Maribor
Members: Giuseppe Verticchio, Andrea Marutti, Stefano Gentile, Maurizio Bianchi, Pierpaolo Zoppo, Gianluca Favaron
Technology 1 & 2
First issued as a very limited private tapes in 1981, now for the first time ever on CD for these early tapes by one of the most important figures in noise/electronic history, Maurizio Bianchi. These two discs were originally issued on tape in 1981 and have been bootlegged and cut into oblivion since then; this is the first time they've been made available digitally and fully uncut. Technology 1 has two long 25 min+ songs, both in a similar vein and showing MB taking a more subtle melodic approa…
Evidences Vol.1 - Final Industrial Music 1980
This is the limited friends edition of 50 copies in a red Box Set with golden imprints instead of the black Box Set with silver imprints, especially for the artist and a few other people in relation to VOD. Handsingned copy!
Aybasi
Maurizio Bianchi/M. B. used gelatinous comglomerates of consubstantial sounds, mixed with discretional eviscerated noises. Antithetic metal crucibles for contemplative adherents.
Bactérie
Maurizio Bianchi has been in the game for a long time. Since the late 70's he has proved himself to be a true pioneer of industrial minimalist tactics making it a goal to "produce technological sounds to work for a full awareness of modern decadence." I strongly believe that the most beautiful music is made through the filters of decay and slow demise. Bacterie is a fine example of this and only a sliver of what Bianchi has done over the last 30 years.
Mectpyo Saisei
A magnetotherapeutic leakage bridled in the impartial passivity of our univocal meditations the second haemodialysis generated by maurizio bianchi and akifumi nakajima, announces the new era of untamed audio-inflammation. both operators have sharpened their pathologist scalpels to intoxicate the aural hemisphere with rhizospheric microorganisms and mononuclear blood-cells. inside the parasite plasmodium of mectpyo saisei the clinical rhythm-impulses by aube and septic piano-fragments by m.b. for…
Junkyo
First collaboration between Maurizio Bianchi and Akifumi Nakajima, the second one being the Mectpyo Saisei on Para Disc. Four long tracks of drowsy noise ambiance.
Spiritualis
The duo weave a shimmering tapestry of alien drone, scattering bits of harddrive flotsam across squalls of ringing jetsam. "Improvisational" this recording might be, but aesthetically more than a few chronologically cultural links are forged with pioneer soundscapers of yesteryear (Xenakis, Stockhausen, Babbitt, Subotnick) more so than any straightforward diagrammatical connection with post-jazz avant-gardists... the duo delight in erecting a quakebasket quiverfest of extraordinarily well-articu…
Zyklusters
Versatile sounds macerated during the past two years, finally assembled by Siegmar Fricke using phonematic machineries. In the academese, a "cluster" is a simultaneous musical chord comprised of consecutive tones separated chromatically. In general parlance, a cluster consists of three or more contiguous notes sounded at the same time, and the notes are sounded fully and simultaneously, distinguishing them from ornamented figures involving acciaccaturas and the like. Diametrically opposed are th…
The Valley Of Deep Shadow
Are based on Psalm 23 the brand new recordings by the great Maurizio Bianchi. Maurizio surprises us again with his Valley of Deep Shadow changing again direction and going into new unespected sonic territories. Will you walk through the darkest valley ? To be discovered.. Edition of 515 hand numbered copies.
Akoustikoriginem
Improvisation is the practice of making and creating in the moment and in response to the stimulus of one's immediate environment. Musical improvisation is the spontaneous creative process of making music while it is being performed. It's like speaking or having a conversation as opposed to reciting a written text. "Akoustikoriginem" is a marginal and exhausted resource for experimental diffusion of uncompromised acoustic sounds from the convergent beginnings. Maurizio Bianchi prevalently uses a…
Dead Colours
This is the reissue of a CDR published by SILENTES a couple of years ago in only 120 copies. Now finally available on CD with restored artwork. DEAD COLOURS shows the more quite side of MB... with an incredible dark melanchonic tough in vein of David Lynch's atmospheres... Fantastic!
Menstruum Regles
Decomposition instead that composition. De-structured music that instead structured music. Not to complex and articulated technologies forrecording, mixing of the parts and mastering; not to onesophisticated production and maniacal and defined participations correct in post-production... This the new "challenge" capacityto the extreme limit from Maurizio Bianchi, a new musical effort,"directed", "raw", immediate, absolutely uncompromising new, to outsideof every law and from every pre-constitute…
The Self Portrait Of M.B.
An unusual self-portrait of Maurizio Bianchi in a minimal and introspective version, "a discreet" sonic self-portrait, elaborated with soft and nearly abstract electronic sketches, cyclical waves, tangles of intersected sounds, stratified, continuously changing, manipulated and molded through uses of effects, filters, reverbs, choruses, delay... Expanded paces, rarefied and "apparently quiet" atmospheres, but at the same time always full of a constant sense of gravity and heaviness, of vulnerabi…
Muitnelis
Phonometric composition for concrete sounds and magnetic oscillations, electronically transformed by Siegmar Fricke in the summer of 2006. "We are sorrounded by the silence, and the fascination of such silence is as much impalpable existing. Just if there are vibrator movements coming from a sonorous source, our brain is able to perceive its pitch, its intensity and its timbre decoding them to transform in sounds. If we can't get such sensibility of perception, only the absolute silence exists.…
The industrious tubal-cain
The Industrious Tubal-Cain" which combines the old, harsh sound of M.B. to his newer, more experimental and often more minimal approach.
Elisionem
'The 'elision' in the traditional music is a coercive and systematic dispositive necessary to assimilate two syllabic notes in one only. The 'elisionem', in the avant-gardist branch, is a sound absorbent course used amalgamate various sonorous elements into one. The main purpose is to generate an eclectic and axiomatic damping of the electroacoustic particles in order to proportion the achromatic fulfilment of modern concretism. And the final effect is phonographically disarming... psycho-acoust…
Blut Und Nebel
Blut und Nebel "remixes" the first ten LPs of the early 1980s, is an excellent demonstration of Bianchi's skills at dadaistic collage, free-form improvisation and abstract soundsculpting, as accrued over twenty years of electronic manipulation. Noise is employed like an electric guitar to produce solos of manic intensity.
R.C.E.
Subtitled "[An] Exasperating Sonata in Three Dissections for Enharmonic Pianoforte, Industrial Oscillations and Digital Emissions." Packaged in a hard cardboard sleeve, with disc envelope and inserts. Released in a limited edition of 100 hand-numbered copies.
Escape To Bela-Zoar
3 long old school dark ambient industrial tracks from the italian cult project in the way of his old releases from the 80s. Subtitled "Based On Genesis Chapter 19, Verses 15-23". Released in a DVD case, in a limited editon of 500 copies.
Carcimetrio
Subtitled: Necrotic rhapsody for concrete segmentations and electronic tissues, originated and spread during the decay of the 2005. Released in an edition of 100 hand-numbered copies.