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Myrrh
this mindblowing album was originally released in 1972, when Robin Williamson was at the time still a member of the Incredible String Band, the ensemble he started with Mike Heron in 1966. These ten songs are all Williamson originals, with the exception of"Strings In The Earth And Air" by Ivan Pawle.Where his band's recordings were then getting increasingly electric, this is a return to a more acoustic bearing. This set includes some gorgeous, if overlooked, songs from the vast catalogue William…
Or
After the pruitt igoe e.p, kangding ray returns with his third album for raster-noton, pushing further his explorations on the edge of digital and analog sounds. With or, kangding ray continues to blur the borders between experimental and bass music, and brings his signature sound to another level, somewhere at the darkest fringe of club culture. With the massive metallic beats of « athem », the frightening distorded waves of « mojave », the elevated groove of « odd sympathy », the modulated gui…
3 Compositions Of New Jazz
The mid-'60s formation of Chicago's musician collective, the Association for the Advancement of Creative Musicians (AACM), proved a watershed event for jazz, providing a springboard for some of the next few decades' most influential performers, including the Art Ensemble of Chicago, Muhal Richard Abrams, and Anthony Braxton. In many ways, Braxton's Three Compositions of New Jazz is that movement's manifesto. Seeking a new degree of abstraction and purity, Braxton opted to eschew drums or bass on…
Concierto n° 1 para piano y orquesta \'Atlántico\' / La Luz del
Canary folklore: the Concierto Atlántico is based on two motifs that have been "united with the almost obsessive rhythm of the tango herréno, an essential element of the oldest folk music of the island." The piano piece Latir Isleño, on the other hand, is based on a well-known Canarian folksong, Arrorò. But traditional Canarian music is merely the starting point for these works, not their destination; their structure, like that of La Luz del Aire (The light of air), is determined by exact mathem…
Verso
The second release from this abstract trio who mingle hard electronics with acoustic and processed percussion. A more focused, subtle aesthetic here, I think, than on their last also excellent - CD. These are finely tuned and seamlessly integrated sounds that have been crafted and, importantly, performed; this is essentially played music that had been painstakingly reworked, and bears still the deep qualities of interactivity and immediacy that created it.
Musical Paintings Vol 1
"A unique collaboration between a musician and a painter: Sean O'Hagan/The High Llamas and Jean Pierre Muller. The Musical Painting can be described as a large picture composed of wooden shapes that fit into one another. It produces its own soundtrack but with a distinctive novelty - it is the viewer who, by playing with the moveable parts of the painting, is in fact the conductor of the piece. This unique fusion between vision and sound is the fruit of the collaboration between Sean O'Hagan's '…
33 RPM: 10 Hours Of Sound From France
An exhibition companion compilation to SFMOMA's 2003 listening room program 33 RPM: 10 Hours of Sound From France, curated by Laurent Dailleau. 33 RPM's Compact Disc companion features compositions from Kasper Toeplitz, Kristoff K. Roll, Jean-Claude Risset, Lionel Marchetti, Christophe Havel, Laurent Dailleau, Mathieu Chamagne, pizMO, Jean-Philippe Gross, and Mimetic. Comes with a 24 page booklet and original program details.
Oboe plus
Right at the start we are welcomed by Le sexe du noyé by Walter Feldmann, which (besides requiring exceptional technical skill) keeps a tight rein on the oboist, even as far as inhaling and minute movements are concerned. But Matthias Arter does not play the oboe only but also other members of the customary concert instrument's family, like the musette (sopranino oboe) he uses in the last part of his own composition Changes. And he has a lot more to offer even than a great variety of different p…
Childhood, Christian Lies & Slaughter
"I find this disc to be consistently superb and often sublime.
Cian writes contemplative, melodic and somewhat bluesy songs that
always ring true. The one cover, Baka Dance, has more of an older,
folky theme, but all of the songs have an organic, human quality that
feels just right. If this was released in the mid-70's, it would fit
perfectly in the Takoma catalogue with John Fahey and Leo Kottke.
Pretty great company for a young whippersnapper like Cian Nugent." Downtown musi…
Une Soirée Vian
The Soirée Vian, a kind of meta-cabaret created in 1991 based on a commission by the WDR, develops along the narrative red thread of Boris Vian's novel The red grass and turns into a dizzying journey through the absurdly crazy worlds of Vian's universe. The fullness and polystylism of this venture undertaken by Denys Bouliane might indeed almost make the listener dizzy, not least due to the fantastic performance by the electro-acoustic ensemble "Série B." Their "musical roller coaster ride from …
Whitehouse
There's not much in the way of commentary or anything about that, though, so either call it a wry Kiwi joke at the Yanks' expense or just something that looked nice enough to use. Consisting of six tracks of unsurprisingly varying length - fairly short or totally long - in ways The White House is Dead C as per usual and in others a bit of a diversion from the usual form. Notably, there's evidence of relatively more production - while it's hardly hard-disk billion-track digital sound or the like,…
Records (1981-89)
Records 1981-1989 is a fascinating collection of Marclay's work during the 1980s, the results of hours of home recordings -- using up to eight turntables and various other instruments of his own making -- plus many live performances (one track comes from a nationally televised appearance on the David Sanborn/Hal Willner program Night Music). Marclay did much more than just scratching and sampling for these tracks -- "One Thousand Cycles" uses an increasing variety of repeated samples and …
Hearing Metal 1
Performer: Greg Stuart (tam-tam). 'The 60-inch (Mikrophonie) tam-tam is a large piece of metal, a proto-sculpture. Brancusi might have altered it: rounding and tapering the edges, making an oval instead of a circle, polishing the surface into smooth gold. The tam-tam is also a vast sound landscape-an instrument that makes noise at the slightest provocation. A resonance is created just in the act of walking past the instrument or breathing on it ... that is, if your ear (or a microphone) is close…
Recitarcantando
Restocked, special discounted price: one of his best and 'more affordable' release, Demetrio Stratos live in 1979 with Lucio "Violino" Fabbri (PFM violin player).The amazing research of Stratos brings many suggestions of unexplored fields of research that are still to be studied such as the particularly stimulating and innovative pre-eminence of the meaning over the meant, and the ritual value of the voice.[12] His research into the field of phonetics (Articulatory phonetics, Acoustic phonetics,…
Hommage à Paul Klee
With his Pedagogical Sketchbook often regarded as a virtual manual in composition, Paul Klee has exerted a far-reaching influence on modern music. Few composers were so profoundly affected as Sándor Veress, whose encounter with Klee's work after fleeing Hungary in 1949 gave rise to seven fantasies that range from the Bachian gravity of 'Old Sound' and the intensely elegiac 'Green in Green' to the rhythmic playfulness of 'Stone Collection'. Grau and Schumacher give a committed performance, differ…
The Aforesaid
A professor of neurology at the University of Florence and one of Italy's foremost experimental composers, Diego Minciacchi creates fascinating music from raw scientific data and appends cryptic titles to his pieces that give them something of a whimsical, if not philosophical or mystical, context. The Aforesaid, Minciacchi's 2001 release on Col Legno, is a collection of five chamber works from the early '90s, a time when he found his voice and developed a feasible methodology in his works for v…
Fama
Site-specific FAMA, “audio theatre piece for large ensemble, eight voices, actress, and sound structure,” requires the best performers for execution. Luckily, Furrer draws upon the talented Neue Vocalsolisten Stuttgart and Klangforum Wien. Also credited are the architect, acoustician, technical and lighting engineer, costumer and stage direction. Texts are by Ovid and Arthur Schnitzler. The focus on space and solo instruments (contrabass flute and two bass clarinets) suggest Nono’s late aestheti…
Saxophone & Piano 1
Maurice Karkoff (b. 1927) Sonatina fur Alt-Saxophon und Klavier (1985); Toccata -Varianter- Burla Henk Badings (1907-1987) La Malinconia (1949) Miklos Maros (b.1943) Undulations (1986); WernerWolf Glaser (b. 1910) Allegro, Cadenza e Adagio (1950) Otmar Macha (b.1922) Plac Saxofonu (1968) Ernst- tlothar von Knorr (1896-1973) Sonate fur Alt-Saxophon und Klavier (1932) Phantasie- Allegro Allegretto scherzando Signal. Works dedicated to the recording artists. JOHN-EDWARD KELLY, saxophone BOB VERSTEE…
The Disintegration Loops
First widely available release on Basinksi's own label (other releases on Raster, Idea, Durtro, Headz, etc), from early 2003. This series of 4 Disintegration Loops has become one of the true phenoms of post-9/11 experimental music -- totally legendary stuff at this point. "William Basinski is a musician, composer, auteur who has worked in experimental media for over twenty years in NYC, expanding the boundaries of the aural landscape. In 1978, inspired by minimalists such as Steve Reich…