Karlheinz Stockhausen
Karlheinz Stockhausen (1928 to 2007), born in Mödrath near Cologne, wrote more than three hundred works, from orchestral and chamber pieces to pure electronic music, and did more than anyone to shape the postwar avant-garde. His Studie I (1953) was the first piece composed entirely from sine waves, Studie II the first electronic score to be notated and published, and Gesang der Jünglinge (1956) and Kontakte (1960) remain the classics of the Cologne studio. Later came intuitive music, the vocal overtones of Stimmung (1968), the seven-opera cycle Licht (1977 to 2003) and his own publishing house, which keeps everything in print.
Karlheinz Stockhausen (1928 to 2007), born in Mödrath near Cologne, wrote more than three hundred works, from orchestral and chamber pieces to pure electronic music, and did more than anyone to shape the postwar avant-garde. His Studie I (1953) was the first piece composed entirely from sine waves, Studie II the first electronic score to be notated and published, and Gesang der Jünglinge (1956) and Kontakte (1960) remain the classics of the Cologne studio. Later came intuitive music, the vocal overtones of Stimmung (1968), the seven-opera cycle Licht (1977 to 2003) and his own publishing house, which keeps everything in print.
The Musical Legacy of Karlheinz Stockhausen: Looking Back and Forward
Karlheinz Stockhausen was one of the most influential and prolific composers of the twentieth century. His legacy extends far beyond his extensive catalogue of musical works to his achievements as a pioneer of electronic music, as a writer and thinker on music, and as a teacher. In this volume, various aspects of Stockhausen“s legacy are discussed, including his influence on the creative work of others, and the influences he likewise derived from some of his closest associates. Central theoretic…
Klang Bilder
**Hardcover edition**In the late 1950s, avant-garde musicians were exploring new ways of expressing their experimental compositions in writing. Searching for a universal language that would reach far beyond music, they no longer considered the traditional system of musical notation as sufficient. By progressing into electronic music, as well as by linking music and performance, they blurred the boundaries between different genres and inevitably changed the notation of music. Karlheinz Stockhause…
Serenata I/Sonatine/Canteyodjaya/Zeitmasze
**Edition of 500. 180 gram vinyl** Fantôme Phonographique present a reissue of Serenata I/Sonatine/Canteyodjaya/Zeitmasze, originally released in 1958. The avant-garde composer and conductor Pierre Boulez was a titan of post-war experimental classical music. Born in the small cheesemaking town of Montrbrison in central France in 1925, Boulez studied at the Paris Conservatoire with the composer and organist Charles Messiaen and received private tuition from pianist Andrée Vaurabourg; after moving…
Originale
**very last copies** Private edition, limited to 100 copies "A documentation of a music happening recorded at Judson Hall, NYC. Sept 8-9, 11-13, 1964 with a stellar line-up that includes James Tenney on piano, David Behrman, Max Neuhaus, Alvin Lucier, Allan Kaprow, Nam June Paik, Allen Gingsberg and Jackson Mac Low. The idea, Allan Kaprow director explained, is “a collage of music and action”. The music was electronic, but the action was clearly electrifying as Karlheinz Stockhausen’s Originale …
Complete Early Percussion Works
Karlheinz Stockhausen's early percussion works on two CDs: Zyklus, Kontakte for piano and percussion with tape, Mikrophonie for tam-tam, Refrain and Schlagtrio, with new transfers from the analog tapes.
Complete Early Works for Percussion
Karlheinz Stockhausen's early percussion works on DVD-Audio with surround sound: Zyklus, Kontakte for piano and percussion with tape, Mikrophonie for tam-tam, Refrain and Schlagtrio, from new transfers of the analog tapes.
Beton-studie / Zeitmass Fur Funf Holzblaser
A collection of some of Karlheinz Stockhausen's earliest work, including his earliest piece of musique concrète "Beton-Studie" (aka "Étude") written by Stockhausen in 1952-53 at Pierre Schaeffer's studio at the RTF in Paris. Until 1992 this piece was believed to have been lost. The LP also includes the celebrated "Zeitmass" (1955), and "Klavierstück XI, parts I-IV" (1956), both of which helped to cement Stockhausen's role as one of the leading German composers of the 20th century
Studie I & II, Gesang Der Junglinge, Zyklus Fur Zwei Schlagzeuge
A collection of Stockhausen’ s most important works from the 1950s, particularly “Gesang der Jünglinge” (“Song of the Youths”) 1955-56, probably the most iconic piece of electronic music ever written. Only because of Stockhausen’s complete understanding of electronic equipment, along with his creative genius, was he able to produce this masterwork, the first piece of music to unify vocals and electronics.
Le Concerts du Domaine Musical 1956
Doxy presents a reissue of "Les Concerts du Domaine Musical", originally released by the French label Véga in 1956. Le Domaine Musical was a concert society established by Pierre Boulez in Paris, which was active from 1954 to 1973. Boulez intended to provide opportunities for new music, after a general musical migration from Germany and Austria to Paris in the wake of those countries' legacy of war-torn decades without music. Le Domaine Musical created an exciting milieu in which the best an…
For basset horn
Performed by Michele Marelli (basset horn): Traum-Formel (1981); Evas spiegel (1984); Susani (1984); Die 7 lieder der tage (1986); Freia (1991); In freundschaft (1977).
Sulla musica
Italian only - Se consideriamo le grandi personalità del Novecento, Stockhausen si distingue come una delle forze più creative nella musica contemporanea. Figura controversa e a tratti contraddittoria Stockhausen in queste pagine mostra di essere semplicemente inafferrabile nella vastità delle sue riflessioni e allo stesso tempo di una lampante chiarezza nella sua visione della musica e del mondo. Stockhausen ha investigato a fondo tutti gli aspetti del suono nelle sue composizioni e nella sua r…
Earle Brown Contemporary Sound Series Vol. 1
Few figures of the American avant-garde wore as many hats as Earle Brown. Composer, graphic notation pioneer, member of the New York School alongside John Cage, Morton Feldman, and Christian Wolff - but also, and crucially, a record producer whose ear shaped one of the most important document series in 20th century music. Between 1960 and 1973, working first for Time Records and then Mainstream Records, Brown curated the Contemporary Sound Series - 18 LPs presenting works by 49 composers from 16…
Sirius Respect
The Respect Sextet, a young New York jazz group, plays music by Sun Ra and Karlheinz Stockhausen, drawing comparisons between the two composers and asking how the idea of space shaped their work.
Spiral I & II, Pole, Wach, Japan, Zykus,
amazing (an cheap) double CD set featuring most of the Stockhausen "intuitive music" (ie quasi improvised). The first piece is Zyklus for solo percussion performed here by Tristan Fry in 1974. Zyklus was one of the first works with a graphic score allowing the performer some freedom to improvise. In the late 60s Stockhausen developed the idea of scores which determined a process rather than the exact content & his group toured the world playing this music. Several pieces are included her…
Klavierstücke I-XI / Mikrophonie I & II
Beautiful double CD set, containing a mindblowing Mikrophonie version... Mikrophonie is the title given by Karlheinz Stockhausen to two of his compositions, written in 1964 and 1965, in which “normally inaudible vibrations . . . are made audible by an active process of sound detection (comparable to the auscultation of a body by a physician); the microphone is used actively as a musical instrument, in contrast to its former passive function of reproducing sounds as faithfully as possible” (Stock…
Helikopter-Quartett
The Helikopter-Streichquartett (Helicopter String Quartet) is one of Karlheinz Stockhausen's best-known pieces, and one of the most complex to perform. It involves a string quartet, four helicopters with pilots, as well as audio and video equipment and technicians. It was first performed and recorded in 1996. Although performable as a self-sufficient piece, it also forms the third scene of the opera Mittwoch aus Licht ("Wednesday from Licht"). The Helicopter Quartet was originally commissioned b…
Harlekin
Karlheinz Stockhausen's 'Harlekin' ('Harlequin') for clarinet; and 'Der Kleine Harlekin' ('The Little Harlequin') for clarinet (performed here by Suzanne Stephens). Only one copy available.
Stimmung (Singcircle Version)
In each section a new overtone melody or 'model' is introduced and repeated several times. Each female voice leads a new section eight times, and each male voice, nine times. Some of the other singers gradually have to transform their own material until they have come into 'identity' with the lead singer of the section by adopting the same tempo, rhythm and dynamics. When the lead singer feels that 'identity' has been reached, he or she makes a gesture to another singer who leads the next sectio…
Klavierstücke I - XI
Stockhausen's complete Klavierstücke I-XI (1952-61) played by Sabine Liebner, with Klavierstück XI in two versions. Two CDs, a co-production with Bayerischer Rundfunk, released by Wergo in 2018.
Amour / Der kleine Harlekin / Wochenkreis
Karlheinz Stockhausen's Amour (1974/76), Der kleine Harlekin (1975) and Wochenkreis from Montag aus Licht (1986/88), played by clarinettist and basset horn player Michele Marelli with Antonio Pérez Abellán on synthesizer, recorded in March 2013.