thin Air
This is Frith's sixth CD of music for dance, featuring three commissions by three different choreographers each sharing, as Fred says ' a certain obsession with melodic deconstruction.' Two of them feature - and were especially written for - the remarkable violinist Carla Kihlstedt.
Fred and Carla perform one of them (Fred playing a huge array of instruments here as on all pieces), are joined by Fred Guiliano, (samples) and Gail Brand (trombone) on another, while the third features Fred, …
Technology of Tears (And Other Music for Dance)
"Sadness, Its Bleached Bones Behind Us," and "You Are What You Eat" are unrelenting slices of hard-edged sounds over a pulse. "The Palace of Laughter, The Technology of Tears" is an imaginative, intense, varied suite comparing music which represents the past "frozen tears" of sadness -- displayed as images before us by the media, etc. -- with the "hot tears" of the moment that cannot be absorbed by technology. "Jigsaw" and "Jigsaw Coda" (1986) creates patterns with constantly shifting acc…
Gravity
Former Henry Cow guitarist Fred Frith pays homage to three giants of contemporary classical music: John Cage, Morton Feldman and Earle Brown. In his own inimitable fashion, Frith has tried to incorporate the chosen composer's own working methods into each of the three pieces that make up The Previous Evening. As he explains in the enclosed booklet regarding his John Cage homage: 'Fragments of text heard in Part 1 were taken at random from Cage's book Silence. Tape editing, the structure of the e…
That House We Lived In
It was a long wait, but, 12 years after the fact, Fred Frith put together a live album of his group Keep the Dog, which had previously gone undocumented. Comprised of sax/flute player Jean Derome, guitarist René Lussier, keyboardist/harpist Zeena Parkins, sampling artist Bob Ostertag, and drummer Charles Hayward, Keep the Dog was formed by Frith in 1989 to perform a best-of repertoire of his career and remained his last rock group. By the time of this 1991 European tour, the unit had grown beyon…