Maurizio Bianchi
Bianchi began to produce music in 1979, since 1980 using electronic equipment with the avowed goal "to produce technological sounds and in such a way to work on complete realising of the modern decadence". In the beginning, he published tapes under the alias Sacher-Pelz. Until 1984, Bianchi published on other labels intensively as either MB or simply Maurizio Bianchi, sometimes several albums and/or tapes per year, as well as numerous tracks to compilations. Bianchi became religious and withdrew himself from the music business. Much of his work is sought today by collectors, especially as they appeared in extremely small editions
Bianchi began to produce music in 1979, since 1980 using electronic equipment with the avowed goal "to produce technological sounds and in such a way to work on complete realising of the modern decadence". In the beginning, he published tapes under the alias Sacher-Pelz. Until 1984, Bianchi published on other labels intensively as either MB or simply Maurizio Bianchi, sometimes several albums and/or tapes per year, as well as numerous tracks to compilations. Bianchi became religious and withdrew himself from the music business. Much of his work is sought today by collectors, especially as they appeared in extremely small editions
Neuro Habitat / Moerder Unter Uns
2014 repress, originally released in 1998. Reissue of a private LP, issued in an edition of 300 copies in 1982 by Maurizio Bianchi ; a skeletal extremist project that will then transform into the "soundtrack" of a movie with the same title, edited and directed by Paul Hurst. It's the setting of the griable pre-apocalyptic fossilization, the supreme lapidation of the meanness which creates the myth. There are actual melodies present -- dense and dark that mutate into harsh electronic outbur…
Menses
2014 repress, originally released in 2000. First issued on the Broken Flag label in the UK in an edition of 500 in 1983. A different style, providing some distance from all his previous works; a more expansive experimentation with multiple layers of synthesizer sounds. Still very intense. M.B.'s recordings come closest to classical electronics, but always with a very personal style. This CD edition also features an interview on Radio Popolare in Milan from 1/1/83. An English translation i…
Symphony For A Genocide
2014 repress of these classic M.B. albums (M.B. = Maurizio Bianchi, for those of you who haven't been saved yet). These were first reissued in 1998 by EEs'T (a division of Alga Marghen) and are now back again. Symphony... was the first M.B. album, issued in 1981, at the gates of the industrial noise revolution (it was also reissued on CD in the U.S. on Hospital Productions). "ArcheoMB" is the title given to the complete reprint of old M.B. records and here is part 1. EEs'T Records and M.B. …
Erimos
This release is quite special as it has given us the opportunity to work with one of our all-time favorite artists (and one of the true all-time greats), Maurizio Bianchi. "Erimos" is the first in a series of works about the spaces "between the elements." This album contains a single, 40+ minute exploration. Heavy on electronics, the amazing thing is how warm the whole piece feels. Bianchi is joined by two of the next generation of Italian sound sculptors, Hue (aka Matteo Uggeri) and Fhievel (a…
Mutation For A Continuity
Very few are aware of the beginning of Maurizio Bianchi's adventures? Before starting the complex and compelling production of many records and tapes in the early eighties under the M.B. trademark, Maurizio Bianchi was documenting the new music scene writing essays and reviews for independent magazines. It was August 1979 in Milan, Italy and his sound was strengthening when he felt the time had come to prove his desire for something new. So he started his first solo project, under the name Sache…
The Plain Truth
2014 repress, originally released in 2000. First issued on the Broken Flag label in the UK in an edition of 500 in 1983. A different style, providing some distance from all his previous works; a more expansive experimentation with multiple layers of synthesizer sounds. Still very intense. M.B.'s recordings come closest to classical electronics, but always with a very personal style. This CD edition also features an interview on Radio Popolare in Milan from 1/1/83. An English translation i…
Armaghedon
2014 repress, originally released in 2000. Private LP edition of 300 copies in 1984. This record is the soundtrack to a film with the same title, produced and directed by Maurizio Bianchi. For obscure reasons, the original LP remained unavailable for a long time, and was distributed only one year after it was printed. Moreover, most of the copies were destroyed. Less than 100 actually exist. This was M.B.'s last vinyl production, and also the only one featuring recordings of the artist's…
Endometrio
2014 repress. Originally issued as a private LP edition of 400 copies in 1983. De-composition for synthetic sounds and electronically generated noises. Here M.B. distanced himself from the movement of the industrial Bruitists, introducing his "bionic music." Notwithstanding the difficulty of listening, especially upon initial impact, you are facing treated and filtered synthetic sounds that become new organisms -- sound cells analyzed under the microscope. This CD also includes excerpts …
Das Testament
2014 repress. The second batch of the complete M.B. reissue program continues, once again issued by EEs'T (in conjunction with Alga Marghen) as a series of five separate CDs, or altogether as a box set. The CDs have been mastered to digital under the supervision of Maurizio Bianchi himself; each CD features the original artwork, the complete documentation (liner notes, reviews, statements) as well as bonus tracks. Reissue of a private LP edition of 300 copies in 1983. M.B.: electronics, rh…
Carcinosi
"Originally issued as a private LP in an edition of 400 copies in 1983. MB de-composition for bionic organisms and concrete sounds. A sound that refuses both the cold logic of the fetish electronic computer-man-of-the-year and the sterile exasperation of the negative. A sound that dilutes and coagulates, eluding the listeners with minimal variations that make the cyclic style of Phillip Glass resemble a carousel of colors. This CD also features two untitled tracks first issued on compilation cas…
colori
The very first new recording from Maurizio Bianchi (MB) since his decision to quit the arena of sound in 1984. Yes, he's back, the world-wide recognized master of apocalyptic electronics has decided to come back to music, opening up a new phase for his creativity.
Genocidio 20
Italian composer maurizio bianchi (1955) produced his first tapes of noise in the early 1980s, at the peak of the industrial scene, but his chaotic dissonant orgies harked back to the musique concrete of the 1950s, despite similarities with Nocturnal Emissions, Metabolist, Whitehouse, early Throbbing Gristle.
Men\'s True Hated
Menstrualrecordings is proud to start it's activities with the album by the Italian underground legend and Industrial-Noise Music pioneer Maurizio Bianchi (M.B.). 'Dysmenorrhoeic dissonances for floating keyboards, diagnostic modulations and absorbent strings, discharged during the autumn of 2005.' Edition of 300 numbered copies in handmade tri-fold cardboard sleeve with pasted photograps and handstamped MB logo. Edition of 278 numbered copies in handmade tri-fold cardboard sleeve with three pas…