The Big Yes!
Knækket Smil
In an exhilarating convergence of sonic exploration, experimental noise guitarist Nina Garcia and danish trombone virtuoso Maria Bertel have teamed up to create a heavy-hitting, collaborative record that pushes the boundaries between extreme improvisation and harsh noise. Both renowned in their respective fields, Garcia and Bertel bring their unique styles and influences to create a masterpiece of collaborative improvisation.
Knækket Smil (meaning „broken smile“) is a living, breathing, moving e…
Music Improvised on September 23rd, 2021
*First pressing of 200 copies* Andreas Røysum (clarinet, bass clarinet), Christian Meaas Svendsen (double bass), Kresten Osgood (drums).Art & design by Dylan Marcus McConnell
Live In Murmansk
2022 Stock. In process of stocking. Trombonist and violinist of Copenhagen’s Selvhenter make noise in Russia’s Far North. Maria Bertel and Maria Diekmann are founding members of the acclaimed Selvhenter band and Eget Værelse, a collective that unites various projects of its members ranging from free noise to electronic pop music. In the middle of winter of 2017, two Marias visited Murmansk, Russia, a fjord city 2° north of the Arctic Circle, to play a rather short but very inspired set of solo a…
Finding Ourselves In All Things
**CD version** Finding Ourselves In All Things features two lengthy tracks, standing in stark contrast to each other: Melting With Butterflies is brimming with life: chaotic, hysterical and joyous - celebrating the viewpoint of all small things and their seemingly frantic nature. The Way Mountains Make Love is equally intense, but with a quite different energy – a slow moving organic unity vibrating with the frequencies of everything big and ancient.Both tracks explore and elaborate on its respe…
Hungry Ghosts
**CD version** Hungry Ghosts are beings who are driven by intense emotional needs, periodically roaming the earth’s surface in search for anything that can satisfy their cravings. Now they are here for you! The omnipotent living legend Paal-Nilssen Love clashes head to head with bass prodigy Christian Meaas Svendsen on bass, playing with 2-3 bows, cheek, voice, hands and feet. In the midst of the battle we find Yong Yandsen, a high-octane Malaysian sax virtuoso who virtually explodes on stage co…
New Rituals
**CD version** New Rituals is exploring the relation between form and freedom, between modern Western culture and traditional Eastern culture, and between written and open musical material. The piece is written in three parts for (1) ensemble and a chant-choir, (2) ensemble, and (3) solo bass.The three parts are all rooted in and based on the same source material: 10 ancient Zen Buddhist sutras, or chants. The music is presenting Buddhist philosophy in a nutshell: What we experience as an indepe…
Gibberish, Balderdash and Drivel
**CD version** Gibberish, Balderdash and Drivel consists of three nonsensical musical conversations between Malaysian nylon guitar player Goh Lee Kwang and Norwegian bass player Christian Meeas Svendsen. The album was recorded in an independent art gallery close to Kuala Lumpur with a handheld device. It tells us the story of the first encounter between two different mindsets, nationalities and generations trying - and totally failing at - making any sensible dialogue with their respective music…
Avin
**CD version** Avin is the solo project of musician Christian Meaas Svendsen. The album consists of Norwegian lyrics in a traditional singer/songwriter-style wrapped in a somewhat challenging and unconventional format. The music is arranged for an 8-piece band consisting of some of Norway’s finest musicians. Avin is a Kurdish maiden name meaning love. Avin is also the name of Svendsen’s girlfriend. The central theme on the album is their unfinished love, and the texts and the music describe Sven…
Forms & Poses
**CD version** Forms & Poses is Norwegian bass player Christian Meaas Svendsen’s second solo album, and features four compositions / improvisations which explore the physical connection between the human body and the double bass. Although recorded in two entirely different settings, it is clear that Svendsen’s mind-set on all these tracks are one and the same, and the release shines as a condensed representation of his creative diversity. The CD version comes with a 24-page long booklet with lin…