Klaus Schulze
Born August 4th 1947, Schulze initially made his mark as a drummer, first with the group Psy Free, later with Tangerine Dream (he played on their first album \"Electronic Meditation\" before he quit) and Ash Ra Tempel (with Manuel Göttsching). In 1971 Schulze started a solo career as an electronic musician and released a couple of heavily experimental albums, \"Irrlicht\" and \"Cyborg\". 1974\'s \"Blackdance\" was the first release where he used a \"real\" synthesizer, and later in the 70\'s he would record albums such as \"Moondawn\", \"Mirage\" and \"X\" and embark on several tours, documented across a number of live albums.
Born August 4th 1947, Schulze initially made his mark as a drummer, first with the group Psy Free, later with Tangerine Dream (he played on their first album \"Electronic Meditation\" before he quit) and Ash Ra Tempel (with Manuel Göttsching). In 1971 Schulze started a solo career as an electronic musician and released a couple of heavily experimental albums, \"Irrlicht\" and \"Cyborg\". 1974\'s \"Blackdance\" was the first release where he used a \"real\" synthesizer, and later in the 70\'s he would record albums such as \"Moondawn\", \"Mirage\" and \"X\" and embark on several tours, documented across a number of live albums.
Member of: Ash Ra Tempel, Cosmic Jokers
La Vie Electronique 7
*Released in 8-panel Digipak. Includes a 20-page booklet in German and English.* "Re: People I Know" is the first of two long pieces that Klaus played at his concert in Düsseldorf on September 30, 1977, similar to the impressive piece that Klaus Schulze performed in Brussels the same year at "St. Michael's Cathedral". has played. "Avec Arthur": During the long tour in 1979, Klaus played a long solo piece that filled the first half of the concerts as usual. After the break, Arthur Brown joined fo…
La Vie Electronique 6
The sixth part of the out-of-print series offers recordings from the second half of the 70s. La Vie Electronique Vol. 6 contains three CDs. The first disc features numbers that Klaus Schulze played at a concert in Oberhausen in 1976, including "Schwanensee". The whole thing is supplemented by two solo pieces that Klaus Schulze recorded in the same year in the then newly established studio in Hambühren. The finale is the title “Fear At Madame Tussaud’s”, recorded in April 1977 in the London Plane…
La Vie Electronique 5
The rarities of the electronic pioneer Klaus Schulze were previously released in a strictly limited edition, called "The Ultimate Edition" and document the history and the rich diversity of this exceptional musician, even more impressive than on his official releases. Now these recordings - completely remastered and for the first time in chronological order - are available in elaborate editions: Every episode contains 3 CDs in high-quality "vinyl look" with digipack including booklet with detail…
La Vie Electronique 4
The third in Klaus Schulze's series of three-disc compilations of live and rare material (all of it previously released in his 50-disc Ultimate Edition box from 2000) is pure bliss for fans of early-'70s analog synthesizer music. The melodies swoop and whoosh like comets passing by a slowly drifting space station manned by dudes and ladies in unisex jumpsuits with long, perfectly coiffed hair, and beards on the men. Close your eyes and you're there. Many of these tracks are grouped into half-hou…
La Vie Electronique 3
The third in Klaus Schulze's series of three-disc compilations of live and rare material (all of it previously released in his 50-disc Ultimate Edition box from 2000) is pure bliss for fans of early-'70s analog synthesizer music. The melodies swoop and whoosh like comets passing by a slowly drifting space station manned by dudes and ladies in unisex jumpsuits with long, perfectly coiffed hair, and beards on the men. Close your eyes and you're there. Many of these tracks are grouped into half-hou…
La Vie Electronique 2
*Issued in 8-panel digipak with 20-page booklet.* As a member of seminal "kosmische" groups Ash Ra Tempel and Tangerine Dream, and throughout his long and distinguished solo career, Klaus Schulze has emerged as one of the pioneers of modern electronica. Pulsing analog sequencer rhythms and proto-ambient synth drones, presaged developments in techno and trance by nearly two decades. The three-disc set, La Vie Electronique 2, is the second in a comprehensive reissue program focused on rare tracks …
La Vie Electronique 1
In 2009, Klaus D. Mueller and Schulze began releasing La Vie Electronique ("The Electronic Life"), a series of three-CD sets that reissued all the material previously released in these long-deleted box sets, plus a few unreleased tracks, with all the material put back in chronological sequence (the Edition sets mixed things up, time line-wise). Volume 1 covers the years 1968-1972 and is mainly very interesting. One highlight is "I Was Dreaming I Was Awake and Then I Woke Up and Found Myself Asle…
Irrlicht
After his involvement w/ the monster debut albums by both Tangerine Dream and Ash Ra Tempel, Schulze went solo and this is the first album (originally issued on OHR, 1972). The first of many classic space rock/trance epics; long tracks in which Schulze plays everything (electronic machines, organ, guitar, percussion, much more), this is some of the finest German Kosmiche Musik there, staggering work and really quite underrated once you get outside his cult following.
Cyborg 2017 Remastered
Second solo album of Schulze with a Cosmic Orchestra (12 cellos, 3 basses, 30 violins, 4 flutes) from 1973 (originally issued on Kosmiche Musik). This is a longer, ninety-minute odyssey into the strange musical world of Klaus Schulze as first unveiled on Irrlicht. Electrical sounds, synthesizers and manipulated recordings of classical instruments (cello, violin) combine to create chamber music for the electronic age, divided into four side-long works that each balance the equation differently. O…
The Cosmic Jokers
Re-mastered from the original analogue tapes. Released on the original Kosmische Kuriere label * The legendary debut album of the Krautrock all-star band from 1974. Produced at Dierks Studios with the collaboration of Dieter Dierks. What an amazing improvement in the sound of this 48 year old recording. Recorded in 1973 during a series of acid-fuelled all-night jam parties, Cosmic Jokers was the work of a veritable krautrock supergroup that included Dierks himself, Manuel Göttsching (Ash Ra Temp…
Galactic Supermarket
1974 the Cosmic Jokers were basically Klaus Schulze, Manuel Göttsching, various Ash Ra Tempel and Wallenstein members doing late night jamming. Galactic Supermarket is one of them, and is more rock-oriented than many others. It's no surprise the music bears more than a passing resemblance to Ash Ra Tempel, because of Manuel Göttsching and his guitar playing. Also Jürgen Dollase gives some nice keyboard work, particularly the piano, Farfisa electric piano, synths, and even a little Mellotron. Kla…
The Dark Side of the Moog Vol. 5-8
In 1994, Klaus Schulze was able to look back on a long, successful and highly influential career, but he was also able to embrace the new. He was in the midst of his 'digital phase', fascinated by sampling technology, and had a clear idea of where he could go with the technology. By contrast Peter Kuhlman a.k.a Pete Namlook had just started. In 1992 he had founded the seminal Fax label, which was both a vehicle for his own recordings and a chance to collaborate and release recordings from like-…
Next Of Kin
Praised by Quentin Tarantino as one of the greatest films from Australian New Wave cinema, Next Of Kin (1982) was a highly stylised psychological thriller in the bloody tradition of European art-Horror. Scored by none other than ex-Tangerine Dream/Ash Ra Tempel drummer and German electronic music pioneer Klaus Schulze, the music featured in the film was a unique hybrid of pulsing Giallo-moods and hypnotic Berlin-School electronica. Due to the limited availability of the film over the years, rumo…
The Dark Side Of The Moog Vol. 4
In 1994, Klaus Schulze was able to look back on a long, successful and highly influential career, but he was also able to embrace the new.He was in the midst of his 'digital phase', fascinated by sampling technology, and had a clear idea of where he could go with the technology, which resulted in albums like Beyond Recall; the Royal Festival Hall recordings; The Dome Event and even to an extent his opera Totentag.By contrast Peter Kuhlman a.k.a Pete Namlook had just started. In 1992 he had found…
The Dark Side of the Moog Vol. 3
In 1994, Klaus Schulze was able to look back on a long, successful and highly influential career, but he was also able to embrace the new.He was in the midst of his 'digital phase', fascinated by sampling technology, and had a clear idea of where he could go with the technology, which resulted in albums like Beyond Recall; the Royal Festival Hall recordings; The Dome Event and even to an extent his opera Totentag.By contrast Peter Kuhlman a.k.a Pete Namlook had just started. In 1992 he had found…
The Dark Side of the Moog Vol. 2
In 1994, Klaus Schulze was able to look back on a long, successful and highly influential career, but he was also able to embrace the new.He was in the midst of his 'digital phase', fascinated by sampling technology, and had a clear idea of where he could go with the technology, which resulted in albums like Beyond Recall; the Royal Festival Hall recordings; The Dome Event and even to an extent his opera Totentag.By contrast Peter Kuhlman a.k.a Pete Namlook had just started. In 1992 he had found…
The Dark Side Of The Moog Vol. 1
In 1994, Klaus Schulze was able to look back on a long, successful and highly influential career, but he was also able to embrace the new. He was in the midst of his 'digital phase', fascinated by sampling technology, and had a clear idea of where he could go with the technology, which resulted in albums like Beyond Recall; the Royal Festival Hall recordings; The Dome Event and even to an extent his opera Totentag.By contrast Peter Kuhlman a.k.a Pete Namlook had just started. In 1992 he had foun…
La Vie Electronique Volume 1.2
Klaus Schulze is a German electronic music pioneer, composer and musician that needs very little introduction. In the late sixties & early seventies he was a member of several iconic bands such as Tangerine Dream, The Cosmic Jokers and Ash Ra Tempel before launching a solo career consisting of more than 60 albums released across five decades. Collaborations were numerous and highlights include working with Steve Winwood, Brian Eno and Alphaville… just to name a few.Klaus Schulze’s proto moog-syn…
La Vie Electronique Volume 1.1
Now available for the first time on vinyl, One Way Static Records presents the second volume in our new archival series La Vie Electronique. This volume (1.1) focuses on the years 1970-1972 and is spread over two glorious LP’s containing +78 minutes of Klaus Shulze rarities. This deluxe vinyl set also comes with an insert containing extensive liner notes. Klaus Schulze is a German electronic music pioneer, composer and musician that needs very little introduction. In the late sixties & early sev…
Irrlicht 2017 Remastered
Irrlicht is the solo debut album from Klaus Schulze (originally released in 1972) and is an absolute masterpiece in cosmic, space music. Schulze omitted the use of synthetics for this recording, relying on organ with various electronic effects to produce an absolutely mesmerizing and minimalist body of sounds that transform the listener into a total abstracted world full of mysteries within its almost never-ending spiral. With no electronic pulse and rhythms, just a gloomy and distorted a…