We use cookies on our website to provide you with the best experience. Most of these are essential and already present.
We do require your explicit consent to save your cart and browsing history between visits. Read about cookies we use here.
Your cart and preferences will not be saved if you leave the site.
Special 10% discount on all in stock items until Sunday at midnight!

Jane Weaver

The Silver Globe
Like all good parables Jane Weaver’s sixth solo album, a concept album called The Silver Globe, is as multifaceted as it is beguiling. Part coming of age/part cautionary tale and part romantic peon, this synth ridden post-apocalyptic prog pop opus is based on tightly embroidered, non-linear recurring themes and inspired by esoteric stories, cosmic imagery and refiltered past experiences. Written from the optimistic vantage of a long-standing female independent artist, in an desperately evolving …
The Amber Light
Originally issued as a limited CD only bonus disc for The Silver Globe album global re-release and a subsequent vinyl pressing, The Amber Light surprised fans expecting B-sides and outtakes with what for many stood up as its own isolated project including some of Jane Weaver’s best material to date including the pulsating synth anthem I Need A Connection which since became a radio favourite also appearing on film and fashion shows throughout the latter half of 2015. The Amber Light also included…
Neotantrik Globes
This recording of Jane Weaver re-scored by Neotantrik (Suzanne Ciani, Andy Votel, and Sean Canty) has been described by Andy Votel as the "incidental music" counterpart to the conceptual soundtrack of The Silver Globe (EGGS 019CD, EGGS 019LTD-CD, 2014). Invoking and refracting Weaver's hugely acclaimed The Silver Globe in one engrossing session recorded in Bergen, Norway, as part of an installation at the end of 2014, Neotantrik Globes contains Weaver's original material dissected, atomized, and…
Cherlokalate
Effervescent songbird JANE WEAVE unveils a canon of femme-folk, laden with finger picked meandering melodies, ethereal harmonies and wistful leanings. In the same vei as acid folk  such as Linda Perhacs and Karen Dalton, this decade spanning collection traces a line between the acid-soaked protest rumblings of yesteryear and the forward/backward facing revivalists of today.
1