We use cookies on our website to provide you with the best experience. Most of these are essential and already present.
We do require your explicit consent to save your cart and browsing history between visits. Read about cookies we use here.
Your cart and preferences will not be saved if you leave the site.

PROSTITUTES

Ghost Detergent
After countless singles, LPs, and performances around the world, James Donadio is back with his first full-length effort since 2014's Petit Cochon (SP 035LP). Ghost Detergent is a consummate amalgam of fried gear, chunky bass, and fractured samples. Donadio's extraordinary ability to fuse his wide range of influences into a collection of lucidly executed and concise jams has reached its pinnacle. Ghost Detergent is a rhythm-centric maze of fluctuating patterns adorned with crooked fills and …
Ecstasy, Crashing Beats and Fantasy
Cleveland's Prostitutes (James Donadio) delivers Ecstasy, Crashing Beats and Fantasy, with four gaping cuts that dissipate heavy drug fug in favor of synapse-sparking, blistered hardwave funk. "Crawl in from Broadway" hammers out workshop percussion latticed with searing acid lines and wry, whining drones, while "Dollars to Deutschmarks" walks the walk with leather-bound friction and Linn-style snare crack. "Lovers Run Camp Africa" centers on a militant two-note bass and drum momentum, ove…
Petit cochon
"Petit Cochon" is the third LP and debut album for Spectrum Spools by James Donadio under his Prostitutes guise. From "Psychedelic Black", the self-released debut LP limited to only 100 to the esteemed "Crushed Interior" on Digitalis, it's safe to say Donadio has crafted a style unmatched in the climate of contemporary electronic music. The top shelf E.P.'s on Mira and Diagonal were a small glimpse into all that has led up to the new full-length, which we are proud to unveil. "Petit Cochon" is a…
Crushed Interior
Jim Donadio's debut Psychedelic Black album as Prostitutes came out in 2012 and ended up on many year-end lists, fitting in somewhere between the post-noise abrasive techno of Pete Swanson, Container, Nate Young, etc., the roughened post-punk hues of Powell and the more precision-built constructions of the Raster-Noton label. Donadio's follow-up, Crushed Interior, arrives via Digitalis and picks up where he last left us, taking us through to the next, blackened layer of re-formulated techno te…
1