Rutger Zuydervelt
Aliases: Machinefabriek
Tides
"I had sent Neil an electronic ‘backing track’ to improvise on, with the idea to keep my part intact as the spine of this new piece. But once I received Neil’s recording, things turned out differently. While toying around with his saxophone improvisation, I noticed it was full of fantastic details, and wanted to emphasize these. I tried overlaying looped parts, with wonderful results. So the original idea went out the window, and I decided to solely work with Neil’s improvisation. I approached ‘…
Compendium
Late in 2011, Celer and Machinefabriek teamed up and recorded the 7" 'Maastunnel / Mt. Mitake', to coincide with their tour in The Netherlands. They then decided to make it into a trilogy of 7" singles, all self-released in limited editions. Now, Irrational Arts has compiled the six tracks of the 7"s onto a CD‚ titled "Compendium (Collected Singles and Remixes)". The CD also includes a new, additional track by Celer and Machinefabriek, and remixes by Stephan Mathieu, Sylvain Chauveau and …
Deining
Mini album, CD, self released by Machinefabriek, November 20, 2015. 200 copies. The Dutch word 'deining' (pronounced 'dining') translates to 'heave' and also 'commotion'. For 'Deining', I asked violinist Anne Bakker to bow each string of her instrument while sliding slowly from the lowest note to the highest, for exactly five minutes, as fluently as possible. Obviously, it turned out nearly impossible to do this really smoothly, but the unavoidable irregularities are a welcomed bonus. Anne also…
Whorls
Following previous Low Point releases, Glisten (2009) and Patina (2011), Whorls is the third collaboration between Tim Catlin, a guitarist and sound artist based in Melbourne and Machinefabriek, nom de plume of Rutger Zuydervelt from Rotterdam. Catlin made initial recordings drawing upon a wide range of approaches, preparations and techniques for instruments including acoustic guitar, bowed piano and zither which were then sent to Zuydervelt for the addition of extra sounds, editing and sequenci…
Memory Space
The central concept behind Alvin Lucier's Memory Space is the representation of another time and place through the use of a new set of sounds. In his instructions, Lucier asks the performer/s to go to an environment and record by any means (notes on paper, graphics, audio recording or by memory) the sound situations that are present, then, at any later time, in a different space, attempt to recreate that situation. The purpose of the work is to avoid elaboration or embellishment, but given that …
Drum Solos
**Initial copies pressed on Initial copies pressed on transparent wax** Driven by my love for solo albums by drummers and percussionists like Jon Mueller, Wil Guthrie, Nick Hennies and Burkhard Beins, I've made Drum Solos. It's my take on a solo drum record, despite the fact that I lack the talent to hit a steady beat or a play a drum roll. Instead, I used the sounds of a drum kit as a source for further processing.I booked a rehearsal room with a drum kit, and recorded as much sounds as I could…
Stroomtoon II
"In December 2011 I recorded the album Stroomtoon, which was released by the French Nuun label the year after. The music was constructed using recordings from improvisations with a setup that I was trying out for upcoming live performances. It's the same setup that I still use nowadays, mainly consisting of an old Phillips analogue tone generator and a selection of effects units. When making Stroomtoon, it felt like moving into new territory that was worth explore more. While that album is very …
Vergezichten
Rutger Zuydervelt aka Machinefabriek is a master of self-made sound and time-stretching, sensitively handling organic recordings and samples on countless releases, and regards preset sounds in an organ or a cheap keyboard as a tonal find, as a part of the cacophony of everyday life. These bontempi-rhythms plus the computer-stretched sounds of saxophone (Espen Reinertsen) and voice (Mariska Baars) are the base elements of "Vergezicht 1" and "Vergezicht 2." It is stunning how Zuydervelt man…
Secret photographs
Beautiful new soundtrack work from Machinefabriek to accompany a film made by Mike Hoolboom using photographs taken by notorious bank robber Alvin Karpis. Filmmaker Mike Hoolboom discovered a batch of Karpis' photos for auction on eBay. He was the lucky winning bidder, and with his newly found treasure, Hoolboom began working on a film, consisting of still images, slowly dissolving one into another. Intensifying the slow, hypnotic pace and transitions, the musical score follows the three …
Deep Fried
Now this a strange one. I never would've thought I would be paired with Jaap Blonk... it seems an unlikely combination. But when Tijs van Trigt asked us to perform at his AMPsnacks event in Arnhem, we had such a blast that we decided to do some recording together. This cd is a selection of three hours of improvisation we recorded at STEIM in Amsterdam. Quite a rollercoaster I'd say!
Sol Sketches
Film director Chris Teerink asked me to make the soundtrack for a documentary he would be making about American artist Sol LeWitt. This was in 2009. Chris and I agreed that the music and the images should both be equally important in his film. We didn't want the score to overpower the images, but neither did we want it to become solely background 'muzak'. I searched for a certain openness in the sound, while at the same time keeping a directness to it. Musical references for me were the piano pi…
One Man Nation & Machinefabriek
Prolific collaborator Rutger Zuydervelt (Machinefabriek) marks another notch on his laptop in this improvised live recording with One Man Nation aka Marc Chia. Their fifteen minute performance was captured at the Bimhuis, Amsterdam, December 8, 2011, for ethnomusically-minded gathering, The Future Sounds of Folk, and manifests a minimal sound sculpture of clicks and pops ballasted by quaking bass and free-roaming electro-acoustic diffusions. Machinefabriek's own remix, done after the moment, red…
Hei / Sou
Celer & Machinefabriek are having a great year. In addition to their separate releases, they’ve toured, released a download set of the tour, and completed a trilogy of fine vinyl singles, of which Hei/Sou is the final piece. Perhaps the most exciting thing about their collaboration is the extent to which each seems to have been inspired and invigorated by the presence of the other. By pushing each other into new territories, they’ve each upped the ante, as best demonstrated on Celer’s late…
Lichtung
Lichtung is a collaborative project centered around an audio-visual installation. Sound artists Steve Roden and Rutger Zuydervelt (aka Machinefabriek) composed the audio, while the video element was provided by the German visual artist Sabine Bürger. The Mindelsee Lake, situated just a few hundred yards away from the gallery, became the natural focus of the installation. During their stay, Sabine and Rutger recorded the video and audio footage that became the foundation which Steve Roden res…
Ghost Lanes
Ghost Lanes (the A side) was recorded during the first ever duo session that Gareth and Rutger had, at STEIM, Amsterdam, June 2009. The two hadn't met before, but immediately there was a strange chemistry between them, and without much discussion, it was plug-in and play, and two albums and an EP were recorded. Ghost Lanes was then released as a very limited 3-inch CDr. A year and a half later, they settled at STEIM again, for another fruitful session. That's when Mackerel Sky was recorded. A pe…
Birds in a box
Stephen Vitiello is a sound and media artist. CD releases include “Bright and Dusty Things” (New Albion Records), “Listening to Donald Judd” (Sub Rosa) and “The Gorilla Variations”, with Molly Berg (12k). Vitiello’s sound installations have been presented internationally, including exhibitions at the Cartier Foundation, Paris, the Whitney Museum of American Art in NY and the High Line, also in NYC. Originally from NY, Stephen is now based in Richmond, VA.Rutger Zuydervelt records as Machinefabri…
Box music
Rutger and Stephen sort of accidentally met through e-mail. A simple note regarding an ordering question for a CD led to an enthusiastic e-mail conversation and climaxed in a musical collaboration. This all happened in a very short period, both musicians being very inspired by the concept of “exchange,” as a means to cross space and time -- Rutger living in the Netherlands and Stephen in Virginia.
Most of the time, when (electronic) musicians work together it’s a matter of swapping digital files…
Pulses & Places
A striking collaboration took place between Andrea Belfi on drums and assorted small percussion and Rutger Zuydervelt on guitar and organ. Together they produce the 'pulses' and 'places' mentioned in the title. Organic yet partially improvised, it resembles a kind of sonic geography. The listener is taken away for a journey of mild drones, soft yet outspoken percussion. A strong release.
Redrawn, Soccer Committee & Machinefabriek Remixed And Covered
Limited copies back in stock. Last year's 'Drawn' from the amazing duo of Soccer Committee and Machinefabriek was a flickering beacon of hope in its understated beauty. A record which improved with age, the simple and unfussy folk songs were helped along by Rutger Zuydervelt's careful (and incredibly restrained) electronic production, giving them an individuality only bolstered by Mariska Baars' stunning voice.
It was seemingly inevitable then that Rutger would get round to fielding the tracks o…
Shuffle
Limited copies back in stock. It's hard to believe that it's been almost a year since Rutger Zuydervelt helped nail our jaws to the floor with his exceptional album 'Dauw'. It used to be that there was a new Machinefabriek album almost every week (sometimes two or three) but since 'Dauw' it seems like Rutger's slowed down and withdrawn into a self-imposed silence . And that's no bad thing - 'Shuffle' is his first self-released record in some time and it shows in the near-obsessive quality of the…