We use cookies on our website to provide you with the best experience.Most of these are essential and already present. We do require your explicit consent to save your cart and browsing history between visits.Read about cookies we use here.
Your cart and preferences will not be saved if you leave the site.
Three versions of the 1969 piece for spatialized percussion ensemble performed by Les Percussions de Strasbourg with Georges Pludermacher and released on Philips' silver covers "Prospective 21e Siècle" series in the mid-70's. Black labels.
1970's re-issue on Erato's "Musique De Notre Temps" contemporary music series of two powerful works from the 60's for orchestra and for piano, wind and percussion ensemble, conducted by Pierre Boulez and featuring Les Percussions de Strasbourg.
Two versions of Miroglio's excellent composition for percussion ensemble, performed by Les Percussions de Strasbourd and released on Philips' silver covers "Prospective 21e Siècle" series. Black labels.
Two great compositions for percussion ensemble performed by Les Percussions de Strasbourg and released on Philips' silver covers "Prospective 21e Siècle" series, with liner notes by Joseph Byrd of the United States of America! Grey cover, black labels.
Original soundtrack to the 1981 film by Jean Jacques Annaud with avant-garde elements performed by Les Percussions de Strasbourg. With poster and cover art by Philippe Druillet.
1969 LP on Philips' silver covers "Prospective 21e Siècle" series with contemporary music for percussion played by Les Percussions De Strasbourg. Rare edition with grey cover and black labels.
Myotis V is a 34-minute journey to the heart of an amplified percussion device combining organic and electronic sounds.
Anthony Laguerre : Composition, amplification et électroniqueLéa Koster : PercussionsThéo His-Mahier : PercussionsFrançois Papirer : PercussionsEnrico Pedicone : Percussions
Drum-Machines, the 2nd recording made and produced under the label Percussions de Strasbourg, marks an important turning point in our approach, that of the 4th generation of our ensemble. At the junction between contemporary and electronic music, Drum-Machines was created following a process of dynamic composition: the performers first proposed sound materials on two research residencies and then eRikm ensured the composition, the music production and mixing.Commissioned by Percussions de Strasb…
A first monographic compact disc for this composer born in 1951, a pupil of Pierre Schaeffer and Guy Reibel, winner of the Villa Médicis Prize "hors les murs" in 1995, who has also contributed to the musical research activities of the IRCAM, in the Atelier de Recherches Instrumentales (1985 and taken part in the development of the Quatron, the real-time synthesis computing system of the IMCA at Auch (1989-1990).
On 'Diffluences': "The relationship between tape and piano is not the classical one…