Various
The Garden of Forking Paths
The Garden Of Forking Paths was compiled for Important Records by guitarist James Blackshaw. Compositions were recorded specially for this collection by Helena Espeval (Espers), James Blackshaw, Jozef van Wissem and Chieko Mori. Beautifully assembled, The Garden Of Forking Paths serves as a singular and particularly unique musical statement.
California
The long-deleted mammoth 10-LP survey of noise, experimental, drone and improvised music from the state in which the popsicle was invented. This limited edition set features newcomers such as Oscillating Innards and critics' darlings The Skaters and Yellow Swans alongside such mainstays as GX Juppiter-Larsen (The Haters) and Joe Colley." --ning nong. One side each by these 20 artists: Amps For Christ, The Cherry Point, Joe Colley, Control, Yellow Swans, Gerritt, GX Jupitter-Larsen, Moth Drakula…
A Raga For Peter Walker
Guitarist Peter Walker came up in the Cambridge, MA and Greenwich Village folk scenes of the '60s. He recorded two albums for the Vanguard label in the late '60s. Their style can best be described as American folk raga. He studied with Ravi Shankar and Ali Akbar Khan, and was Dr. Timothy Leary's musical director, organizing music for his 'Celebrations.' His debut album from 1967, Rainy Day Raga, features one of the first studio appearances by jazz flautist Jeremy Steig, as well as guitarist Bruc…
From The Kitchen Archives - New Music New York 1979
Founded in New York in 1971, The Kitchen is internationally known as a leading center for video, music, dance, performance, new media and literature. Orange Mountain Music has begun the restoration of audio reels from performances at The Kitchen with the goal of producing a series of CDs entitled From The Kitchen Archives. New Music, New York 1979, the debut release in this series, is a two-disc set offering re-mastered recordings from the landmark concerts of 'New Music, New York: A Festival of…
Oto No Hajimari Wo Motomete 5: Tsutomu Kojima Work
The fifth in this superb series covering historical Japanese electronic music from the Nhk studios, the first covering pieces engineered by Tsutomu Kojima (prior volumes dealt in pieces assisted by Shigeru sato and Hirosi Siotani) highlights herein include Jo Kondo’s “never return” (harsh/psychedelic vocal/piano cutups from 1971 !!!), Hifumi Shimoyama’s fumon iv a, and oto no hajimari wo motomete perennial Joji Yuasa’s my blue sky.
1. “Beyond the Clouds” Keiki Okasaka
A work was intentionally…
Extreme Music From Russia
Probably one of the most anticipated releases, well by me anyway, this year is the continuation of the Extreme Music series from the Susan Lawly record label. What started with the exemplary assessment of the noise scene in Japan, moved onto the uncharted waters of Africa before hitting the menopausal output of Women has at last gone into Russia for a trawl through the hidden delights of that country. As any true follower of music will tell you there has been a flood of music from this area that…
Extreme Music From Africa
RESTOCKED! Extraordinary release, follow-up to the Extreme Music From Japan CD featuring 14 exclusive tracks from 10 groups and full colour 12-page booklet of fantastic new Trevor Brown artwork....Africa - the dark continent of the tyrants, the beautiful girls, the bizarre rituals, the tropical fruits, the pygmies, the guns, the mercenaries, the tribal wars, the unusual diseases, the abject poverty, the sumptuous riches, the widespread executions, the praetorian colonialists, the exotic wildlife…
Pioneers of Electronic Music
In 1950, the Columbia University Music Department requisitioned a tape recorder to use in teaching and for recording concerts. In 1951, the first tape recorder arrived, an Ampex 400, and Vladimir Ussachevsky, then a junior faculty member, was assigned a job that no one else wanted: the care of the tape recorder. This job was to have important consequences for Ussachevsky and the medium he developed. Electronic music was born. Over the next ten years, Ussachevsky and his collaborators established…
Music From The Once Festival 1961-1966
With Robert Ashley, George Cacioppo, Gordon Mumma, Roger Reynolds, Donald Scavarda, David Behrman, George Crevoshay, Philip Krumm, Pauline Oliveros, Robert Sheff, Bruce Wise. Ann Arbor, Michigan, seems an unlikely site for the establishment of a major avant-garde festival that would shake the new-music community. Tucked away in America’s heartland, the city is equally removed from the Eastern metropolises whose artists pride themselves on sensing the pulse of the times, and from the nonconformis…
Columbia- Princeton Electronic Music Center 1961- 1973
Works by Bülent Arel, Charles Dodge, Ingram Marshall, Ilhan Mimaroglu, Daria Semegen, Alice Shields. The Columbia-Princeton Electronic Music Center was the first electronic music center to be established in the United States. From 1959 to the late 1970s, it was one of the premiere sound facilities in the world. The vast majority of pieces composed at the Center - approximately three hundred - were composed during this period. Some have become classics of music history. This selection, draw…
The New York Composers Orchestra: First Program in Standard Time
Acoustic jazz recording featuring Holcomb's eleven-minute title-track, Lenny Pickett's ten-minute Dance Music for Composer Orchestra, Elliott Sharp's eight-minute Skew and Horvitz's nine-minute Paper Money and an eleven-minute composition by Anthony Braxton.
New Music for Four Guitars
*2022 stock* An amazing collection of works by Loris Chobanian (Sonics), Walter Hartley (Quartet forGuitars), Lejaren Hiller (Metaphors), William Ortiz (Abrazo),Stephen Funk Pearson (Mummychogs (Le Monde)) and James Piorkowski (The Struggle of Jacob), performed by Buffalo Guitar Quartet.
Sound Forms for Piano: Cage/ Cowell/ Johnston/ Nancarrow
Works by John Cage, Conlon Nancarrow, Ben Johnston and Henry Cowell. Performed by Robert Miller, piano.“...in the past, the point of disagreement has been between dissonance and consonance, it will be, in the immediate future, between noise and so-called musical sounds.” — John CageThe most characteristic features of American music are its eclecticism and innovation. The works presented here are perfect examples; their only common feature is that they were written for a piano altered in some w…
1968-1998: 30 Years of Musical Insurrection in France
A three CD box with excellent 56 page booklet dedicated to the music of France that was initially fueled by the Revolt of '68, with one CD dedicated to each decade since. Some material is commonly available, much of it is not; the first CD covers the seventies (1969-77) and features some pretty mind-blowing stuff from the peak years of free-rock cacophony. The 1st CD features the following (an * indicates previously unreleased material, or least unavailable on CD): Jacques Dudon (*, classic frea…
Klankteksten ? Konkrete Poëzie Visuele Teksten
This is one of the rarest and earlier sound poetry LP compilation, issued for the 1971 Amsterdam exhibition. 1 copy available
Hungarian Electroacoustic Music
The spread of electro-acoustic music in Hungary was hindered for a long time by the lack of a studio of adequate technical standard. At first Zoltán Pongrácz has his own studio, then a few years later, in 1972, a modestly equipped workshop was established with the guidance of Iván Patachich. After two years' experimental work, the Hungarian Radio electro-acoustic music studio came into being in 1975 as part of the Hungarian Film Producing Company. During the 1970s the circle of composers began t…
the art of field recording v. 1
This is volume 1 of Dust-to-Digital's robust Art of Field Recording series assembled by esteemed archivists Art and Margo Rosenbaum. This impressive 4CD set includes ballads, blues, spirituals, work songs and slave songs, religious singing, such as the African-American ring-shout and other traditional folk music from Georgia, Indiana, Iowa, Kentucky, Michigan and New York performed with voices and stringed instruments such as banjo and fiddle. Comes housed in a 11"x11"x1" color cardboard box con…
Victrola Favorites: Artifacts from Bygone Days
Recordings made between the 1920s-1950s compiled by Rob Millis and Jeffery Taylor of the Seattle-based experimental band Climax Golden Twins from their collections of rare 78rpm records and design ephemera. Deluxe 144-page clothbound, full-color book with two CDs featuring Burmese guitars, Chinese opera, Persian folk songs, fado, hillbilly, jazz, blues and much, much more. Climax Golden Twins have designed gallery and museum installations, composed soundtracks (most notably the film Session Nine…
Oto No Hajimari Wo Motomete 6: Nishihata Shiotani Takayanagi Work
Brand new CD of this series was released just now!! Recorded at the NHK electronic music studio, Tokyo in 1955. The sixth & most recent entry into the “other” series of compilations collecting early japanese electronic music ... starting out w/ Shibata’s 1955 “musique concréte for stereophonic broadcast” (a kind of insane extended take utilizing water & machine noises ... even crowd-reaction documentation & varèse-lineage percussion-room sonics), Takemistu’s 1958 “sky, horse and death” (crystal-…
From The Kitchen Archives No.4: Composers Inside Electronics
From The Kitchen Archives No. 4: Composers Inside Electronics continues a series of CD releases featuring recently discovered audio recordings of concert performances at The Kitchen dating from the mid-1970s to the early 1980s. The electronic innovation of the time is illustrated here by tracks from David Tudor, John Driscoll, Phil Edelstein, Martin Kalve and Bill Viola." All recordings from this CD are from 1977/78. The Kalve piece is from 1978 and is performed by John Driscoll, Martin Kalve, T…