Various
INVENTIONEN 2000
Beautiful edition, 2 CDs with Catalogue, 72 pages German/English. Installations - Acousmatique Concerts. Organized by Berliner Künstlerprogramm des DAAD and Technische Universität Berlin, Artistic leadership and organization: Ingrid Beirer, Folkmar Hein, Carsten Seiffarth. With the assistance of Silke Borgstedt, Sebastien Brehmer. CD I: François Donato, Adrian Moore, David Prior, Mario Verandi, Alvin Lucier, Ron Kuivila. CDII: Tom Johnson/Martin Riches, José Antonio, Orts, Ed Osborn, Ron Kuivila…
INUIT
55 Historical Recordings is not exactly “come on and sing along” vocal music. A trace of the collective exuberance heard in much traditional West African vocal and percussive music is here, but isolated in an the individual’s voice. The Inuit occupy one of the harshest, coldest, most desolate regions in the world, the area in and around the Arctic Circle in Siberia, Canada, Greenland and Alaska – the Land of the Midnight Sun.These songs, mostly traditional drum-songs consisting of one vocalist s…
Incidental Amplifications
For most of us, our every waking moment (and even those where we are unconscious) is surrounded by sound. From the obnoxiously pitched alarm tone that raises us from slumber to the muted sounds of night-time traffic that merge with natural nocturnal transmissions; there is always sound. As a society we have increasingly sought to augment and indeed control the environments around us. All manner of tools have been utilised in this ongoing war against the unfamiliar, the unexpected and the "undesi…
IMPROVISED MUSIC FROM JAPAN EXTRA 2006
In addition to interviews of 12 musicians/1 group residing in Berlin (Gregor Hotz, Nicholas Bussmann, Merle Bennett, Thomas Ankersmit, Ignaz Schick, Hans Strobl, Pure, Annette Krebs, Andrea Neumann, Caramel Empties, Alessandro Bosetti, Boris Baltschun, and Kai Fagaschinski), this "extra" issue of IMJ features 2 CDs with 18 tracks by a total of over 30 musicians, almost all of whom are Berlin residents: Adeline Rosenstein/Andrea Neumann, Annette Krebs/Steffi Weismann, Kommando Raumschiff Zitrone,…
IMPROVISED MUSIC FROM JAPAN EXTRA 2003
This is a special issue supplementing the well-received IMPROVISED MUSIC FROM JAPAN 2002-2003 (IMJ-301), the launch issue of an annual magazine (published last December). While the annual magazine provides an overview of the year's trends, each EXTRA will include an expansive special feature on a particular theme. The special feature of IMJ EXTRA 2003 is "Improv's New Waves," a close look at JAPAN's young improvisers (with an emphasis on electronics MUSICians). It contains a comprehensive essay …
IMPROVISED MUSIC FROM JAPAN 2005
The 2005 edition of the annual Japanese-English magazine Improvised Music from Japan is devoted entirely to recent albums. Over 350 releases (with a cover photo for each) are presented. The albums, mainly from 2004-2005, span a wide range of styles--improv, onkyo, noise, electronics, contemporary classical, free jazz, avant-rock, and more. While contributions from music critics are numerous, this is not just a collection of reviews. Musicians write about their own and other artists' works, label…
IMPROVISED MUSIC FROM JAPAN 2004
Magazine (English and JAPANese) with interviewes FROM Kazue Sawai, Yukiko Tanaka, Samm Bennett, Tetuzi Akiyama, Uchihashi Kazuhisa, Masahiko Okura, Sachiko M, Taku Sugimoto, Kazuo Imai, Aki Onda, texts by Tetsu Saitoh, Michel Doneda, Otomo Yoshhide… [•] Double CD with ae, Masahiko Okura, Shuichi Chino, Samm Bennett, Tetuzi Akiyama & Martin NG, Yumiko Tanaka, Han Bennink & Kazuo Imai, Une chance pour l’ombre, Optrum, Naoaki Miyamoto, Sachiko M, Mi Yeon, Park Je Chun, Kang Tae Hwan.
IMEB OPUS 30 1970-1983 / Vol 2 1984-1999
colossal 6-disc set of obscure early concrète music: a lovely anthology celebrating the 30 years anniversary of Institut international de musique électroacoustique de Bourges (IMEB), formerly Groupe de musique électroacoustique de Bourges (GMEB). Realized between 1970-83 and 1984-1999
I.D. Art #2
When the Los Angeles Free Music Society 10 CD set came out I eagerly flipped through the contents to see what treasures had finally been made available again. Much to my surprise the early compilation I.D. Art #2 was not included in this otherwise major overview of the LAFMS. I.D. Art #2 was the second LP release on their label, coming after Le Forte Four’s ‘Bikini tennis shoes’ LP, and before the 2LP ‘Live at the Brand’, a split album between Le 44 and The Doo-Dooettes. It dates from 1976. It i…
Futurism & Dada Reviewed
Archive aural document collection edited by James Nice and originally released via Sub Rosa in 1989. This unique CD compiles over an hour of original sound recordings made between 1912 and 1959 by luminaries from both 20th Century art movements, including: Marinetti, Antonio Russolo, Jean Cocteau, Marcel Duchamp, Wyndham Lewis, Guillaume Apollinaire, Kurt Schwitters, Tristan Tzara, Marcel Janco and Richard Huelsenbeck. Includes musical and interview material, tone poems, and sleevenotes. Artwork…
From A To Z
From A to Z offers ten enticing selections of compelling, engaging electroacoustic music. It's a specially priced compilation that's an excellent introduction to the Starkland label. The diverse music ranges from Tod Dockstader's powerful musique concrète to the digitally sampled bovine vocalizing in Phillip Bimstein's udderly charming portrait of a Utah farmer. The CD opens with three excerpts from Starkland's two Dockstader "organized sound" CDs, widely praised in over 25 highly positive revie…
FREE ZONE APPLEBY 2003
Duos, quartets and quintets of FREE improvisations by Tony Coe (clarinet), John Edwards (bass), Alan Hacker (clarinet), Sylvia Hallett (violin, voice, sarangi), Marcio Mattos (cello), Evan Parker (tenor saxophone), Philipp Wachsmann (violin, electronics), Kenny Wheeler (flugelhorn).
EXTRACT PORTRAITS OF SOUNDARTISTS
Since we started the label Nonvisualobjects two years ago, many collaborations with artists worldwide have arisen, a large, growing network has evolved and an extensive body of work has been formed that we would like to explore and try to sum up. The book developed from the idea of presenting an extract of artists involved in the current experimental electro-acoustic music scene, often following a rather reduced approach in their work. We would like to present artists that work in different area…
Erratum #4 / Sound Review / Art + Noise + Poetry
Sound poetry and poetry of sound. Edited and assembled by Joachim Montessuis. Joël Hubaut, Erik Samakh, Atau Tanaka, AGF, José Iges, Lee Ranaldo, R.H.Y. Yau, Rainier Lericolais, Francisco López, Gary Hill, Charles Pennequin, Ira Cohen, Phill Niblock, Joachim Montessuis, Le Dépeupleur, Julien Ottavi, Robin Minard, Guillermo Goméz Peña, Guillermo Galindo, Brandon LaBelle, Pierre André Arcand, Christina Kubisch, Fréderic Dumond, Christophe Charles, Henning Christiansen, EHB, laboiteblanche, Tommi G…
Erratum #3, Revue Sonore / Sound Review
This lengthy compilation offers up a mixed bag of the fascinating and the wearisome. Peak bits of said fascination here would have to be Gregory Whitehead, Gilles Richard and the duo of Patrick Muller and Jean-Francois Bory, who all offer up wonderfully sick vocal based surrealist audio malformations. Elsewhere, Zbigniew Kakowski dishes up nerve janging sinewaves and distorted field recordings while Dinsinformation and Charlemagne Palestine both maddeningly revel in stasis, with unwavering low-e…
ELECTRO-ACOUSTIC MUSIC FROM SWEDEN
Electroacoustic musics from Sweden. Bengt Hambraeus, Jan W. Morthenson, Sten Hanson, Ake Hodell, Sven-Erik Bck, Lars-Gunnar Bodin, Rune Lindblad, Tamás Ungvary, Bengt Emil Johnson, Akos Rózmann, Pr Lindgren, Rolf Enström, Ake Parmerud, Anders Blomqvist, Tommy Zwedberg.
DIY Canons
"The pieces on this CD are all based on the ideas in Larry Polansky's four voice canons, a series of pieces he began in 1975. These canons are usually "mensuration canons," which means that the tempi of successive voices is proportional to their start times, so that the voices end together. They also use simple ideas of moving through a list of permutations, and applying the elements of those permutations to various musical parameters. A set of Polansky's canons was produced on Cold Blue Records…
CULTURES ÉLECTRONIQUES 18
Bourges 2005 , Concours international de Musiques et d'Art sonore Electroacoustique
CULTURES ÉLECTRONIQUES 17
30e Concours International de musique et d'Art Sonore Electroacoustiques, Bourges 2003. With Maurio Mary 'Signes émergents', Laurent Soulié 'Ecorde de lune' for tape and instruments (TM+), Ambrose Field 'One hell of a place to lose a cow', Gerald Eckert 'Offen - fin des terres' for tape and instruments (Aventure). Free with this audio CD, a CDrom around the festival Synthèse 2003.