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Oliver Coates

Shelley's on Zenn​-​La
For 'Shelley’s on Zenn-La,' Oliver Coates designs a complex of bending truths and reverse walkways to vernal states. Open ears can peer down hidden aux channel corridors, while melodic patterns present two-way mirrors to rooms of other retinal colors. An endless euphoria is just beneath the dance floorboards of 'Shelley’s,' and an inquisitiveness unencumbered by the institution of knowledge surrounding its frame and inhabitants.
Skins n Slime
Oliver Coates’ skins n slime is a caliginous anatomy concealed by a drone-metal membrane, feeding upon mechanized strand distortions and thriving amidst its harmonic waste. In his follow-up album to 2018’s Shelley’s on Zenn-La, the British cellist and producer leads an impassioned performance of string through viscous, synthetic modulation, triggering a darker side of his compositional sensibilities. Shelley’s experimental dance hybrids are substituted here for scorching color palettes and bruta…
Decouple ][ Series
**300 copies** Experimental solo cellist Oliver Coates (Rvng Intl., Prah) and techno-dub minimalist Spatial (Infrasonics) coalesce with the new installment for the Decouple ][ Series by subverting -through subliminal interventions and refined focus changes - pre-packaged music forms and textures in favor of new self-organizing tendencies. Surprisingly enough, two producers of such different DNAs converge to a similar systemic approach, delivering a set of music that flows with solid and endearin…
Ample Profanity
Edition of 300. Brilliant, mad intersection of No wave primitivism, cello sensitivities and possessed vox, the first proper collab between important lynchpins of the UK avant-classical nexus; Oliver Coates and Laurie Tompkins. If you're into anything from Mica Levi to Jandek, this ones for you... Very few fukcs are given by Coates & Tompkins on Ample Profanity; a let-it-all-out session of deviant, punkish avant-classical composition hallucinated and expectorated by two prodigious talents, releas…
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