We use cookies on our website to provide you with the best experience. Most of these are essential and already present.
We do require your explicit consent to save your cart and browsing history between visits. Read about cookies we use here.
Your cart and preferences will not be saved if you leave the site.

Kenny Clarke-Francy Boland Big Band

At Her Majesty's Pleasure
*2022 stock.* Inspiration in jazz has many sources. Who would have thought that British prisons could have inspired a Belgian-born composer, arranger, co-leader of a truly international band? The fact is that when the Clarke-Boland band came to this country at the beginning of 1969 for their memorable booking at the Ronnie Scott Club tenor saxophonist Johnny Griffin was, to quote the sleeve “whisked off to Pentonville”. It was nothing worse than a question of outstanding income tax from a previo…
Rue Chaptal
It is a few minutes after ten-thirty on Monday evening, February 17, 1969, in Ronnie Scott’s, 47 Frith Street London W I. On this particular Monday at Ronnie’s something special is about to happen. A new attraction is to begin a two-week engagement at the club, and this attraction is out of the ordinary. The word has got around, from people who have seen one of the concerts which preceded this opening and others who know the band from records or foreign festivals, that this is a team not to be m…
Volcano
It is a few minutes after ten-thirty on Monday evening, February 17, 1969, in Ronnie Scott’s, 47 Frith Street London W I. On this particular Monday at Ronnie’s something special is about to happen. A new attraction is to begin a two-week engagement at the club, and this attraction is out of the ordinary. The word has got around, from people who have seen one of the concerts which preceded this opening and others who know the band from records or foreign festivals, that this is a team not to be m…
Volcano / Rue Chaptal
*2022 stock* "I remember standing at the bar,' he recalls, 'and seeing Johnny Griffin arrive. He said to me, 'Gigi, you're going to hear some strong shit tonight.' And he wasn't kidding. The band was so powerful and driving, so together, like one tremendous all-purpose instrument." Gigi Campi "It was marvellous. People used to applaud in the middle of the arrangements – showing their appreciation of some of the tutti or soli passages. It was really one of the greatest musical experiences of my l…
Swing, Waltz, Swing
*2022 stock* Three – instead of – four this figure can mean a whole different world, when it comes to beats. Whereas the even number lets you march straight, turns right-angled, divides itself symmetrically, the odd rhythm goes around in circles and whirls. One heavy step, followed by two light ones, that can not go straight, that has to turn and turn and turn. The old Vienna and its young people was once ruled by “Waltz speeding” as today the beat shakes up even country dancefloors. Yet, that c…
Off Limits
*2022 stock* Myths take a long time dying, especially in jazz where the ability to confuse fact and fantasy has marked several generations of both critics and listeners. Perhaps the great Buddy Bolden could be heard for 14 miles on a clear night, but those who still believe that old one deserves to be interned in the same kind of institutions that housed Buddy in his latter days. The European jazz musicians, despite years of recorded evidence stretching right back to the wonderful Django Reinhar…
Our Kinda Strauss
**CD Digipak issued with 28 page book and a slip case** This album of waltzes by the Clarke-Boland band is a compilation of pieces from four different sessions, the first of which, in February 1966, produced the album Swing, Waltz, Swing. This LP was one of a series of recordings made by the Philips company, under the direction of label manager and jazz producer Siegfried Loch, to be sold with twen, the Cologne-based magazine for young people, published by Hans Hermann Koper. Says C-BBB founder …
Handle With Care
It’s no news, really, that jazz has spread throughout the world, especially to those of us who are hung up in this business for love or money or both. But sometimes it does come as a surprise that the players in other countries can be as good as they are and can sit there and play with the genuine U. S. article so well that just from listening you would never know they had not been born and brought up a block from Birdland.That’s the way it is with this album and with its predecessor, “Jazz Is U…
1