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J.G. Thirlwell

Native of Melbourne, Australia, Jim Thirlwell conceived the basic Foetus concept, when he relocated to London in 1978. The first Foetus release "OKFM / Spite Your Face" appeared in January 1981 on Thirwell's own Self Immolation label. Relocated this time to New York City in 1984, he operates since then under many monikers: mainly Foetus, but also Wiseblood (with Roli Mosimann), Steroid Maximus, Ectopic Ents International. Thirwell has also produced, mixed and/or performed on vast quantities of recordings including many of the releases on Lydia Lunch's Widowspeak label and artists as diverse as The The, Nurse With Wound, Pantera, Virgin Prunes, Nine Inch Nails, White Zombie, Jon Spencer Blues Explosion, Coil, Red Hot Chili Peppers, Arto Lindsay, Marc Almond and countless others.

Native of Melbourne, Australia, Jim Thirlwell conceived the basic Foetus concept, when he relocated to London in 1978. The first Foetus release "OKFM / Spite Your Face" appeared in January 1981 on Thirwell's own Self Immolation label. Relocated this time to New York City in 1984, he operates since then under many monikers: mainly Foetus, but also Wiseblood (with Roli Mosimann), Steroid Maximus, Ectopic Ents International. Thirwell has also produced, mixed and/or performed on vast quantities of recordings including many of the releases on Lydia Lunch's Widowspeak label and artists as diverse as The The, Nurse With Wound, Pantera, Virgin Prunes, Nine Inch Nails, White Zombie, Jon Spencer Blues Explosion, Coil, Red Hot Chili Peppers, Arto Lindsay, Marc Almond and countless others.

Versions
Grandly orchestrated versions of highlights from the Zola Jesus back catalogue, arranged by none other than classically trained industrial survivor JG Thirlwell (aka Foetus, aka Manorexia). Conceived for a performance at New York’s Guggenheim Museum at the climax of her Conatus world tour, these tremulous string settings are really what Nika Roza Danilova’s tender but polished vocals have always been begging for, and the sensitivity and focus of Thirlwell’s charts, beautifully realised by the Mi…
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