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This is probably one of the most clinical releases of Maurizio Bianchi's current discography. Together with Siegmar Fricke from Germany four very complex soundscapes have been produced that on the one hand show similarities and relations in sound to Maurizio’s early releases and on the other hand enter new territorities of clinical sound-excursions. The four long tracks contain metallurgic ambiences, painful postoperative distortions, quiet endoscopic sections and pulsating, radiant elect…
Brooklyn noise herald and Hospital Productions label-head, Dominick Fernow presents his first release for the Editions Mego label. Fernow has been an active instigator in the power electronics and noise genre for well over a decade, with 100+ releases issued so far, usually limited and covering all known formats. Known in particular for his harrowing live performances where he uses his voice, amps, microphones, coins, tools, suitcases etc., to create a brain-bashing journey through mangled, nega…
Right at the start we are welcomed by Le sexe du noyé by Walter Feldmann, which (besides requiring exceptional technical skill) keeps a tight rein on the oboist, even as far as inhaling and minute movements are concerned. But Matthias Arter does not play the oboe only but also other members of the customary concert instrument's family, like the musette (sopranino oboe) he uses in the last part of his own composition Changes. And he has a lot more to offer even than a great variety of different p…
Very last copy. First release of the early sound installations from the German sound artist Rolf Julius, ranging from 1979 to 1982 : Music on Two High Poles (1979), Morning Song (Berlin Concert Series, 1981, in collaboration with Joan La Barbara), Music for the Earth (Berlin Concert Series, 1981), Music for the Eyes , (1981), Music for a Pane of Glass (1980), Music for a Yellow Room (Berlin Concert Series, 1982), Chamber Concert for Three Loudspeakers, (Berlin Concert Series, 1982), Concert for …
On reading the title Gnomic Variations, lovers of piano music might fancy themselves to be in a kind of "Grieg's World," but the truth is far from it: the title of the piano solo, completed in 1981, does not refer to any thieving Irish gnomes but solely to the conciseness of the structure of the work. "Gnomic" here means expressing an idea in brief words, or, simply, describing a maxim as accurately as possible. The Gnomic Variations consist of three parts, comprising a total of 18 variations. A…
'Sillón is proud to present what has to be Italy's best kept secret on the improvised music scene. Based in Madrid, Spain, Alessandra Rombolá works in the field of contemporary music and improvisation. Her stunning debut-cd, Urueña, shows her great musicality and sense of form. Her sound is so rich that it fills the whole space of the beautiful Church in the tiny village in central Spain, Urueña. The music is captured in detail by sound-wizard, Pierre-Olivier Boulant. A must for all fans of crea…
“It seems most important to me not to stop being a connoisseur; I freely confess that I would rather be considered a hedonist than an analyst.” This statement by Luis de Pablo is reflected in his music; not in violent yet superficial currents of sound but in finely differentiated sound as de Pablo’s Las Orillas (1990) demonstrates: “The composition is very linear, particularly in the slower parts. The orchestration has therefore been planned especially thoroughly such that each voice has a meani…
Chris Corsano has gained a well-earned reputation as one of the hardest-working drummers around. Equally at home with intense kinetic explosions of energy and concentrated near-silence, he effortlessly flows from one idea to the next, always sympatico with his fellow musicians. He has recorded and gigged with, among others, Paul Flaherty, Thurston Moore, Jessica Rylan, Jim O Rourke, Nels Cline, Jandek, Greg Kelly, Daniel Carter, Six Organs of Admittance, Evan Parker, Sunburned Hand Of Man, MV&E…
Finaly restocked: Line is proud to present Proximities the first solo recording by Steve Roden on the label since 2005′s critically acclaimed release, Airforms. "Proximities was recorded in 2010 during my time as the artist-in-residence at the Chinati Foundation in Marfa, Texas. I began by recording a performance of a series of tones played on an old battery powered Paia Oz, that were determined by the letters A-G as found in a text by minimalist sculptor Donald Judd. I recorded the tone seq…
The pieces for piano/cembalo on this CD include the first two Capriccios by the 24-year-old Ligeti, the Musica ricercata, and the first volume of the legendary Études, in brilliant interpretations by the German pianist Erika Haase. Ligeti was a master in how to make tricky compositional systems appear as more than just that by inspiring them with sensual substance: that's what distinguishes the artist from the artisan. Throughout his life Ligeti kept his ears pricked up and his senses sharpened …
Before the epigones take over the stage we are given a chance to hear out Bach himself: the unfinished four-voice Contrapunctus XIV from the Art of the Fugue marks the starting point of Andreas Grau's and Götz Schumacher's remarkable exploration of the Bach cosmos. In the Berlin autograph of the Contrapunctus XIV the place where the score breaks off is marked by an inscription: "At the point where the name BACH is introduced in the countersubject to this fugue, the composer died." Even though fr…
Some 150 years apart, both composers developed minute nuclei into an ever expanding cosmos of sound, each against the background of his own era. Prick up your ears – Schubert's Fantasy in F minor and Sonata in B flat major D 617 crossed with Ligeti's Three pieces for two pianos: rich in contrasts, upsetting, and in a simply stunning interpretation by Andreas Grau & Götz Schumacher. In the beginning there was simply the idea of playing Schubert and Ligeti together in one program: "During the perf…
Somewhere between Alex- ander Rodchenko, Jackson Pollock and Charles Ives: Marino Formenti's piano studies based on an instal- lation by Florian Pumhösl as a listening experience! The brilliant Italian pianist has placed compositions by Charles Ives (»Thoreau« from the Concord Sonata, the song »Tom Sails Away«, and »Study 11«) under his magnifying glass and studied them, has taken them apart, searched them for resonances, assonances and silences, and confronted the results with Ives’ own methods…
An interesting development in recent times has been the transAtlantic and trans-generational connections being made in the improvisation community. The Emanem recording by Steve Beresford with Okkyung Lee and Peter Evans, and George Lewis' collaboration with GIO are just two recent examples that come to mind. At the forefront of this trend is the duo of Nate Wooley (trumpet & amplifier) and Paul Lytton (percussion & live electronics) bringing two of the most questioning minds in improvised music…
View was first presented as part of a solo exhibition at the jennjoy gallery in san francisco. the show also included paintings, drawings, and a silent video work. for the installation, i asked jenn to record for me the sounds of the View from one of the gallery windows. "sounds were recorded from ledge just above radiator on various days and times in april" sometimes the window was open, somethimes closed. i used fragments of these recordings as both a compositional cue as well as the entire so…
(Originally released in 1968) this is one of the most bizarre records ever released and one of the most sought after titles on the collectors' market. The Maledictus Sound are to instrumental rock what Frankenstein was to science... a laboratory monster... a strange creature assembled from a mish-mash of diverse musical sounds. Psychedelic pop, romantic ballads, musical tongue-in-cheek, drugged out chipmunks, near-delirium sound effects, horror movie screamadelia and a mega-twisted '60s vibe. Ec…
Gas-station attendants around the world will rejoice at news of this final missive from Jason DiEmilio (aka Azusa Plane), a cleverly titled reminder of one of the Boss's most visionary & epic lines. Featuring two long tracks of cable glitch, amplifier hum and microphone bumping, this CD has such comedic aspirations that even Neil Hamburger will probably have to sit up and take notice. Thank you, New Jersey.
****THE WIRE 2008 TOP 50 RECORDS OF THE YEAR WINNER****"A couple of years ago the promoters Arika invited John Butcher to tour a number of out-of-the-way spaces in Scotland. The venues, selected for their extreme acoustic properties, included a mausoleum, a wartime fuel-storage tank and a cave. This album grows out of Butcher’s evident interest in escaping the acoustic confines of conventional venues (work with resonant spaces is documented on the earlier Geometry of Sentiment and Cavern with Ni…