We use cookies on our website to provide you with the best experience.Most of these are essential and already present. We do require your explicit consent to save your cart and browsing history between visits.Read about cookies we use here.
Your cart and preferences will not be saved if you leave the site.
Yves Daoust's documentary fictions from 1995 to 2021: Lily, built on a courtesan's confidences, in acousmatic and violin-accordion versions, a Chopin-based Impromptu 2, and Calme chaos, recorded at its 2012 premiere by the Nouvel ensemble moderne.
Six works from 1986 to 1994 in which Yves Daoust turns everyday sounds and borrowed classics into music: Chopin recorded note by note, Schubert under Radio-Canada archives, Montréal church bells and dripping icicles.
Yves Daoust's 1991 disc of works built on fragments of the classical repertoire: pieces for piano, flute and accordion with tape on the theme of the performer's solitude, a baroque suite for a harpsichordist-actress, and the Bourges-winning Quatuor.
Yves Daoust's portrait of Montréal through its noise, the three-part Bruits (1997-2001), with Impromptu 2 on Chopin's Fantaisie-Impromptu, the 1981 analog-synthesis piece La gamme and Ouverture, a GMEB commission on Québec history.
Yves Daoust’s Chorals ornés, a rereading of the 14 chorales of Bach’s Orgelbüchlein for organ and fixed medium with Régis Rousseau on a 1961 Beckerath organ and Québec poems, plus three works from 2002-05 on time, voice and found objects. DVD-Audio.