Philip Corner
Philip Corner, born in New York in 1933, is a composer, pianist, trombonist and calligrapher associated with Fluxus, Judson Dance Theater and early American minimalism. During military service in Korea he discovered calligraphy and the slow court music of Sujecheon, and both have stayed with him: scores as drawings, sounds that move at the pace of breathing. Many of his more than four hundred works leave much to the performers, in standard notation, graphic scores or plain text; others use chance, unintended sound, non-Western instruments and tunings.
Philip Corner, born in New York in 1933, is a composer, pianist, trombonist and calligrapher associated with Fluxus, Judson Dance Theater and early American minimalism. During military service in Korea he discovered calligraphy and the slow court music of Sujecheon, and both have stayed with him: scores as drawings, sounds that move at the pace of breathing. Many of his more than four hundred works leave much to the performers, in standard notation, graphic scores or plain text; others use chance, unintended sound, non-Western instruments and tunings.
Gamelan in the New World, Vol. 1
**2020 stock** This album is a compilation of avant-garde art music performed by Son of Lion, an American Gamelan Orchestra that uses traditional Indonesian instruments as well as found objects (hubcaps, foodcans) in its music. The liner notes feature diagrams and/or descriptions of each piece that explain the nature of its unique composition. For example, Elena Carey describes the four nitrogen bases of D.N.A. and an analysis of the relationship between this raw genetic material her Gamelan mus…
Gamelan in the New World, Vol. 2
**2020 stock** Gamelan in the New World: Vol. 2, released in 1982, is a teaching album, providing the listener with lyrics, scales, and a history of Indonesian music culture. Gamelan Son of Lion play keyed instruments that are constructed in the Javanese style. The group uses both the pelog and slendro tuning systems, sometimes in conjunction with one another within a single composition. The group is composed of ethnomusicologists and instrumentalists who are dedicated to playing and preserving …
Chord / Gong!
Edition of 300. New York, 1978, kindred composers Philip Corner and Carles Santos meet at the Bösendorfer piano of Charlemagne Palestine to record four-hand piano versions of Corner’s pieces “Chord” and “Gong!”. The result is a long-flowing distillation of the source of the two composers’ affinity: avant-garde practice of austere artistic devotion at play with perfect imperfections of the uncontainable human spirit.A small cassette edition appeared in the late 1980’s and is now presented in a …
Desert Plants
Facsimile reprint of Walter Zimmermann's book Desert Plants, his interviews with American experimental composers from a 1976 trip to America
Musiques Des Ailes / Wingéd Music
**Edition of 50 copies in yellow vinyl, signed**Ricerca Sonora proudly presents, as its second release (RS2), a fantastic collaboration / improvisation between Philip Corner, Michel Vogel and Phoebe Neville.Phœbe Neville is musician, singer, and dancer. Philip Corner composer, musician, and former professor at Rutgers University in New Jersey. Michel Vogel, a musician and maker of instruments, principally percussion (gongs and bells). He has for this occasion installed a double frame for eight s…
Stones : Dreams
** Edition of 220 copies, it comes with a 16-page pamphlet ** Recital label head Sean McCann on Stones : Dreams: "The first audio document ever published by Fluxus artist Geoffrey Hendricks (1931-2018). There is a romanticism found in Geoffrey, that, in my mind, sets his work aside from his Fluxfriends. Known for his timeless sky paintings, applied to canvas, cars, clothes, and so on, the conceptual married the majestic. He was a master painter, whose work could have filled cathedral ceilings. I…
EXTREEMIZMS early & late
Extremes are extreme, extremely. For Philip Corner, a lifelong commitment to extremes - extreme expression, extreme beauty, extreme noise, extreme silence - developed a mastery of expression, any one extreme may result in all of the others. In gripping new recordings by the duo of Silvia Tarozzi, violin, and Deborah Walker, cello - with assistance from Rhodri Davies, harp, and Philip Corner, piano - Corner's early ensemble works from 1958 are paired with newer, late works from 2015-2016. The wor…
The Judson Years
It’s hard to overstate the importance of Philip Corner. For more than half a century he has been a cornerstone of the American musical avant-garde. A once student of Otto Leuning, Henry Cowell, Olivier Messiaen, and Dorothy Taubman, who went on to inherit John Cage’s legendary Modern Music class at the New School for Social Research. A founding member of Fluxus, Corner made waves fast, creating a body of singular work, both on his own and within ensembles like Gamelan Son of Lion and Tone Roads,…
Piano Activitys Workplays
Moremars is very proud to announce a second release with American composer Philip Corner. Philip Corner, born in 1933, is one of key figures of Fluxus movement, resident composer and musician with the Judson Dance Theatre and the Experimental Intermedia Foundation, co-founder of the Tone Roads Chamber Ensemble and Gamelan Son of Lion. He has created multifarious works in a variety of contexts throughout his life. He has experiment with radical avant-garde expressions, sonorous outdoor performanc…
Gamelan Coming & Going
Recorded in 1985, this long piece, unpublished until now, belongs to the Gamelan series, which Philip Corner has worked for years and counting dozens of pieces. In the word of the author, the piece, for two pianists "...represents one of the most “curious” manifestation in the Gamelan series. The increment-link, high-to-low, is maintained on the chromatic scale of the piano keyboard, giving durations from 1 to 88. However they are realized in both directions at the same time. And counted out lou…
Gong/Ear: Shaman
Philip Corner (b. 1933) is an American composer, musician and visual artist. A founder member of Fluxus, his teachers include Henry Cowell and Olivier Messiaen, and he has performed with George Maciunas, Yoko Ono and Nam June Paik. While on military duty in Korea in 1960-1961 he studied calligraphy with Ki-sung Kim and many of his works have calligraphic scores. His wide-ranging output includes works for gongs, bells, metal percussion and gamelan orchestra. Philip Corner writes, "Hiah Park - n…
PoorManMusic (Art Edition)
Box set, edition limited to 30 copies. Art edition of “PoorManMusic”, a classic Fluxus work by Philip Corner from 1966 and first released by alga marghen in 2015. Edition limited to 30 copies (+ 5 A.P.) including:
A signed and numbered LP sleeve with hand-drawn calligraphy on front and hand-drawn score on the backA signed and numbered black-vinyl LP record with hand-written labelsA signed and numbered print with hand-made graphic interventionsA signed and numbered score printA signed and numbere…
Through Mysterious Exotic Barricades: Asian & African
Philip Corner (b. 1933) studied composition with Henry Cowell and Otto Luening and musical analysis with Oliver Messiaen. During the 1960s and '70s he was an active member of Fluxus, a founder (along with James Tenney and Malcolm Goldstein) of the Tone Roads Chamber Ensemble, the resident musician and composer for the Judson Dance Theatre, and co-founder of Gamelan Son of Lion (with Barbara Benary and Daniel Goode).
Corner uses a variety of scoring methods, and in his word:"Along with tha…
conceptmusic
Conceptmusic is a work
that speaks for itself.
It is a solicitation.
It is a statement.
It is an object of art,
but also a musical object.
Actual and potential.
“conceptmusic” is a verbal score that leave you the
chance not only to perform but even to conceive
your own music.
It contains no "sounding" support.
Every box is numbered.
PoorManMusic
Homemade noise made by, among others, Philip Corner, Max Neuhaus, Steve Reich, James Tenney, Malcolm Goldstein, Jackson Mac Low, Dick Higgins, Alison Knowles, Carolee Schneemann, Jerome Rothenberg... the Technicians of the Sacred. Gift Event III: A Celebration for poets, musicians, and dancers, based on the orders of the Seneca Indian Eagle Dance and performed at the Judson Dance Theatre, Judson Memorial Church, New York City, March 21 and 22, 1967. A part of the Spring Happenings.
The legandary…
Flux Futures
Limited edition 100 copies. In this book you will find the historical "Manifesto" published by Something Else Press in 1966 printed as the cover, plus its never published revisitation entitled "Manifesto remanifested" of 2006, as well as the last text of Philip Corner "Flux Futures", a 31 pages mix of aphorisms as a new manifesto, printed in a typographic delirium. "Your work will either become a classic or turned into junk".
Through Two More-Than-Mysterious Barricades
“Les Barricades Mistérieuses,” the harpsichord gem by French Baroque composer François Couperin, has been a long-running source of exploration for Fluxus musician Philip Corner, who for years has used it as a jumping-off point for piano improvisations. Through Two More-Than-Mysterious Barricades comprises two very different takes on the same piece. The first dates from 1992, in collaboration with dancer Paulette Sears (who provides the ‘singings and screamings’ of the album’s subtitle); it moves…
Satie Slowly
American composer Philip Corner likes Satie too well not to object to how he is played. From the time of his participation in the first performance of Erik Satie's "Vexations" he realized that here was, lurking under the travesties of the 1st Gymnopédie, one of the greats of this or any other century... a "secret genius" who masked with humility and seeming conformity a profoundly innovative thorough-going critique of the limitations and pretensions of our High Culture as it has come down to us.…
Lifework: A unity
Lifework: A Unity presents the works of American composer Philip Corner (born in 1933). Corner's production has been chronologically and thematically organized in five parts, which serve as the basis for Ensemble Hodos' efforts. Each part was the subject of a concert between 2011 and 2013, all of them in collaboration with Philip Corner. This disc is the 2nd volume - and first to be released - of this project. The disc covers the years 1960-75, when Corner, just back from Europe, took an extensi…
Battutosso / Bone Pulse (And Other Nature Musics)
Philip Corner's Battutosso / Bone Pulse (And Other Nature Musics) features recordings from 1989-97 of the US composer experimenting with bones, "the 100 most beautiful cows' bells", "breath, flute, and rubbing rock", and "Geoff Hendricks' xylophone sculpture". Compelling stuff, as always with Corner's work. Mastered by Silvia Kastel (Control Unit etc) and released on the Italy-based Ricerca Sonora imprint in an edition of 300 copies