Lionel Marchetti
Lionel Marchetti is a musique concrète composer born in Marseille (France) in 1967. Self-taught at first, he later explored the musique concrète repertoire as acousmatic art withXavier Garcia. Live, he performs his concrète compositions on various sound spatialization systems. He also composed at CFMI — Université Lumière Lyon 2 (France) and at Groupe de recherches musicales (Ina-GRM) in Paris (France).
Lionel Marchetti also practices improvisation on stage on his own (experimental analogue devices with various microphones, feedback, radio waves, magnetic tape recorder, modified speakers, analogue synthesizers, etc.) and with musicians like Jérôme Noetinger (electronics, magnetic tape recorder), Xavier Garcia (electronics), Seijiro Murayama, Xavier Charles, Emmanuel Holterbach, and Yan Jun, as well as with Japanese musician and dancer Yôko Higashi.
Lionel Marchetti also practices improvisation on stage on his own (experimental analogue devices with various microphones, feedback, radio waves, magnetic tape recorder, modified speakers, analogue synthesizers, etc.) and with musicians like Jérôme Noetinger (electronics, magnetic tape recorder), Xavier Garcia (electronics), Seijiro Murayama, Xavier Charles, Emmanuel Holterbach, and Yan Jun, as well as with Japanese musician and dancer Yôko Higashi.
Lionel Marchetti is a musique concrète composer born in Marseille (France) in 1967. Self-taught at first, he later explored the musique concrète repertoire as acousmatic art withXavier Garcia. Live, he performs his concrète compositions on various sound spatialization systems. He also composed at CFMI — Université Lumière Lyon 2 (France) and at Groupe de recherches musicales (Ina-GRM) in Paris (France).
Lionel Marchetti also practices improvisation on stage on his own (experimental analogue devices with various microphones, feedback, radio waves, magnetic tape recorder, modified speakers, analogue synthesizers, etc.) and with musicians like Jérôme Noetinger (electronics, magnetic tape recorder), Xavier Garcia (electronics), Seijiro Murayama, Xavier Charles, Emmanuel Holterbach, and Yan Jun, as well as with Japanese musician and dancer Yôko Higashi.
Lionel Marchetti also practices improvisation on stage on his own (experimental analogue devices with various microphones, feedback, radio waves, magnetic tape recorder, modified speakers, analogue synthesizers, etc.) and with musicians like Jérôme Noetinger (electronics, magnetic tape recorder), Xavier Garcia (electronics), Seijiro Murayama, Xavier Charles, Emmanuel Holterbach, and Yan Jun, as well as with Japanese musician and dancer Yôko Higashi.
The Tower (The City)
First collaborative work between Vanessa Rossetto and Lionel Marchetti. Mastered by Giuseppe Ielasi, designed by Matthew Revert. Six-panel digipak.
Jeu du Monde
“Jeu du monde” is a collection of around twenty musique concrète pieces which spreads over more than six hours of music. Each CD has been designed as an audio film which tells a full story. The box set includes previously released works which have long been unavailable, reworked versions of digital releases, as well as unreleased pieces especially composed for this occasion. With the use of a complex sound palette ( synthesizers, analog and digital manipulation, percussion, low fidelity samplers…
Filarium
In 1998, the Cultural Centre Andre Malraux of Vandoeuvre-Les-Nancy commissioned Michel Chion, Lionel Marchetti and Jerome Noetinger to collaborate on a work of musique concrete. Les 120 jours was the result - a fresco for which the composers exchanged a mass of sounds from multiple origins, that each had worked, transformed and recomposed in their own style.For this new commission (2014-2015), the work was realised in two stages. Firstly, during several recording sessions at the CFMI of Lyon (Un…
Les 120 jours
For Les 120 Jours, Michel Chion, Lionel Marchetti and Jérôme Noetinger assembled a common bank of many original sounds which each of them had worked on, transformed and re-composed in his own style. This gives the listener the ability to hear a musical language in the form of collage-citations, which, for this occassion, they also named a 'concrete diversion'. Musique concrète composed in 1997/98 for the Festival Musique Action, 16 May 1998, at Vandoeuvre-lès-Nancy, France.Limited edition of 100…