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Guy Reibel

Guy Reibel (1936, Strasbourg, France) is a conductor, a composer, a teacher and a promoter of electroacoustic music. Reibel studied music at the Conservatoire de Paris (now CNSM). He has been a member of the Groupe de recherches musicales (GRM) from 1963 to 1983. He's also responsible for the realization of the sonic version of the Traité des objets musicaux from Pierre Schaeffer.

Guy Reibel (1936, Strasbourg, France) is a conductor, a composer, a teacher and a promoter of electroacoustic music. Reibel studied music at the Conservatoire de Paris (now CNSM). He has been a member of the Groupe de recherches musicales (GRM) from 1963 to 1983. He's also responsible for the realization of the sonic version of the Traité des objets musicaux from Pierre Schaeffer.

Douze inventions en six modes de jeu
Previously unreleased music (mid 70s) from legendary French avant-garde electronic music visionary, pioneer and Grm rebel;The new Perihel series on Karlrecords kicks off with previously unreleased material by GRM member Guy Reibel, one of the most enigmatic figures of 20th century's electronic avant-garde. Limited edition 180gr LP (500 items) incl. DL code and liner notes by Reinhold Friedl (Zeitkratzer). Guy Reibel (born 1936) is one of the most enigmatic figures in the post-war electronic musi…
Granulations-Sillages / Franges du Signe
Another remarkable reissue from the hallowed GRM (Groupe de Recherche Musciales) archive in Paris - home to some of the world's most fascinating, advanced electronic music research. The 2nd GRM Recollection was realised in 1974 and 1976 by Guy Reibel (1936, Strasbourg, France), the first assistant to Pierre Schaeffer during his electroacoustic composition courses at the Conservatoire de Paris and a member of GRM from 1963 to 1983. Housed in sleeve designed by Stephen O'Malley,. Cut to vin…
Chœurs imaginaires
This piece develops a preoccupation already begun in “Naissance du verbe” (Birth of the Word), the result of research on language and phonemes undertaken by Bernard Ucla. The idea behind this research is that the sign in language is not arbitrary, but that the choice of phonemes at the origin of languages obeys a long elaboration, and that between the meaning of words and the phonemes that express them, mysterious relationships exist: the phoneme is not a neutral acoustic substance but carries s…
Granulations-Sillages — Franges Du Signe — Signal Sur Bruit
Granulations-Sillages develops an idea glimpsed at in Franges du Signe: the existence of extreme times, at the edge of our faculties of perception, which only the electroacoustic music tools allow us to realise. Two natures of phenomena, opposed in all respects (the Granulations-Trails and the Tutti), alternate through seven movements that constitute the piece.  The work is designed for six channels diffused in concert on a main stereo system facing the public and two auxiliary stereos (group of…
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