We use cookies on our website to provide you with the best experience. Most of these are essential and already present.
We do require your explicit consent to save your cart and browsing history between visits. Read about cookies we use here.
Your cart and preferences will not be saved if you leave the site.

Back in stock

Page 1360 of 13901360/1390
Violence of discovery and calm of acceptance
Considered by the Chicago Reader to be "one of the most gifted and innovative guitarists of the decade", Rafael Toral has been developing in the last 15 years a unique sound world, having been as influenced by Alvin Lucier and Brian Eno as by Sonic Youth and My Bloody Valentine. Using the guitar as part of a complex electronic instrument, Toral has collaborated with Jim O'Rourke, John Zorn, Sonic Youth, Rhys Chatham and Phill Niblock and played in many European countries and in several states in…
Intermezzo
I met Richard in 2004 on a crazy tour in Australia (Oren Ambarchi's last What is Music?). He was a founding member of The Sun City Girls but he came out to play solo. Instantly we were entranced by his playing, so many beautiful elements of why I love guitar come through in his music and presence, without floating around in genre space at all. Here on the road with Kevin Drumm, Dead C, Residents, Gang Gang Dance, Black Dice, etc amongst this insane lineup Richard ended up supporting Pan S…
Let's make a solar system
TWINKLE³ are: Richard Scott : buchla lightning, analogue synthesizer, sampler, processing - Richard Scott is a British composer and improvisor working mostly with infra-red instruments and modular synthesizers. Closely associated with London Musician's Collective in the early eighties, Richard Scott now lives between Manchester and Berlin, also with an artistic residency at STEIM in Amsterdam. He is a member of Grutronic and the ir trio. David Ross : hawaiian tremoloa,panart hang,kantele,droscil…
Aroma Club Paradox
RESTOCKED, last copies...Awesome Asmus Tietchens LP housed in a beautiful cover and blue vinyl limited edition "Every now and then Asmus Tietchens leaves his serious self behind, like an outta body experience, and enters the Aroma Club. Somewhere in the 80s he released four synth based LPs on Sky (and subsequently recorded on CD by Die Stadt), and then in the last years of the old millennium he returned to playing this kind of music on cheesy keyboards as Hematic Sunsets, producing by now, inclu…
Tuota tuota
"tuota tuota is the third full-length album by kiila. its songs were born of peaceful, focused work and intense rehearsals with friends, interspersed with sleep and mealtimes. the album features an eight-strong core line-up but, as always, the composition of the group varies effortlessly according to need. at this table, there is room for everyone. as musical form, songs have always been important to kiila, and consequently tuota tuota develops around its songs. on the other hand, the album cons…
Concussion Summer
'Concussion Summer' on Not Not Fun is by a merry band of travelers called Social Junk. I've never had concussion but I was hoping to this summer, sadly there's been no decent weather for me to go out tree climbing or trying to get myself set upon by gangs of local toughs. Next year, eh? It's kind of hard to know what to say about this LP really, other than I like it. Some bits are noisy and lo-fi tribal a bit like that amazing Heavy Winged LP from a couple of weeks back and there are even…
Any Colour We Liked
is the highly anticipated and Anna’s first release in co-operation with the Mannequin label from Rome, Italy. CHROMAGAIN were Luca Pastore (bass, guitar, synthesiser, lyrics, backing vocals), Silvio Ferrero (synthesisers) and Davide Bassino (vocals, lyrics) from Torino, Italy, and was formed in 1982. CHROMAGAIN had two other singers (at first Riccardo Acuto, then Danilo ‘Dana’ Barbero) before Davide Bassino joined as the main vocalist and core member. They started as a post-punk outfit in 1982, …
Blood Stereo – The Larval Tuning Fork (& Other Visions)
Massive new album in an edition of 300 copies from the duo of Karen Constance & Dylan Nyoukis: The Larval Tuning Fork consist of two side-long works judiciously edited and put-together with an easy/impenetrable logic from live shows and performances across the globe. Much of this is on the minimal side as is the contemporary Blood Stereo style, with plundered conversations and small-scale clatter and drone put to the service of long blanks of almost hypnotically monomaniacal accumulations…
Raiders
Robedoor have acquired a "drummer/modular synth dealer" since last we heard from them, and with this new LP - their first since last year's Endlessly Blazing - they let fly with their newly enhanced line-up, stirring up smudged-out psych nightmares that sound like they're being performed from somewhere deep within a cave system. In fact, if the blind flesh-eating monsters from The Descent had a house band, 'Indo Shadow' might be the outcome. The album's second half is especially good, with the f…
Fathom
Douglas Quin's Fathom brings together four extended underwater soundscapes-two each from the Arctic and Antarctic. The recordings have been gathered over a period of 15 years, capturing an extraordinary palette of sonic voices, events, spaces, and textures. To the human ear, these soundscapes are haunting and otherworldly; yet they are very much of this world-out of earreach. The tracks are minimally edited and are his first field recordings to be archived in vinyl. Included with the rele…
Live at the Hint House
Live at the Hint House might be considered a field rec. in as much as it is a recording of an ambience or soundscape. Made on my first ever trip to mainland America to play music this is the 2nd set of that evening, the 1st set had been an acoustic one of songs and slide guitar. At the start of the 2nd set i quickly realised that my guitar was not working and rather than stop and attempt to find out what was wrong i decided to just continue and improvise with what was at hand on the table …
Octagonal polyphony
These recordings, sadly, mark some of the final trio recordings with David Gamper who passed away in 2011. This LP is being released simultaneously with DLB's Great Howl At Town Haul CD and Pauline Oliveros' comprehensive 12 CD collection of electronic work. Pressed in an edition of 500. 'Deep Listening Band January 2011 residency and concert at Town Hall Seattle produced enough material for both a CD and an LP on Important Records, and a double LP on Taiga Records. The subsequent summer consist…
Harry Smith
New LP - first ever vinyl - from this great west coast drone group with a magical sÇance in tribute to occultist, archivist, artist and visionary film-maker Harry Smith, performed as a live soundtrack to his films. Mile-deep tones that you could swim in flux through intricately populated blankets of brain-cushioning foo with that classic aircraft-hangar-filled-with-white-light feel. Edition of only 300 copies with paste-on art.
Gussie
On a hot Minneapolis night in the summer of 2001, the legendary avant/jazz group Curlew played a scorching gig at the now-defunct Gus Lucky's Gallery. Gussie documents that evening: the veteran improvising group dispensed with their compositions altogether and took an eminently successful walk along the free-improv tightrope. The ever-evolving lineup featured George Cartwright (saxophones), Davey Williams (guitar), Chris Parker (piano), Fred Chalenor (bass), and Bruce Golden (percussion). A limi…
Mirage Of The Other
the new record is a full lp (+/-40min) from marcia bassett's solo project zaïmph. marcia is well known for her leading role in freefolk/improv groupssuch as double leopards and ghq, as well as for her groundbreakingwork with free guitar/flesh metal duo hototogisu. with her soloproject zaïmph she starts off from the base these groups laid outand takes things to another level, shredding boundaries betweendark noise, drone and psych music. it's deeply meditative yet darklydisturbing and emotionally…
Navigare
Once a member of early nineties daydream shoegazers Slowdive, for whom his manned the drums for four years, Simon Scott has since worked on a variety of projects, including, in recent years, atmospheric pop/electronic outfit Televise, and, more recently, Seavault, a collaboration with ISAN’s Antony Ryan. He is also at the helm of experimental imprint Keshhhhhh Recordings, which he runs from his native Cambridge. For his first release under his own name, Scott couldn’t have found a label more ada…
Hymn For Tomasz Stanko
Last copies...180 gram orange vinyl with gold mixed in, cover by Mike Rudolph. Recorded on 11/04/04 and 3/13/05 by Mike Johnston & Dennis Gonzales. Dennis Gonzalez (trumpet, percussion); Faruq Z. Bey (tenor, alto sax, gong); Mike Carey (tenor sax, bass clarinet); Skeeter C.R. Shelton (tenor, soprano sax); Mike Gilmore (vibes, marimba, saz, tamboura); Mike Johnston (bass, percussion); Nick Ashton (drums, percussion). 3rd vinyl release on Qbico by this great ensemble. Here, as a septet with specia…
Skulls CM von Hausswolff & The Sons of God descending the Silver
The Skull Defekts is back with a new limited edition vinyl lp.500 copies pressed. Cover by Fredrik Soderberg. This time, we are dealing with two unique collaborations. The first one is a live recording from Fylkingen, Stockholm where The Skull Defekts met oscillator master CM von Hausswolff in a deep drone meeting. The second one is a studio recording together with the infamous performance and noise duo The Sons of God, Kent Tankred and Leif Elggren.' artist: The Skull Defekts title: Skulls CM …
Moon Phantoms
Moon Phantoms is a collaboration between the bands Bardo Pond and Suishou No Fune  from Japan. This record came about as most of these collaboration records do by two bands doing a tour together, hitting it off and deciding it would be fun to record a session together. Here's a review I'm stealing from Aquarius Records who always seem to sum up the mood of an album perfectly in just a few sentences: "Deep in the forest ethno-drones, drenched in buzz and shimmer. Sitar, guitar, cumbas and all sor…
Chaos 1978-86
Unless Sun Ra's most out there moments, one of many behavioral components from Chaos 1978-86, were beamed alongside televised presidential messages for years, or the ravenous fire from Jimi Hendrix's burning guitar had a heated soundtrack of its own on the Billboard charts, it's hard to imagine anyone being ready for this crazy shit in the early 80s. The appropriately named Wicked Witch, a richly decadent and spooky avant-garde affair of off-kilter rhythm and blues-based x-spunk, was the masterm…