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Presque Rien
2017 Repress. Recollection GRM presents four musique concrète masterpieces by French electro-acoustic innovator Luc Ferrari -- all of the Presque Rien's collected together in one vinyl set for the first time. Presque rien n°1, le lever du jour au bord de la mer (1967-1970): "Following the complete disappearance of abstract sounds, we can regard this piece as a sonic snapshot and the culmination of an evolution. This is a realistic rendering (as faithful as possible) of a fishing village wakin…
First Moog Quartet
Exact repro reissue of this milestone in live recordings of electronic music, originally released in 1970. Gershom Kingsley had Robert Moog build three more synthesizers just so he could pull this thing off. The Moog Quartet played the first live performance of synthesized music at Carnegie Hall to a confused audience. This record includes a cover of "Eleanor Rigby" and Kingley's own "Miracles," featuring a line-up of children on vocals. Still genuinely removed from normative notions of t…
Live In San Francisco
A great counterpart to some of Archie Shepp's studio albums for Impulse – a live date recorded in San Francisco, with a slightly freer, sharper edge! The sound is almost free at times, but always with that strong sense of focus that Archie brought to his brilliant work of the time – and the group's a well-honed ensemble who really understand each others motivations and inspirations – Roswell Rudd on trombone, Donald Garrett and Lewis Worrell on bass, and Beaver Harris on drums – all almost worki…
Nobody Can Live Forever
In the early 1970′s, Brazilian popular music was approaching a high water mark of creativity and popularity. Artists like Elis Regina, Chico Buarque and Milton Nascimento were delivering top-shelf Brazilian pop, while tropicalists Caetano Veloso, Gilberto Gil and Os Mutantes (see World Psychedelic Classics 1) were entertaining the college set with avant-garde fuzz-pop poetry. Enter Tim Maia with a massive cannonball into the pool. It was the only dive Tim knew. Standing just 5’7 (6′ with the Afr…
More Is More
t’s a rare feeling when music can give you the sensation like a bullet through the head, and you call it a pleasure. No Balls ‘More is More’ gives a new meaning to what we used to call ‘heavy shit’, filling the missing spot between rock and harsh noise. Anders Bryngelsson (Brainbombs, Orchestra of Constant Distress), Kjetil Brandsdal (Noxagt, Ultralyd), David Gurrik (Anal Babes, Astroburger), Jan Christian Lauritzen (Noxagt) blessed our ears with a masterpiece of brutal honesty and perverted bea…
Cera Persa
Electro-acoustic experimenter Andrea Belfi veers towards techno structures in Cera Persa for the Paris-based Latency label. Too somnambulant for the ‘floor, best suited for home listening immersion, the piece is cleft in two parts and follows a crumb trail of softly struck drums into fizzing, stereoscopic gloom, eventually encountering shuffling jazz hits and strange, scrabbly electronics therein. No handrails.
Storia E Preistoria
Esteemed composer Piero Umiliani released scores of music in his lifetime from the famous to the obscure, but his forays into jazz continue to be a delight for diggers the world over. Here Galaxy present Storia E Prehistoria, recorded under his alias Rovi and originally released in 1972. It's a stirring collection of music that touches on soundtrack themes throughout, capturing the sound of the era impeccably while sporting Umiliani's inimitable touch in the same breath. The album is full…
Soothing Sounds for Baby, vols. 1-3
The legendary proto-minimalistic Soothing Sounds For Baby series by Raymond Scott were pressed in limited quantities and have been out of print for almost over a decade. Due to high demand, Music On Vinyl in cooperation with Basta Music pressed a limited edition of 1.000 copies on Silver coloured vinyl. The 3 records are housed in a thick cardboard jacket and the package includes a download coupon containing all the tracks of the albums + an insert with credits and detailed information about thi…
Anterior Space
Holovr is Jimmy Billingham who also records under the alias's Tidal, Venn Rain, Journey of Mind & Holographic Mind - He has released music on Firecracker Records, Opal Tapes and Hooker Vision as well as his own Indole Records Release Information Anterior Space may strike some listeners of a certain age as an echo of the gilded age of "armchair techno" exemplified by Warp Records' Artificial Intelligence comps. There's a similar convergence of the cerebral and the blissful in the four epic compos…
FloodLines
FloodLines was recorded live at Cafe Oto as part of "Touch presents" on January 31st, 2016. Simon Scott is a sound ecologist and multi-instrumentalist from Cambridge, England. His past albums include Insomni(Ash International) and Below Sea Level (Kesh/TouchLine). His work explores the creative process of actively listening, the implications of recording the natural world using technology and the manipulation of natural sounds used for musical composition. He plays the drums inSlowdive and has r…
Mongoholy-Nazy/ Thalidomusic For Young Babies
**Limited Edition Gatefold 2LP on transparent wax** Dead at 30 - a candle burned at both ends, consumed by drugs and relentless creative fire, Stefano Tamburini is among the great lost figures of Italian Avant-Garde. Legendary for his contributions to counter-cultural publishing - a writer, graphic artist, comics author and magazine publisher, Tamburini was equally the glue which bound many of the wildest voices of Post-Punk - Mars, Throbbing Gristle, Cabaret Voltaire, in a lineage stretc…
Religious Electronics
No Fun are keen to assert "This is not a jazz record." Yeah, no kidding. Noise maestro Greg Kelley puts his trumpet down and attends to his collection of analogue elecronics, belting out some sublime passages of unstable drones, echo chamber feedback derangement and rampant oscillator fuzz. This is pretty exceptional stuff, up there with the finest non-digital noise excursions currently out there, and one of the very best No Fun emissions in quite some time. Typically, despite Kelley being a pre…
Fourth Sensation
First ever reissue of the sought after album Fourth Sensation, originally released in 1970. The band was formed by Ares Tavolazzi (I Giganti, Area) - who later was an active session musician as well as being a leading figure in the Italian jazz scene, accompanying Gil Evans, Steve Lacy, Max Roach, Lee Konitz, Phil Woods and many others - on guitar, Ellade Bandini on drums, keyboardist Vince Tempera - who, a few years later formed the progressive supergroup Il Volo with Mario Lavezzi and Al…
Jards Macale
An incredible album by one of our favorite Brazilian artists! This gem from 1972 is an album that we'd rank right up there with work by Caetano Veloso, Gilberto Gil, or Lo Borges from the same time – with an underground singer/songwriter style, performed in a manner that mixes rock and jazz styles, but all with a rough edge and a very rootsy feel. Macale is an enormous talent that's always been woefully overlooked by listeners outside of Brazil – but he's one of the greatest talents of the 70s, …
INVENTIONEN 2000
Beautiful edition, 2 CDs with Catalogue, 72 pages German/English. Installations - Acousmatique Concerts. Organized by Berliner Künstlerprogramm des DAAD and Technische Universität Berlin, Artistic leadership and organization: Ingrid Beirer, Folkmar Hein, Carsten Seiffarth. With the assistance of Silke Borgstedt, Sebastien Brehmer. CD I: François Donato, Adrian Moore, David Prior, Mario Verandi, Alvin Lucier, Ron Kuivila. CDII: Tom Johnson/Martin Riches, José Antonio, Orts, Ed Osborn, Ron Kuivila…
No. 1
A Quarterly Journal of Post-Rock Cultural Pluralism, edited by Byron Coley. In this issue: Todd Abramson, Steve Albini, Alan Bishop, Bree, Rej T. Broth, Joe Carducci, Lisa Carver, Benoit Chaput, Sharon Cheslow, Byron Coley, Karen Constance, Nigel Cross, Chris D, Irene Dogmatic, Lili Dwight, Ray Farrell, Andrea Feldman, Tom Givan Tom Greenwood, Mats Gustafsson, Angela Jaeger, Elaine Kahn, Ira Kaplan, Maria Kozic, Matt Krefting, Ted Lee, Donna Lethal, Owen Maercks, Marc Masters, Hisham Mayet, Rich…
Burkina Faso: Volume 3
Sublime Frequencies presents the third volume in a three volume set of contemporary field recordings by Hisham Mayet recorded in Burkina Faso during three expeditions from 2013-2015. Volume 3 includes regional instruments such as the Donso ngoni (hunters harp). The Donso hunters are a mystical animist sect living in western Burkina, Faso whose music is a source of protection and strength for the hunt. The Dioula are represented by one of Bobo-Dioulasso's premiere ensembles, Fassobolomba, who fus…
Simultonality
Simultonality is the follow-up to Joshua Abrams's critically acclaimed 2015 album Magnetoception (MTE 063-64LP, 2015). Credited to Joshua Abrams and Natural Information Society (NIS), it is the first recording in the project's nine year, four album history made by a regularly gigging manifestation, rather than a special assembly of friends. Recorded in 2014 and 2015 in single takes by the full ensemble during and after tours of the US and Canada, Simultonality once more affirms the project's …
Plaster Falling
"Plaster Falling was recorded at the same time as John Bender's first album, I Don't Remember Now / I Don't Want To Talk About It. Released in 1981 on the artist's own Record Sluts label, copies of Plaster Falling's initial pressing came hermetically sealed in plaster (and later latex). Thus, listeners had to literally break open the record to find what's hidden inside. Produced in relative isolation, Plaster Falling is a beacon of brilliance in the nascent minimal-wave sphere. Veering towa…
Hard Attack
MX-80 SOUND is one of the real oddities in American music. Their debut album, Hard Attack (released in the UK on Island Records), found little-to-no audience in the States upon its release in 1977, yet remains a key document of the mid-'70s proto-punk zeitgeist. Hailing from Bloomington, Indiana, MX-80 SOUND is lead by guitarist Bruce Anderson and defies simple classification with relentless riffs, dual drummers and vocalist Rich Stim's absurdist prose and dizzying sax. Assimilating the avant-ro…