Lionel Marchetti
Lionel Marchetti is a musique concrète composer born in Marseille (France) in 1967. Self-taught at first, he later explored the musique concrète repertoire as acousmatic art withXavier Garcia. Live, he performs his concrète compositions on various sound spatialization systems. He also composed at CFMI — Université Lumière Lyon 2 (France) and at Groupe de recherches musicales (Ina-GRM) in Paris (France).
Lionel Marchetti also practices improvisation on stage on his own (experimental analogue devices with various microphones, feedback, radio waves, magnetic tape recorder, modified speakers, analogue synthesizers, etc.) and with musicians like Jérôme Noetinger (electronics, magnetic tape recorder), Xavier Garcia (electronics), Seijiro Murayama, Xavier Charles, Emmanuel Holterbach, and Yan Jun, as well as with Japanese musician and dancer Yôko Higashi.
Lionel Marchetti also practices improvisation on stage on his own (experimental analogue devices with various microphones, feedback, radio waves, magnetic tape recorder, modified speakers, analogue synthesizers, etc.) and with musicians like Jérôme Noetinger (electronics, magnetic tape recorder), Xavier Garcia (electronics), Seijiro Murayama, Xavier Charles, Emmanuel Holterbach, and Yan Jun, as well as with Japanese musician and dancer Yôko Higashi.
Lionel Marchetti is a musique concrète composer born in Marseille (France) in 1967. Self-taught at first, he later explored the musique concrète repertoire as acousmatic art withXavier Garcia. Live, he performs his concrète compositions on various sound spatialization systems. He also composed at CFMI — Université Lumière Lyon 2 (France) and at Groupe de recherches musicales (Ina-GRM) in Paris (France).
Lionel Marchetti also practices improvisation on stage on his own (experimental analogue devices with various microphones, feedback, radio waves, magnetic tape recorder, modified speakers, analogue synthesizers, etc.) and with musicians like Jérôme Noetinger (electronics, magnetic tape recorder), Xavier Garcia (electronics), Seijiro Murayama, Xavier Charles, Emmanuel Holterbach, and Yan Jun, as well as with Japanese musician and dancer Yôko Higashi.
Lionel Marchetti also practices improvisation on stage on his own (experimental analogue devices with various microphones, feedback, radio waves, magnetic tape recorder, modified speakers, analogue synthesizers, etc.) and with musicians like Jérôme Noetinger (electronics, magnetic tape recorder), Xavier Garcia (electronics), Seijiro Murayama, Xavier Charles, Emmanuel Holterbach, and Yan Jun, as well as with Japanese musician and dancer Yôko Higashi.
Suite blanche
Double CD with Suite blanche, composition, and Angelica, a live concert.
Aigue - Marine
De L’Angle Mort Trio is Claire Bergerault, Patrick Charbonnier & Lionel Marchetti. The three musicians collaborate for the first time as a trio. Their music explores new aspects of electroacoustic music, combining improvisational musical techniques with live electronics and dance music forms.
“Aigue – Marine” consists of three compositions based on voice, electronics, accordion, and rhythmic elements. Claire Bergerault, Patrick Charbonnier & Lionel Marchetti improvise in a spontaneous way, creat…
The Tower (The City)
First collaborative work between Vanessa Rossetto and Lionel Marchetti. Mastered by Giuseppe Ielasi, designed by Matthew Revert. Six-panel digipak.
Filarium
In 1998, the Cultural Centre Andre Malraux of Vandoeuvre-Les-Nancy commissioned Michel Chion, Lionel Marchetti and Jerome Noetinger to collaborate on a work of musique concrete. Les 120 jours was the result - a fresco for which the composers exchanged a mass of sounds from multiple origins, that each had worked, transformed and recomposed in their own style.For this new commission (2014-2015), the work was realised in two stages. Firstly, during several recording sessions at the CFMI of Lyon (Un…
Equus
Equus is a collaborative work of musique concrète recorded in 2001-02 on a commission from the INA GRM It is truly a delight for Pogus to add this title to our catalog. As Capparos notes: Equus guides us through human memory and history. It may sound a bit strange that sound & music would appear as a vehicle, or as we had cast a lead into a labyrinth. This brings us to the question of whether we are alive or not; travelling the path throughout these soundings would drive us down and up our consc…