Jaki Liebezeit
Jaki Liebezeit was a German drummer, best known for his work with the Krautrock band Can. He was born in Ostrau, Saxony, Germany on May 26, 1938. He began playing drums at the age of 14, and soon became one of the most sought-after drummers in Germany. In 1968, he joined Can, and remained with the band until their breakup in 1979. He later worked with various other bands and artists, including Jah Wobble, Holger Czukay, and Michael Rother. Liebezeit died on January 22, 2017 at the age of 78
Jaki Liebezeit was a German drummer, best known for his work with the Krautrock band Can. He was born in Ostrau, Saxony, Germany on May 26, 1938. He began playing drums at the age of 14, and soon became one of the most sought-after drummers in Germany. In 1968, he joined Can, and remained with the band until their breakup in 1979. He later worked with various other bands and artists, including Jah Wobble, Holger Czukay, and Michael Rother. Liebezeit died on January 22, 2017 at the age of 78
Members: Can
Delay 1968
Reduced Price * Limited Edition Pink Coloured Vinyl. Embossed sleeve. ncludes high definition audio download code * Although recorded in the late '60s, the material included on Can's Delay...1968 did not appear commercially until 1981. A collection o…
Full Circle
A total peach comes back into circulation with Holger Czukay’s beguiling, heavily grooving ‘Full Circle’, starring crucial input from his Can bandmate Jaki Liebzeit on drums and Jah Wobble weilding the bass
Instantly loveable for the grooving punk-di…
Horrortrip In The Paperhouse
The first five tracks on this Can release of dubious authenticity were taken from the famous Can free concert in Cologne, Germany, on February 3, 1972. This is the audio from the same concert documented by the video item of the out of print Can Box s…
Live in Lyon January 1976
Amazing french performance recorded live in Lyon on the 17th of January 1976. The classic line-up comprising of Holger Czukay (bass), Michael Karoli (guitar), Jaki Liebezeit (drums) and Irmin Schmidt (keyboards), is here strengthened by malaysian voc…
Live In Hannover, 11 April 1976
High quality live FM radio broadcast of a concert that Can played in Hannover on 11 April 1976. The four-piece in brilliant shape surfin’ the cosmos with special guest Michael Cousins on vocals.
Monster Movie - Live At Burg Nörvenich, 25th July 1969
Recorded live in July 1969 during the same sessions that gave birth to their classic debut album Monster Movie. The album contains rawer versions of classics tracks such as Yoo Doo Right and Outside My Door. This was Can at the very beginning of thei…
Doko E. Live In Cologne 1973
Recorded in 1973 at Inner Space Studios during the "Future Days" sessions , this album contains the full lenght performance of "Doko E" a track which appeared on the “Limited Edition” LP. But where the original release gave us only a two and a half …
Auf Der Einbahnstrasse Live In Koln
Two long studio sessions recorded in 1971 in the band's hometown of Koln by the classic Can lineup of Damo Suzuki, Holger Czukay, Michael Karoli, Irmin Schmidt and Jaki Liebezeit. This is the '70s Krautrock scene's most iconic band at their absolute …
Anthology (Remastered)
Having originally surfaced in 1994, Can's Anthology still serves as a pretty comprehensive, wide-ranging sampler of the band's key works, and the material's never sounded better - benefiting from a beautiful remastering treatment. Spanning Can's work…
Rite Time
'Rite Time’ was originally released in 1986 and has been evaluated as one of the classic Can albums. "An unexpected reunion from Can (made even more unexpected by the presence of original singer Malcolm Mooney, who left the band in 1969), 1989's Rite…
Can
Mute brought back more Can than any krautrock fan could possibly handle with the 'Can Vinyl Box', which featured seventeen Can records reissued in one bundle; now each record is stepping out on its own. The self-titled 'Can' is the band's eleventh re…
Aksak
Aksak is the exciting encounter of two exceptional musicians from different generations: legendary drummer Jaki Liebezeit (Can) and percussion wizard Holger Mertin (Drums And More). Like a zen master of the minimal, repetitive beat, Liebezeit - famou…
Out Of Reach
All but unknown to most but the most hardcore Can fanatics, 1978's Out of Reach is one of the group's rarest albums. This is due in large part to the fact that bassist Holger Czukay left the band before the recording sessions, and drummer Jaki Liebez…
Saw Delight
1977's Saw Delight is the German progressive group's farewell. Percussionist Reebop Kwaku Baah and bassist Rosko Gee from a late-era lineup of Traffic to add a sort of Afro-Cuban jazz feel to their sound. Similarly, Rosko Gee's handling of the bass d…
Flow Motion
The second of Can's three Virgin albums, 1976's Flow Motion, is a divisive record in the group's canon. It was their most commercially successful album (the opening track, "I Want More," was released as a single in the U.K. and actually charted, than…
Flut
Jochen Irmler and Jaki Liebzeit met in the town of scheer last july to prepare for an upcoming concert at the slaughterhouse in sigmaringen as well as for a subsequent appearance in the kammerspiele in munich. however, they quickly decided to stop re…
Landed
If you got a quid for each time Can were referenced as influencing a given band or artist, we'd have taken the Bank Of England down years ago. Remastered to a clarity that will come as a shock to those who've been suffering the original cd releases, …
Soon over Babaluma
With Suzuki departed, vocal responsibilities were now split between Michael Karoli and Irmin Schmidt. Wisely, neither try to clone Mooney or Suzuki, instead aiming for their own low-key way around things. The guitarist half speaks/half whispers his l…
Unlimited Edition
Most bands stick out a 'unreleased and bonus bollocks' album when they're bereft of new ideas and need some filthy lucre to keep the country estate fully stocked with coy carp. You get the feeling this was the last thing on Can's mind. Having amassed…
Ege Bamyasi
**Green Vinyl** The group's fourth album, from 1972, originally issued by United Artists. "The follow-up to Tago Mago is only lesser in terms of being shorter; otherwise the Can collective delivers its expected musical recombination act with the usua…