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ECM exclusive special sale on a broad selection of vinyl releases, with more than 70 LPs available at incredibly low prices.

Gavin Bryars

Arguably the most important British post-minimalist composer, Gavin Bryars mixes classical, jazz, and modern influences in his intellectually engaging (yet still emotionally touching) music. Though his style has changed somewhat since his first major piece, 1969's "The Sinking of the Titanic," Bryars has remained a provocative yet accessible composer capable of working in a variety of settings. 

Arguably the most important British post-minimalist composer, Gavin Bryars mixes classical, jazz, and modern influences in his intellectually engaging (yet still emotionally touching) music. Though his style has changed somewhat since his first major piece, 1969's "The Sinking of the Titanic," Bryars has remained a provocative yet accessible composer capable of working in a variety of settings. 

Irma
In 1977, for Brian Eno’s Obscure Records, I made a version of Irma. These notes arise from that experience and explore how the piece can be performed. Irma is an unusual score—printed on a single 50cm x 50cm sheet. Its notation consists of verbal fragments from Tom Phillips' A Humument, referencing “libretto,” “decor and mise-en-scène,” or “sounds.” These categories are arranged separately, with stave notation at the bottom. At first glance, it appears indeterminate—requiring preparation before …
Machine Music
The Machines, created between 1967-1972, mark a shift from the traditional narrative style of Gavin Bryars other works. »I define a machine as a structured process that governs musical actions within a specific sound world, shaping how listeners perceive it. For example, Welsh Rarebit is a Machine that manipulates how bread and cheese are heard.« »Autumn Countdown Machine« features six pairs of bass melody instruments, conducted by percussionists who adjust a bell-metronome's timing, creating in…
Ensemble Pieces
A split album by Christopher Hobbs, John Adams, and Gavin Bryars, released in 1975 as the second title on Brian Eno's imprint Obscure. The album includes two pieces by Hobbs and one each by Adams and Bryars. Side A opens with the experimental compositions of Hobbs, followed by Adams’ spoken-word and orchestral work, while Side B concludes with Bryars’ dissonant, frontier-classical ambient piece, featuring contributions from Brian Eno and Derek Bailey. "Aran" and "McCrimmon Will Never Return" (19…
Due Qui / To Hear (Box, Art Edition)
Art Edition. 150 copies in limited collector’s edition. Box set including 7 drawings printed on tracing paper + scores. The compositions by Massimo Bartolini, Caterina Barbieri, Gavin and Yuri Bryars and Kali Malone featured in the score, published by SZ Sugar and designed by Studio Folder, were initially conceived to occupy the spaces of the Italian Pavilion at the 2024 Art Biennale in Venice and contribute to Massimo Bartolini's own artistic project as an integral part of the works Pensive Bod…
Due Qui / To Hear
Softcover, 24 pages, 21 x 29,7 cm. The compositions by Massimo Bartolini, Caterina Barbieri, Gavin and Yuri Bryars and Kali Malone featured in the score, published by SZ Sugar and designed by Studio Folder, were initially conceived to occupy the spaces of the Italian Pavilion at the 2024 Art Biennale in Venice and contribute to Massimo Bartolini's own artistic project as an integral part of the works Pensive Bodhisattva on A Flat, Due qui and A veces ya no puedo moverme. The exhibition project D…
The Marvelous Aphorisms of Gavin Bryars: The Eearly Years
Gavin Bryars' music, post 'The Sinking of the Titanic' and 'Jesus' Blood...', is well known and often performed today. Less known are the earlier works featured on this cd, created during the years 1969-71. At that time, Bryars became associated with Michael Nyman, John Tilbury and Brian Eno - marrying ideas from Cage, Fluxus, free improvisation and experimentalism. Some of the works recorded here appeared on Eno's avant-garde Obscure label in the mid-1970s. In 1, 2, 1-2-3-4, the musicians liste…
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