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The Discomfort Of Evening is the incredible and original soundtrack by prolific Belgian composer Michiel de Malsche to 2020 International Booker Prize winner The Discomfort of Evening by Marieke Lucas Rijneveld. Visceral and virtuosic, Rijneveld's novel follows Jas, a girl growing up in a devout Christian family that runs a Dutch dairy farm, whose brother dies in an accident after she wishes he would die instead of her rabbit. Lost in grief, her family falls apart as she becomes consumed by incr…
*300 copies limited edition* Conjuring Gloria Swanson’s role as former-silent film actress Norma Desmond in the 1950 Hollywood classic "Sunset Boulevard," Julia Scher’s "Filzengraben Boulevard" weaves autobiography with melodramatic fiction. Delivered over Zoom from her bed in Cologne, Germany, Scher recalls pivotal memories that have influenced her work. Recollections of her father as a mattress salesman in Burbank, California. Casualties of the film industry. Encounters with art. Warhol’s Bril…
Before Sesame Street or Yo Gabba Gabba made art for kids that their parents understood on a whole other level, there were Hip Fables. Pop prose originally put to pulp by the pen of Steve Allen circa the ‘50s, which inspired a popular album and even a book titled Hip Fables (Simon & Schuster). The original recording featured Steve Allen on the piano accompanied by King Cool himself, Chicago DJ and Impulse! recording artist Al Jazzbeaux Collins!
In 1983 under the watchful eye of original producer …
Tip! XQX is a Music outfit founded by performance artist John Bock and audiovisual artist Kris Limbach. N°4H is a Hybrid Live/Studio release based on a performance at Staatliche Kunsthalle Baden Baden and precedent recordings.
*In process of stocking* Seabuckthorn is the alias used by Andy Cartwright for his solo works. Cartwright uses finger picking & bowing techniques combined with various open tunings to form a mixture of approaches, often with layered accompaniments. Generally the songs lean towards to the experimental genre, whilst on the edge of the ambient and folk. Having grown up in Oxfordshire, Cartwright studied sound engineering in Cornwall and then lived in the cities of London, Paris & Bristol working as…
Electro-acoustic composer and instrument designer Matthias Puech uses math to spin filigree "audio-naturalist noise" yarns using processed environmental recordings, dissociated instrumental vamps and sculpted electronix.
*300 copies limited edition* "Jens Brands has created a large number of installations, musical performances, and interactive media works. He uses the concepts of parallel activities rather than ideas of fusion. The pieces presented on this recording focus on sonic events related to electronic music (such as intense volumes and dynamics, white noise, square or sine waves) but stay entirely acoustic. On a live performance of the ratchets, the sounds are generated with the idea of a physical, scul…
Originally discovered in a musty charity shop by Live Adult Entertainment, and issued in minuscule numbers on CD in ’21, Christian Love Forum’s raverential debut ‘Naked Light’ documents the fraternal post-church jams of siblings, Scott, Kiro and N•X, plus their mate Steve, who would regularly channel the light and pain of Sunday mass sermons into their ecclesiastic crud. As previously heard on their blink ’n miss ‘Unconditional Love’ tape, the trio express their higher purpose thru ribboning mic…
“The artistry of ABoneCroneDrone is in the attention to detail. The album is beautifully performed, mixed and compiled with intelligence and strong sense of structure. It makes good use of a listener’s valuable time while issuing a challenge to hear in a fresh way.” John L. Walters.
Efraín Rozas’ "Still" posed this question in the form of an installation made for quadraphonic sound, architecture and light. Still was first developed at Queenslab as part of a one-month residency with The Kitchen, New York City in April 2021. This album is a live, stereo room recording of Still as it was presented over three one-hour viewings.
*2023 stock* Geir Sundstøl has made a name for himself as an innovative session musician on hundreds of Norwegian and international albums. 2015 saw the release of Furulund, the first self-composed long player from this Master of Strings. Langen Ro, Norwegian Grammy winner Brødløs and St.Hanshaugen Steel, followed soon after. Now, the stage is set for something quite different. The Studio Intim Sessions, Volume 1, Sundstøl's fifth solo album, has taken a trip on its own, away from the cinematic …
I:Cube has made a new album. It is a very “hands on” album, as the eight tracks on show were created almost entirely by improvising with electronic hardware – synthesizers, sequencers, drum machines and effects units – and recorded in real time, with very little after-editing. It is also his first album in a decade, should you be keeping track. During the time he spent recording it, which was in part inspired by the processes behind his ‘Cubo Live Sessions’ series, I:Cube had fun, experimented, …
*300 copies limited edition* Unreleased but perfectly formed "hidden" album, recorded in 1989-90 by Nuno Rebelo on the wake of his "Sagração Do Mês De Maio" double LP (composed in 1988 as soundtrack to the third Manobras de Maio fashion event in Lisbon). The tracks convey a sense of investigative curiosity regarding computer composition and they sound wonderfully artificial. Titles as "Moon OK", "Tiny Space Ships" or "Dança Das Creaturas Elásticas" ("Elastic Creatures Dance") embody this idea of…
The first in a series of split vinyls concerning dependencies, miscommunication and increasing complexity in our media- saturated digital era. Georgia and Bellows inaugurate the decouple ][ series with works between futuristic eclecticism and avant-garde pan-aesthetics, where musical themes flow tangentially. Similar, but without effectively engaging one another. A metaphor for a world of surfaces.Recorded in Georgia’s Chinatown NYC studio, ‘Tiwala sa buani’ abruptly throw us into freaky percuss…
New Forces is proud to offer a reissue of this hyper-limited Skin Crime tape from 1997, originally available in only a handful of copies. Skin Crime on this recording was Patrick O'Neil and Scott Hull. An essential part of the noise archive, and a unique entry in the legendary Skin Crime catalog.
"1997. I get a postcard in the mail from GX asking if we'd like to play at a show he's setting up. Of course I said yes. I talked things over with RRRon, who had also been invited, and we decided that i…
*200 copies limited edition* Die Sonne Satans (also known as Die Sonne Satan) is the musical creation of Paolo Beltrame. The name Die Sonne Satans is borrowed from the title of Georges Bernanos' novel "Sous le soleil de Satan", which Maurice Pialat adapted into the eponymous film in 1987. Die Sonne Satans is driven by the desire for self-determination in opposition to dogmas or conventions supported only by tradition, authority, or revelation. It remains one of the most creative and simultaneous…
*200 copies limited edition* Few films in the history of cinema have achieved the haunting, meditative power of Andrei Tarkovsky’s Solaris (1972). This masterpiece of science fiction transcends the genre’s typical preoccupation with technology and speculative futures, reaching instead into the depths of human consciousness, memory, and the aching poetry of the unknown. Adapted from Stanisław Lem’s novel of the same name (in turn, one of the greatest masterpieces of speculative science fiction na…
A document of a performance last autumn at Parisian Improv spot Instants Chavires, in which Günter Müller is flanked by two very different but distinctive users of the electric guitar. On one side of the stage is Keith Rowe, who's worked for half a lifetime to unsettle the boundaries between music and noise. On the other is the restrained presence of Taku Sugimoto, whose crabbed phrases waft above the shifting timbral networks laid down by the other two. The trio's music is dominated by rasps an…
"The first word that came to mind on playing Extracts was understatement, with an almost oriental minimalism and profundity on display. At times I was forced to check whether sounds were coming from the speakers or from outside. However, this is a far cry from the Radu Malfatti school of implied music since it is very much about close group interplay. Simon H. Fell's sonorous bass is of particular note, underpinning, colouring and giving the proceedings a kind of still, stately authority. Likewi…