Vomir
They say the world is built for two
*100 copies limited release* Two live sets of collaborations: One set is Vomir/Meirino collaboration electro-acoustics heavy-textured noise, the other one is Roro's shit-folk altered live by Meirino's machines...
"Ghosts, baby goats, vacuum cleaners, a sad sleepy world"release text by Norma
Sin Comentarios
*150 copies limited edition* This fateful meeting with a tree makes this collaborative album with Anla Courtis take one a more serious aspect that first intended, as it was the last project Perrot completed before his untimely meeting with the tree in the Forêt de Fontainebleau forest, the master completed just two days before the accident. Courtis was of course shocked by his collaborator’s sudden death, the two had never met in person, but he wanted this LP to be a fitting tribute to his late …
Global Terror Split
Tip! 75+ Minutes of harsh noise from the Japanese noise veteran Hiroshi Hasegawa in collaboration with amplified vocal noise artist Kazehito Seki, French HNW pionneer Vomir and Canadian Stutter Noise artist Lolipoop.
Recouvre La Merde (En Trois Mouvements)
2014 Edition. Recouvre La Merde or to loosely translate, Cover The Shit embodies the dark and sick humour of French ‘troubadour’ of Harsh Noise Wall, Vomir. In this 3-parter, Romain Perrot unleashes a no-nonsensical torrent of unyielding wall-of-noise-harshness through 3 brain-convulsing tracks delivered in one long continuous movement. Guttural avalanche of sonic boom deluges upon the listener as the 3 long textural pieces of unpleasant roar harangue the listener into psychotic submission. The …
Cloîtrez Et Tuez Vous Tous
2017 Edition. With Cloitrez Et Tuez Vous Tous, Vomir aims to return to the most basic essence regarding his identity as a Harsh Noise Wall practitioner. This single full length track of more than one hour is the final result of that depurating mindset; focusing on achieving the true bone of his signature sound, while continuing to devastate all ears with a raw and unmovable wall of static. Still as relentless, the boundaries of its aesthetics get pushed further and deeper by the storm of distort…