We use cookies on our website to provide you with the best experience.Most of these are essential and already present. We do require your explicit consent to save your cart and browsing history between visits.Read about cookies we use here.
Your cart and preferences will not be saved if you leave the site.
Til odslig horisont evolves slowly and quietly over forty-five minutes and rewards the listener's attention with a great listening experience, manifold soundscapes and atmospheres melting into one another. As often, describing this work will not do it justice, and so I propose that you make yourself comfortable, close your eyes and simply listen. You will enjoy it without an eloquent description.'B. Günter
Aidan Baker has tried his hand in many different areas of music and it’s always amazing to here the outcome, as more often than not the results are excellent. There have been records that dabble more in psych, kraut, ambient, drone, and so on. However here on Scalpel, Baker has combined a familiar ambiance within his body of work with folk music for something that is loosely being dubbed as his “folk/drone” album. I really didn’t know what to make of that at first. I suppose a descri…
colossal 6-disc set of obscure early concrète music: a lovely anthology celebrating the 30 years anniversary of Institut international de musique électroacoustique de Bourges (IMEB), formerly Groupe de musique électroacoustique de Bourges (GMEB). Realized between 1970-83 and 1984-1999
A sequel to the Other Materials compilation (released via Richard Chartier’s own 3Particles label), this album draws together the various compilation tracks released by the artist between the years 2002 and 2005. Many of these pieces take the form of miniatures, meaning they’re both shorter and more condensed than Chartier’s conventional output, the most succinct of these being the two-minute sound sculpture ‘Tracing (Sketch For)’ lifted from Raster Noton’s Frequencies [Hz]. You’ll…
Trapped on an ocean of disparate languages, sound gravitates towards meaning, escaping the obsolescence of mother tongues by denying the slow decay of time. In the biblical tale of the Tower of Babel, God punishes the tower builders by scattering them across the earth, unintelligible to each other. As they departed their blissful prison of same-think, they became drunk with new songs, washing down their newfound 'auditory cheesecake' with sectarian babble. In as much as their speech had be…
First time-ever release of 1950s-60s recordings featuring Raymond Scott's performances on his pioneering electronic music inventions (the 'Circle Machine,' the 'Rhythm Modulator,' the 'Bass-Line Generator,' the 'Electronium,' the 'Clavivox,' & other equipment designed & built by Raymond Scott). Identical tracks to the cd-compilation, but now on 3 vinyls, packed in doublefold sleeves. A beautiful collectors item and finally a chance for dj`s to play tracks from vinyl!
Following the records made in collaboration with Francisco López and the instrumental ensemble Zeitkratzer, John Duncan returns to solo work and to exploring further the sound source he's always preferred, shortwave. We know nothing about the actual radio transmission that Duncan picked up on 18 April 2002 in the course of a single recording that gave life to this work. Only shadows remain, taking on the aspect of bells, resonating into infinity, together with reverberations and apparent choruse…
(2003) 10 inch vinyl record. Blank recordsleeves with add on cellotaped collage. Some have stamp by Le Souffleur or are signed by the author. The LP is numbered 01 to 400; or is dated in which case they have original (one off) artwork. The photocopied collages consist of cut-up photo's collaged together with cellotape; after which they have been photocopied again, cut-up with a knife and repaired with cellotape. The collages with handwritten texts and printed texts are assembled from books and m…
Beautiful debut full-length album for Jennifer Veillerobe, a french-german musician, co-curator of senufo editions and one half of ‘eselsohr ’. The CD is centered around a minimal sequence of sonic events, alternating between modular synthesizer patterns / textures and simple acoustic gestures captured with a portable digital recorder. realised without any processing or overdubbing; the cd is an attempt to define a narrative using nothing but sharp edits and careful sequencing of non-homogeneous…
A brand new Christmas single from long-running Los Angeles avant-garde pioneer TOM RECCHION. Includes the Yuletide faves "Where Were You On Christmas?" and "A Christmas Filled With Tears." Limited edition pressing, imported from The Netherlands.
Circulations is an impressive hourlong electro-acoustic work by composer Pierre-Yves Macé and his second album (after a lukewarm debut released on Tzadik). Making the best of a residency at Euphonia (Marseille), he first wrote four solo pieces for percussion, electric guitar, harp, and clarinet. At Euphonia, he rehearsed these solos with musicians Frédéric Doumas, Rémy Décrouy, Rafaëlle Rinaudo, and Agathe Fourneau (respectively) and recorded them. Then, Macé composed a tape part for each solo, …
"The CD "Theology" contains the source recordings used for the LP "The Religious Experience", and is limited to 450 copies. The two albums and their music should be considered as mirror opposites. Where theology is a completely artificial system of belief, a religious experience is the immediate experience of the thing itself. Likewise, the music on "Theology" is complex and elaborate, while "The Religious Experience" is much simpler, going directly to the heart of the material compri…
estocked, reduced price: Perpetuum Mobile is the result of a uniquely schizophrenic 'open source' compositional process: the UK's finest collage composers (collage-posers?) Ergo Phizmiz and People Like Us (aka Vicki Bennett) uploaded files to a shared server, downloaded and processed each other's work, and flung the resulting fragments back at each other. The result is an interpenetrating audio-collage so intricate that neither party can recall who did what to whom. So far, so avant-garde; but w…
2 CD edition of Nicolas Collins 1986 warped electronic work, with bonus material from a 1987 cassette-only release, plus a video and PC & Mac software to create your own Devil Music! "Devil's Music" and more! We presents the vinyl and CD reissue of Nicolas Collins' live radio sampling masterpiece, originally released on vinyl in 1986, served up in all its stuttering glory, a time capsule of the mid-80s New York City airwaves, acclaimed by Philip Sherburne as "an …
Jarrod Fowler is a percussionist from Massachusetts, USA. ‘Percussion Ensemble’ is a non-musical rhythmsystemic aggregate ready-made from percussive dialectical composites of “experimental percussion music”. Jarrod Fowler's projects are systemic investigations of musical thought and practice. These experiments question instabilities shared by both music and non-music. Letterpressed sleeve printed by Ben Owen / Middle Press. Numbered edition of 180 copies.
New gatefold handmade cover. 500 copies. "There's an amazing attention to aesthetics that Andrew Chalk undeniably pays for each release with his name on it. It starts with the music and continues through the cover artwork, packaging, and presentation. The first part of Blue Eyes of the March is a 20 minute long piece which sounds like it was created by a prepared guitar, tuned only to play a limited number of pre-determined notes as they're quietly plucked and resonate for long stretches. The to…
Amazing release: Creating an after-the-fact transition between early electric jazz and contemporary electronic washes, Dru is made up of David Maranha (organ), Manuel Mota (electric guitar) and Riccardo Dillon Wanke (electric piano). Initial impressions are something like a slowed-down, percussionless (and trumptetless!) version of Bitches Brew. The keyboards create slow-changing washes of texture while Mota's clean-and-warm-sounding guitar interjects chords and thoughtful melodic fragments. Eac…
Original copy of this awesome double album by visionary futurist composer Alberto Savinio, issued in 1978 by Multhipla label. A very rare item, original and in new codition, for those into avant garde artists editions, fluxus related, broken music ecc.