Tomasz Krakowiak's latest work on Bocian Records is a purely sonic affair. Performed on acoustic percussion instruments, it has little to do with percussion music. Each piece is named after a particular location and or a sonic event present there. Krakowiak's monotonous playing a specific instrument seems to achieve an effect of a field recording made at the given location. What makes this effort successful is a broad range of his techniques and sonic intuition. These excellent recordings…