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Pauline Oliveros

American Composer, performer and author, born 1932. In the early '60s, Oliveros — with Morton Subotnick and Ramon Sender — formed the San Francisco Tape Music Center, and, there, she began her pioneering work with electronics and tape. In performances, Pauline Oliveros uses an accordion which has been re-tuned in two different systems of her just intonation in addition to electronics to alter the sound of the accordion. Throughout the years, she has developed the Extended Instrument System (EIS), a sophisticated setup of digital signal processors designed for use in live performances.

American Composer, performer and author, born 1932. In the early '60s, Oliveros — with Morton Subotnick and Ramon Sender — formed the San Francisco Tape Music Center, and, there, she began her pioneering work with electronics and tape. In performances, Pauline Oliveros uses an accordion which has been re-tuned in two different systems of her just intonation in addition to electronics to alter the sound of the accordion. Throughout the years, she has developed the Extended Instrument System (EIS), a sophisticated setup of digital signal processors designed for use in live performances.

Io and her and the trouble with him
Written and directed by Ione. Music and sound design by Pauline Oliveros. A collaborative venture among artists of all types, this 'dance-opera' is a multimedia panorama of experimental theatre and technical virtuosity that includes aerial ballet, masks, video projection, a sinister thousand-eyed monster, and a highly imaginative electronic soundscape. The one-act story, set in primeval time, retells the myth of Io from a matriarchal perspective. Io, Argivian priestess, is transformed by a terri…
Lion's Eye / Lion's Tale
An astonishing album, Lion's Eye for Gamelan was commissioned in 1985 by Barbara Benary for Gamelan Son of Lion. Lion's Eye for Synthesizer was commissioned concurrently by Neil Rolnick for iEAR Presents at Rensselaer Polytechnic Institute. Both versions were performed in 1985. The intention to combine both pieces in order to expand the tempo range of the Gamelan was first realized in May of 1989 in performances by the Berkeley Gamelan in Oakland and San Francisco, California under the direction…
Tara's room
Both pieces are intended to aid the listener in times of spiritual change, but are just fine for 'everyday' use as well. Highly recommended." Charles S. Russell, Ear Magazine The two works on this cd - Tara's Room and The Beauty of Sorrow were composed and performed by Pauline Oliveros and recorded in May 1987. Previously only available as a cassette and long out of print." (Deep Listening) "The beauty of sorrow" was played by the composer on a small accordion tuned in just intonation and using …
Primordial Lift
Primordial Lift was originally released in 2000 and is a recording of a performance Oliveros made with David Grubbs on Harmonium and Tony Conrad on electric violin among others. Of course, the result is transcendent and throws your mind across the room – thick waves of sound and dense drones surround you as you listen and the instruments become one wall of pulsating sound. Some of you might know Oliveros from her minimalist work with the Deep Listening Band, which she founded – this material how…
Apollo And Marsyas: Het Apollohuis 1980-1997 An Anthology Of New
All tracks (with three exceptions) recorded during concerts and performances organized by Paul Panhuysen that took place at Het Apollohuis (Eindhoven, The Netherlands). Edition of 1,250 copies in a double-Digipak sleeve. This double CD-set gives an idea of the music and the sound art presented at Het Apollohuis in the period from 1980 through 1997. From a total of 500 performances, Paul Panhuysen chose thirty-eight to be excerpted here. René van Peer wrote the liner notes which are illustrated w…
The Minexcio Connection: Live at the Rosendale Cafe
One of the most unexpected yet fruitful partnerships of recent years: in the mid-1990s, Pauline Oliveros, electronic music pioneer and sage of the environmental drone, began working with Reynols, the prolific and resolutely undefinable Argentinian group. Their first joint effort sent Oliveros' music through the rigours of Reynols' heavily processed studio treatments.  The Minexcio Connection: Live! At The Rosendale Cafe finds them collaborating on-stage in real time. Recorded in August 2000 duri…
No mo
"In the summer of 1966 I worked in the classical Electronic Music Studio at the University of Toronto for six weeks. The system I used to create No Mo and Something Else consisted of Layfette tone generators, noise source and tape delay. In the Fall of 1966 I was the newly appointed director of the Mills Tape Music Center formerly the San Francisco Tape Music Center and now the Center for Contemporary Music at Mills College. Bog Road was created at the Mills Tape Music Center in the Summer of 19…
Ghostdance
The long awaited soundtrack of the Ghostdance music and dance collaboration between Oliveros and Paula Josa-Jones, commissioned by Lincoln Center Out-of -Doors. "The Gkostdance collaboration with choreographer Paula Josa Jones began in Monterrey Mexico supported in turn by two month US/Mexico Exchange Fellowships from the National Endowment for the Arts and FONCA. Together with our host—composer/ ethnomusicologist Arturo Salinas—we attended El Dia de los muertos in Chalco to help inform our work…
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