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Some of soprano saxophonist Steve Lacy's most interesting recordings are his earliest ones. After spending periods of time playing with Dixieland groups and then with Cecil Taylor (which was quite a jump), Lacy made several recordings that displayed his love of Thelonious Monk's music plus his varied experiences. On this particular set, Lacy's soprano contrasts well with Charles Davis' baritone (they are backed by bassist John Ore and drummer Roy Haynes) on three of the most difficult Monk tunes…
Not much is really known about the production process behind the sprawling works of Japanese composer Yosuke Tokunaga, nor about the artist himself. Whatever the process may be, its outcome yields unique soundscapes that lunge and retreat in near mechanical movement, while warm volleys of low flung claps and thumps disperse over a bed of textural hums and lingering chords. At times, Yosuke’s work manages to somehow form an atmosphere that can both feel airy and yet dense simultaneously; it is th…
2016 repress; 140-gram LP. Cluster's self-titled debut was originally released by Philips in 1971; this edition is the first reissue to restore the track running order of the original Philips release. Includes liner notes by electronic avant-garde pioneer Asmus Tietchens. In 1998, The Wire listed Cluster's self-titled debut as one of "100 Records That Set The World On Fire (When No One Was Listening)." Very few albums from Germany can lay claim to this honor. Cluster is a monster; it cont…
Signed copy (Edition signed by most of the Artistst) Bringing together over seven hours of absurd, elusive and often disturbing music, The Box label finally unveil this epic, years-in-the-making 13x LP Box Set from Lafms, a must for those of you familiar with their work or, indeed, the colourful dreamscapes so often associated with.LAFMS BOX BOX documents every performance from the exhibition Beneath the Valley of the Lowest Form of Music - The Los Angeles Free Music Society 1972-2012 at The Bo…
Highly electrified guitar, anamorphosed, perforated, and tainted by all sorts of effects, implodes its rage and its urgency in the magnetic nets of a tape recorder as cannibal as it is destructive. From various recordings Lionel Fernandez & Jérôme Noetinger have created and produced these ten pieces: big, biting, dangerous and acerbic – like the intoxicated meeting of a chainsaw and a microphone. Real garage music: grease, gutted car bodies and outdated alternators, like a soundtrack ripped from…
Originally released in the late 1970s, Mureedil by Tonton Macoute stands as a singular statement in the French experimental tradition. The group weaves together repetitive, trance-like rhythms, spoken word, and electronic interventions, creating a sound that is both hypnotic and unsettling. The music is marked by its willingness to embrace both the structured and the chaotic, with lengthy instrumental passages giving way to bursts of surreal poetry and unexpected sonic detours.
Influenced by th…
The venerable Sub Rosa returns with one of their most curious and revelatory releases to date: the first ever release of Alain Pierre’s visionary soundtrack for Thierry Zeno’s 1974, controversial and widely banned avant-garde film “Vase de Noces” (Wedding Trough). A radical and entirely singular, not to mention virtually unheard, effort of electroacoustic music, rooted heavily in field recording and extreme tape manipulation (and who knows what else) - feeling sophisticated and refined while ret…
2025 Stock. Last copies. Annelies Monseré always has had the urge to record many versions of one song and then remaining deeply in doubt which version to choose. For this release, she did not chose. (Though this is not completely true - there are still more versions of the song - including an a cappella version) She was interested in how different arrangements, tempo's, melodies and structures changed the expressive and aesthetic qualities of the song, convinced that no version is more 'essentia…
Orange Vinyl edition with OBI strip, Hand Numbered. RuinsZu is fusing the original core of Rome’s ace Zu bassist Massimo Pupillo and saxophonist Luca T Mai together with drummer Yoshida Tatsuya, founder of the Japanese band Ruins. An Italian-Japanese cooperation of outstanding artists in the loud extreme of avant-garde music produces Jazzisdead Live. Bass guitarist Massimo Pupillo from the band Zu teams up with saxophone Luca T. Mai (of Ruins and now Ruins Alone) and drummer Tatsuya Yoshida. The…
Returning to Die Schachtel with his forth full-length with the label, the Genoa born, Bologna based, guitarist and electroacoustic composer, Stefano Pilia, delivers “Lacinia”, a new, immersive cycle of compositions, delving deeper into the realm of metaphysical, spiritual, and divine meaning, weaving astounding arrangements of sonority from a palette of synths, strings, brass, organ, various electroacoustic instruments, and percussion. Resting at a refined intersection of the acoustic and electr…
Tip! *150 copies limited edition*
All music by Will Long and Takahiro YorifujiRecorded in Tokyo in December 2011Mastered by Stephan Mathieu at SchwebungCover photo by Will LongLayout by Rutger Zuydervelt
In a once in a lifetime occurrence, we’re thrilled to announce that we’ve been able to get our hands on a very limited number of original archive copies of “Die Erde und Ich Sind Eins - I Am One With the Earth”, the debut solo LP by legendary Popol Vuh founder Florian Fricke. An astounding gesture of large ensemble vocal Minimalism, privately issued as the lone release on Fricke’s own Lorck Publication München imprint in 1983, this marvel of deeply emotive and transcendent immersion into rich te…
The incomparable Piero Umiliani (under his mysterious Moggi moniker) weighs in with another killer library gem of 1979. “News! News! News!” was originally released in few copies on the small imprint Sound Work Shop, both label and recording studio owned by the cult maestro. Musica Per Immagini gave another chance to its eleven amazing electronic and jazz tracks played by some of the best musicians who took part in the golden age of Italian music libraries. This sought-after album is the way the …
**300 copies** Abstract Forms is a selection of rare as yet unreleased in any physical format Sandro Brugnolini recordings from the late '80s and early '90s. The sixteen electronic tracks were produced for television background use or synchronization and, thanks to their great intensity and suspense, are still perfect to be scored in any number of thriller sequences, connecting smooth jazz memoirs filtered with machines overplayed on videogame sounding backgrounds. The majority of these experime…
Musica Per Immagini is pleased to announce the first release on vinyl of Franco Micalizzi's soundtrack to the film “Delitto Sull'Autostrada”, directed by Bruno Corbucci and starring the Italian-Cuban-American actor Tomas Milian. Eclectic, innovator, full of life and energy, out of the ordinary, the composer is best known for his scores in poliziotteschi films such as “Roma A Mano Armata”, “Napoli Violenta” or “Italia A Mano Armata”, whose theme was used also in Quentin Tarantino's “Death Proof”.…
Ugo Busoni's “Valvole” is a classic example of the so-called library music records released in Italy (as in the rest of the world) in order to provide 'background music' to be used in the editing of news broadcasts, radio and newsreels. These were records made by highly experienced composers and musicians who, in a very short time and with limited or non-existent budgets, had to make music to be synchronized to images. For obvious reasons, they had to be tracks of short duration, characterized b…
Big Tip! Joel Vandroogenbroeck was an arranger, conductor, producer and, above all, a unique multi-instrumentalist in the world of music. The Belgian artist was also famous for being the only permanent member of the group Brainticket and the main promoter of its creativity, often renewed with the contribution of exotic instruments. At the dawn of the Seventies, this versatile musician began a parallel life as a composer of singular music libraries tailored to comment documentary images. “L'Immag…
Timeless atmospheres, hypnotic sonorities, minimal arrangements. And a composer gifted with a never ending passion for music, experimenter in his genetic code, innovator by vocation, at ease with various instruments in order to forge avant-garde themes. Piero Umiliani was already forward in building completely new sounds in the late Seventies. “Tra Scienza E Fantascienza” finds his alter ego Moggi experimenting with alternative grooves, electronic music, jazz tunes and soundtrack motifs. One of …
*2024 stock* Laure Boer is Kashual again. And not so Plastik. Zoning dark-ish into her inner realms of journey music. Poetic, psychic, reflective, ejective. She sings. Weeps. Speaks. Intimate looping narratives, celebrating personal glories and all those worries. Stylistically alternating from electroacoustic dimensions to drone guitar amp personas, from folk melodiousness to witchy avant-notes. Ten drifters for the Lomaxed creatures, earthbound, and always up there in the luminaries. Music that…