We use cookies on our website to provide you with the best experience. Most of these are essential and already present.
We do require your explicit consent to save your cart and browsing history between visits. Read about cookies we use here.
Your cart and preferences will not be saved if you leave the site.

Pauline Oliveros

American Composer, performer and author, born 1932. In the early '60s, Oliveros — with Morton Subotnick and Ramon Sender — formed the San Francisco Tape Music Center, and, there, she began her pioneering work with electronics and tape. In performances, Pauline Oliveros uses an accordion which has been re-tuned in two different systems of her just intonation in addition to electronics to alter the sound of the accordion. Throughout the years, she has developed the Extended Instrument System (EIS), a sophisticated setup of digital signal processors designed for use in live performances.

American Composer, performer and author, born 1932. In the early '60s, Oliveros — with Morton Subotnick and Ramon Sender — formed the San Francisco Tape Music Center, and, there, she began her pioneering work with electronics and tape. In performances, Pauline Oliveros uses an accordion which has been re-tuned in two different systems of her just intonation in addition to electronics to alter the sound of the accordion. Throughout the years, she has developed the Extended Instrument System (EIS), a sophisticated setup of digital signal processors designed for use in live performances.

No mo
"In the summer of 1966 I worked in the classical Electronic Music Studio at the University of Toronto for six weeks. The system I used to create No Mo and Something Else consisted of Layfette tone generators, noise source and tape delay. In the Fall of 1966 I was the newly appointed director of the Mills Tape Music Center formerly the San Francisco Tape Music Center and now the Center for Contemporary Music at Mills College. Bog Road was created at the Mills Tape Music Center in the Summer of 19…
Alien Bog / Beautiful Soop
Pauline Oliveros completed Beautiful Soop (1966) and Alien Bog (1967) utilizing the original Buchla Box 100 series created for the Tape Music Center by Don Buchla and her tape delay system. "I was deeply impressed by the sounds from the frog pond outside the studio window at Mills. I loved the accompaniment as I worked on my pieces. Though I never recorded the frogs I was of course influenced by their music."
Electronic Works
One of our favourite "pure drone" album consisting of 3 amazing long tracks by Pauline Oliveros. I of IV was made in July 1966 at the University of Toronto Electronic Music Studio and was first released by CBS alongside works by 2 other young composers - 'Come out' by Steve Reich and 'Night music' by Richard Maxfield. It is really only in recent years (born out of the more radical elements of dance music, Electronica and ambient music) that music like this is being rediscovered by a growing numb…
The Wanderer
2018 repress now packaged in a 6 panel digipak with heavy-duty stock and a matte finish. The Wanderer is based on a single modal scale (B C# D D# E F# G#) and rhythmic modes based on a meter consisting of 3/4 and 3/8. Part I, "Song," is intended to explore the unique resonant qualities of accordion reeds through long sounds. Subtle variations come about from differences in tuning and air pressure. Part II, "Dance," demonstrates the sharp accenting power of the accordion bellows in a mixture of c…
Ghostdance
The long awaited soundtrack of the Ghostdance music and dance collaboration between Oliveros and Paula Josa-Jones, commissioned by Lincoln Center Out-of -Doors. "The Gkostdance collaboration with choreographer Paula Josa Jones began in Monterrey Mexico supported in turn by two month US/Mexico Exchange Fellowships from the National Endowment for the Arts and FONCA. Together with our host—composer/ ethnomusicologist Arturo Salinas—we attended El Dia de los muertos in Chalco to help inform our work…
1 2 3 4