Maggi Payne is a composer of electronic and electroacoustic music, video artist, installation artist, flutist, recording engineer/editor, and historical remastering engineer. She was co-director of the Center for Contemporary Music at Mills College, Oakland, CA, where she taught recording engineering, composition, and electronic music from 1972 to May 2018. Her electroacoustic works often include visual elements which she creates, including video, dance, transparencies, and film
Edition of 500. ‘A Late Lunch’ is the soundtrack to Akiko Iimura’s eponymous movie realized in 1978. It is based on acoustic instruments and field recordings, brilliantly reconfigured and mixed by Jaques Bekaert to create a surreal, immersive soundscape. The technique used includes superposition and speed change of recordings, radical sound effects and juxtaposition of sounds. The players were prominent musicians of the 1970’s, including Maggi Payne, George Lewis, David Rosenboom and Blue Gene T…
This bundle includes Maggy Payne's Ahh - Ahh (LP) and Arctic Winds (2LP).Ahh - Ahh was originally composed by Maggi Payne between 1984-1987 for the performance group Technological Feets. Formed by video artist Ed Tennenbaum in the San Francisco Bay Area in 1981, the group combines dance, live video processing and music. Ahh-Ahh was first released in 2012 on Root Strata. Composed on an Apple II computer and various early sampling devices, Payne's compositions are a vibrant response to the call fr…
Originally composed by Maggi Payne between 1984-1987 for the performance group Technological Feets. Formed by video artist Ed Tennenbaum in the San Francisco Bay Area in 1981, the group combines dance, live video processing and music. Ahh-Ahh was first released in 2012 on Root Strata. Composed on an Apple II computer and various early sampling devices, Payne's compositions are a vibrant response to the call from the moving body. Populated with buoyant pulses, graceful analogue swells, dense fog-…
Fully immersive electronic music by US composer Maggi Payne, inspired by the arctic winds. Maggi Payne's sound worlds invite the listeners to enter the sound and be carried with it, experiencing it from the inside out in intimate detail. The sounds are almost tactile and visible. The music is based on location recordings, with each sound carefully selected for its potential—its slow unfolding revealing delicate intricacies—and its inherent spatialization architecting and sculpting the aural spac…
Maggi Payne's musical imagination is vivid: she is interested in the surreal, the inward, the micro, and the accumulation of physical and psychological tension. Periods of silence gently evolve into flowing drones of complex resonances. Oozing drones evolve into dense and powerful peaks of short duration. On one cut, multi-tracked voices shift in and out of phase, creating alternately shimmering and percussive patterns; on another, digital delay and 32 separate flute tracks create a rain forest …
Last copies of this 2012 release. The music on this LP was originally composed by Maggi Payne from 1984-1987 for the performance group Technological Feets. Formed by video artist Ed Tennenbaum in the San Francisco Bay Area in 1981, the group combines dance, live video processing and music. This is the first time these recordings have ever been released on vinyl, and aside from the track "Ahh-Ahh (Ver 2.1)," the first time any of it has ever been officially released. Composed on an Apple II …