Norbert Möslang
Member of: Voice Crack
Kangaroo Kitchen
n 2018 Mikroton Mikroten Festival offered a special occasion to record five important musicians from the Swiss experimental music scene.
Joke Lanz was born in Basel in 1965 and now lives in Berlin. He is a pioneer of the electronic independent scene and a crossover artist whose work spans improvised and experimental music, noise and turntablism, performance art and musique concrète. In addition to theatre and film music, radio works, installations and objects, there are two constants in his work…
Bangalore
Bangalore marks MKM’s fifth release for Mikroton. Recorded in concert on February 2, 2019 in Bangalore during a tour of India, this LP documents the group’s plunge in the ebb and flow of India’s intense energy. In visiting India the group found a social space which mirrored their own approach to music. Or in the words of David Tudor:
Resonance is the condition whereby a tiny input autonomously cascades into a much larger output. It occurs when a small vibration interacts with the internal struct…
vlan_vloila
A beautifull record from two Swiss masters of electronic music. Like an imaginary landscape full of pulses, resonances, ghostly voices and nice noises! Günter Müller, ipods, electronics. Norbert Möslang, cracked everyday electronics. Recorded April 10, 2016, cave12, Geneva.
Sound_Shifting
CD comes with a 90-page catalogue released on occasion of the exhibition Sound-shifting by Möslang/Guhl at the Chiesa San Stae as part of the Swiss contribution to the 49th Venice Biennal 2001. During the preparations for their installation on the occasion of the 49th Venice Biennal in the Church San Stae in Venice, the Swiss artists Norbert Möslang and Andy Guhl, also known as the band Voicecrack, the artists did a series of video takes. This painterly series constitutes the main bulk of this a…
Five Lines
The meeting of heavyweights of electroacoustic improvisation from Europe and the Pacific United States happened during MKM trio tour in Northern America. This recording, at CalArts in 2010, yielded interesting results: a nervous displacement of noises and rich sonorous timbres. Casey Anderson, from Los Angeles, works with sound in a number of media from composition and improvisation to installations. On Five Lines he played a combination of digital and analog instruments of his own design…
Fuzz_Galopp
During the work for Voice Crack duo Norbert Möslang was one of the pioneers in the field of sound installation techniques usage in live improvised music. His instruments are cracked everyday-electronics, but sounds themselves are delivered from the mechanical properties of these devices. This kind of approach seems to be similar to Peter Fischli and David Weiss practices in the visual arts’ fields. The comparison of the film documentaries - "The Way Things Go" (1987) about Fischli/Weiss activiti…
buda_rom
2002 release ** "This album features the Swiss three-quarters of the Swiss-French electro-acoustic improv group poire_z. It consists of live recordings from Budapest and Rome in late 2000. There are three "buda" tracks, each one lasting over ten minutes, and four "roma" tracks of three minutes and under -- the latter have also been remixed by Günter Müller and Norbert Möslang to serve as bridges between the main pieces. Müller has been performing with Voice Crack (Möslang and Andy Guhl) since 19…
Presque_chic
Poire Z is almost like a super group, as it’s collaborative work between drummer Gunter Muller, electronics by Erik M and the cracked everyday electronics of Moslang and Guhl – the latter two known as Voice Crack. Presented here are two lengthy and heavy weighted pieces recorded at two different festivals. Overall the music is densely layered (although I can’t say if this is a straight recording or a mixed multi-track version; I assume the first) which moves into various places and spaces. Small…
Deep voices
Recorded live during the "Total Music Meeting '77", Berlin, Quartier Latin on November 2nd and 3rd by Bernhardt Arndt.
Poire-Z
1999 release ** "Released in 1999 as a wave of electronic-based free improvisation was slowly overtaking the world of avant-garde music, Poire_Z appeared as the first such record by a supergroup of sorts. The duo Voice Crack (Andy Guhl and Norbert Möslang), Günter Müller, and ErikM's proposition was of a highly introspective, slowly building shroud of electronically derived sounds: the popping of M's vinyls, the clicks and crackles of Voice Crack's electrical devices, Müller's cheap electronics,…