Ramona Ponzini
Seti Non Tael Tene
The encounter between Ramona Ponzini and Maurizio Bianchi yields a work poised on the threshold between evocation and vertigo: a sonic device unfolding through stratifications, resonances, and semantic as well as acoustic collisions.Maurizio Bianchi,…
Millesuoni
In Millesuoni, Deleuze Guattari e la musica elettronica (2008), Emanuele Quinz distills some of the key ideas on the nature of sound formulated by Deleuze and Guattari over the course of their work. Central among them is the dynamic of territorializa…
Post-Asiatic: Lost War Dream Music
2007 release ** "After my recent trip to Asia, my interest in oriental music has definitely greatly increased and then this release fell into my lap... Serendipity or coincidence, I eagerly went through this double bill, listening to all the nuances …
Ankoku
Ramona Ponzini's personal touch is certainly her own particular Japanese chant, together with the use of traditional percussions, bells and cymbals from Japan. Z'EV has been enchanted by all those elements (listening to Praxinoscope), asking to Ramo…