The Wire

On the cover... Richard Pinhas: France's master of cosmic rock has come through his game-changing 1970s group Heldon to become an international trailblazer of guitar noise, forging links with Wolf Eyes, Tatsuya Yoshida, Pascal Comrade and many others. As a brand new album Coda with Merzbow and Oren Ambarchi is released, he talks to Daniel Spicer about his extraordinary orbit; Inside the issue... The Primer: French underground rock: A user's guide to Francophone revolutionary rock music, as Keith…

*The latest Wire Tapper CD, free to all readers with The Wire 465 November 2022 issue.* On the cover... Tyshawn Sorey: The genre straddling polymath unifies improvisation and composition into his own rigorous and powerful sense of expression. Plus: Black Composers: After a century of racist and Eurocentric marginalisation, the AACM and others forged new strategies for creative experimentation. Horse Lords: The Baltimore noise rock quartet gallop through a panoply of tunings and philosophical ide…

On the cover... Lucrecia Dalt: The Colombian experimental musician and now sought after soundtrack composer explores heritage and diaspora through rhythmic rearrangements of South American music on new album ¡Ay!; Inside the issue... Anthony Moore: The former Slapp Happy and Henry Cow player has forged a unique career taking in stadium rock, experimental film, modern composition and his own solo works; Carl Stone: The electronic music and sampling pioneer gets music history dancing to a new tune…