Karin Krog
Tomorrow's Yesterday
In 1964, vocalist Karin Krog released Norway's first jazz solo LP, and By Myself has helped shape her career as a singer. In 2026, 62 years after the first release, she releases the LP Tomorrow's Yesterday, and it cannot be ruled out that this may be her last physical album. All the songs are recorded in duo or trio format. The musical sounds are excitingly combined with her voice and Rob Luft on guitar, John Surman on saxophone/bass clarinet on side A. Whilst on side B we hear Karin Krog with E…
We Could Be Flying
Karin Krog's own label Meantime Records has given us many rare and legendary recordings, now it presents this much welcomed reissue on vinyl of 'We Could Be Flying', from the original master. First issued on Polydor in 1974, Karin performs alongside a musical dream team, consisting of Jon Christensen on drums, Steve Kuhn on electric and acoustic piano and Steve Swallow bass guitar.
The quality of the music is exceptional with the Michel Columbier and Paul Williams' title song headlining the albu…
Electric Element
Lost for a decade, John Surman and Karin Krog's “Electric Element” emerges from a failed theatre project as a “wonderfully weird vocal and electronic experiments”. On the album the duo abandon traditional jazz for visceral explorations featuring wind synth, processed vocals, and granular synthesis. An “enigmatic time slip” bridging Kosmische, Industrial, and futuristic electronics.
The Many Faces Of Karin Krog (Recordings 1967-2017)
Norway’s Grand Old Lady of jazz, Karin Krog turned 80 in May 2017, and the Odin label honoured her with a superb 6CD box set overviewing her outstanding career. Karin Krog is one of the great jazz singers. Few others worked within so many different areas of the music and fewer still could have done so with the same assurance, commitment and elegance. Like her peers such as Jan Garbarek, Arild Andersen, Jon Christensen and Terje Rypdal, she is a figurehead for that explosion of Norwegian jazz tal…
Open Space (The Down Beat Poll Winners In Europe)
LP issued to celebrate more European artists than ever before winning the annual “Downbeat” polls in 1969. On this release they all perform as a unit. Jazz giants from six European countries coalesce to play wide-open music. One of Norway’s greatest jazz singers, Karin Krog has worked and recorded with Jan Garbarek and Clare Fischer. English multi-saxophonist John Surman and Krog have jointly won two Norwegian Grammys. Surman has played with Mike Westbrook’s Orchestra and John McLaughlin, as wel…
A Quiet Place / Both Sides Now
**2019 stock** "So, a classic pairing: Side A is KK - Karin Krog and A Quite Place, a mega rare single she made with Don Ellis back in 1970. Don't even bother trying to find a real one. Sublime exotic vocal jazz.Side AA is MM - Mark Murphy and his cover of Joni Mitchell's Both Sides Now, originally released on his This Must Be Earth LP (the only LP he made in the UK, with UK jazz dudes) that will eventually come out on Trunk but not yet. It's a really superb version of one of the best songs ever…
Born Free
Outstanding!!! A huge document of this incredible year in jazz in Germany – a time when free styles were breaking out all over, alongside some of the groovier styles of the MPS scene as well! This beautiful box documents the 12th German Jazz Festival in three different concerts – amazing music that really shows the transformation that was taking place at the time – and which is still revolutionary all these many years later – making for a listening experience that makes us feel like we're hearin…
Don't Just Sing - An Anthology: 1963-1999
Outstanding reissue. CD version. House in deluxe gatefold Stoughton tip-on jacket. Newly remastered audio. Includes rare archive photos and liner notes Q&A with Krog. The work of Karin Krog may be unfamiliar to much of the world, but in her native Norway and Scandinavia at large, she's practically a household name. This says much about the local enthusiasm for post-bop jazz but also about the tyranny of distribution: until 1994, Karin Krog's albums weren't available in the USA or UK, meaning thr…