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Vivenza

Jean-Marc Vivenza studied philosophy and worked at the Modern Art Museum in Grenoble. In 1976 he creates the band Glace, first french industrial band in relation to the specificity of his work giving him a unique place in the sphere of this music called industrial, an etiquette he doesn't approve of saying that this word has lost its genuine meaning. Vivenza immediately places himself in the field of the theorico-political link attached to the Italian Futurists and Russian Constructivists trends whose bruitist-plastic propositions are the only theorical sources having ever been developped with consistency, and rather qualifies his music as « bruitist futurist ».

Jean-Marc Vivenza studied philosophy and worked at the Modern Art Museum in Grenoble. In 1976 he creates the band Glace, first french industrial band in relation to the specificity of his work giving him a unique place in the sphere of this music called industrial, an etiquette he doesn't approve of saying that this word has lost its genuine meaning. Vivenza immediately places himself in the field of the theorico-political link attached to the Italian Futurists and Russian Constructivists trends whose bruitist-plastic propositions are the only theorical sources having ever been developped with consistency, and rather qualifies his music as « bruitist futurist ».

Veriti Plastici
Veriti Plastici, the third part of the first works of Vivenza, recorded and completed in 1983, represents a fundamental step in the definitive formalisation of the bruitist sonorous views. Made of very objective industrial atmospheres, this recording will be the bridge between the pure experimental approach, and the rigorous structuring of the works that will be produced later (Fondements Bruitistes - 1984, Réalités Servomécaniques - 1985, Machines - 1985, etc.).  The release of …
Realite De L'Automation Directe
Superb re-issue of 2nd cassette release from 1983! The true futuristic/bruitistic industrial machine sound from this French master! "Bruitism is the representation of a living, biological body, not unrelated but on the contrary intimate to the substance. The nature/technique gap is totally, in The Art of Noises, the most accomplished form of a reconciliation with industrial mechanization. By highlighting the autonomy of the dialectical movement in its inaugural tension, bruitism reestablishes th…
Bruitisme
New 2015 material from French experimentalists Vivenza, Brume, Le Syndicat, and Lieutenant Caramel. This is their own updated, contemporary vision of the Bruitism sounds and texts. Jean-Marc Vivenza has theoretically and politically linked himself with the Italian Futurists and Russian Constructivists since the mid '70s. Originally released in 1984, his series of Fondements Bruitistes d'Action (Bruitist Foundations of Action) recordings were inspired by the relationship between the technological…
Realites Servomecaniques
Deluxe book with Cd "Réalités servomécaniques” is an improved version faithful to the original recordings with visuals specially reworked, answering to a categorical assertion, theoricaly and practicaly on Vivenza's bruitist point of view, who presents sounds, « noises », under their rawest and genuine aspect: sounds are machines / machines are sounds. Thus Vivenza captured the essence of factories with a strong sense of austerity, radicality, verticality, including thick smokes and intens…
Fondements Bruitistes
Fondements Bruitistes d'Action (Bruitist Foundations of Action), originally released in October 1984, opens the period in Vivenza's work on bruitist sound when he started to incorporate the question of the relationship between the technological and mechanical industrial fabric, on the one hand -- which makes up the reality of the modern world -- and the human and social environment on the other. This is the first-ever release of the entire 1984 Fondements Bruitistes session. Includes Luigi Russo…
Fondements Bruitistes 2
For the first time ever the entire "Fondements Bruitistes" session from 1984 with unreleased tracks. « The Bruitist Foundations of Action » (french title « Fondements Bruitistes d'Action), which came out in october 1984, opens the period in Vivenza's work on Bruitist sound when he started to incorporate the question of the relationship that holds between the technological and mechanical industrial fabric – which makes up the reality of the modern world – and the human and social envir…
Fondements Bruitistes 1
For the first time ever the entire "Fondements Bruitistes" session from 1984 with unreleased tracks. « The Bruitist Foundations of Action » (french title « Fondements Bruitistes d'Action), which came out in october 1984, opens the period in Vivenza's work on Bruitist sound when he started to incorporate the question of the relationship that holds between the technological and mechanical industrial fabric – which makes up the reality of the modern world – and the human and socia…
Modes reels collectifs
Modes réels collectifs is the first work published in 1981 under the Vivenza banner, following Jean-Marc Vivenza's time with the bands Glace (1976) and Mécanique Populaire (1979). It represents a genuine manifesto that would become emblematic of all Vivenza's subsequent work. By suggesting, from philosophical and sonic points of view, an idea of opening to the reality directly inspired from Futurist theories, Vivenza was presenting what he had brought from his relationship with machines and soun…
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