Paul Lovens is a German drummer and percussionist, born in Aachen in 1949. Since the early 1970s he has been one of the central drummers of European free improvisation, playing drums, cymbals, percussion and singing saw. He is best known for his decades in the Schlippenbach Trio with Alexander von Schlippenbach and Evan Parker, and in the Globe Unity Orchestra. Lovens appears on the Schlippenbach records Pakistani Pomade (FMP, 1973) and Swinging the BIM (FMP, 2000), and recorded Regalia with Cecil Taylor for FMP.
"Percussionist Paul Lovens turns in some exemplary work on Carpathes, joined by Michel Pilz (bcl) and Peter Kowald (b). Actually it is mostly Pilz' date as he appears throughout the record either in solo, trio or duo with Kowald. But it is Lovens who most impresses me here as he hammers, rings, jingles the percussion, managing to both give rhythmic freedom and abstraction while implying a more traditional rhythm and he sustains himself very well. Actually the rhythm is constantly outstanding in …
Fundacja Sluchaj! presents a new recording by Gerard Lebik (tenor sax), John Edwards (doubke bass) and Paul Lovens (Drums), performed live on 23 of April 2015 at Lublin Jazz Festival
"They are sameïliar which means each one resembles the one before as well as the consecutive one as if they were the same. Perhaps they were all the same in a utopian past, or there was even only one of them – which must have been, then, identical. The sameïliarity they show holds that the same is always different. …
** 2021 Stock ** Those artists that have the courage to bare themselves are often warned to "brace up." Since few things in improvised music are considered as dangerous as allowing space to others. Someone might easily grab all of that space and position themselves as ringleader, in the contest that a concert sometimes is. The Seppe Gebruers, Hugo Antunes and Paul Lovens trio are definitely not at each other's throats, though. The title of their 2018 album recorded 2016, The Room: Time & Space, …
Temporary Super Offer! To be free. What does that actually mean? Not in a social or even political sense. But as a human being? As a musician? When we speak of free improvised music, freedom is the mother of all things. And that in a literal- al sense. You free yourself from yourself. As human beings, we always act with the sum of what we have collected, stored and reflected in all the years before. An improviser does not have to apply his knowledge and skills intellectually, but instinctively. …
Temporary Super Offer! It is surely significant that both Lovens and Stoffner use all four limbs to control their instrument. Lower limbs used principally to play bass drum and hi-hat in the case of Lovens, volume control and effects pedal for Stoffner. Right and left limbs, right and left brain hemispheres It is not surprising that there is plenty going on in their music. “Whatever happened to the Art of the Individual?!” Han Bennink once asked rhetorically to a crowded backstage. Well here i…
**CD edition** Alexander von Schlippenbach: piano; Aki Takase: piano; DJ Illvibe: turntables; Paul Lovens: drums. Recorded by Rainer Robben at AudioCue, Berlin. Lovens joins the Lok 03 trio of Schlippenbach, Takase, and DJ Illvibe for the follow-up to their 2005 debut. Mastered by Beat Halberschmidt. Artwork by Philip Hillers. Liner notes by Yoko Tawada.
Peter Evans - piccolo trumpetJohn Butcher - tenor and soprano saxophonesFrédéric Blondy - pianoClayton Thomas - double bassPaul Lovens - selected and unselected drums and cymbals
Excellent free improvisation from the quartet of Els Vandeweyer (vibraphone), Fred Van Hove (piano / accordion), Paul Lovens (percussion), Martin Blume (percussion) recording at Kunstencentrum BELGIE & Cultuurplatform Motives for Jazz.